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Musica Judaica: Journal of the American Society for Jewish Music

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Dreskin, Ellen

American. Cantor. Born in Texas. Founding member of Beged Kefet, a musical Tzedakah collective. Graduated Hebrew Union College-Jewish Institute of Religion School of Sacred Music in New York, 1986. Master in Jewish Communal Service from Brandeis University. Currently Associate Dean of Hebrew Union College-Jewish Institute of Religion. First Cantor to be appointed to a full-time senior administrative position at the College-Institute, 1998. Served as Cantor and Educator at Woodlands Community Temple in White Plains, New York, and Fairmount Temple in Cleveland, Ohio, and as the spiritual leader of Chavurat Tikvah in Westchester County, New York. Ellen is married to Rabbi William Dreskin of Woodlands Community Temple.

Musica Judaica Issues: 2003-2004, Volume XVII

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XVII. 2003-2004

Editors:
Israel J. Katz
Arbie Orenstein

CONTENTS
  
President's Greetings p. iv
From the Editors p. vii
Marriage and Music as Metaphor: The Wedding Odes of Leon Modena and Salamone RossiDon Harranp. 1
Don Harran p. 1
The Cantorial Fantasia Revisited: New Perspectives on an AShkenazic Musical Genre
Geoffrey Goldbergp. 33
Where Musical Realms Meet: Hermann Zivi--An Exemplar of the German-Jewish CantorateTina Fruhaufp. 87
A Conversation with Miriam Gideon (1906-1996)Judith Shira Pinnolisp. 107
Problems Concerning the History of Jewish MusicBence Szabolsci Translaed by
Stephen Erdely
p. 143
A Conference on The St. Petersburg Society for Jewish Folk Music (1908-1938) held at the University of Potsdam, Germany (May, 2004)Malcolm Miller p.

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Musica Judaica Issues: 2001-2002, Volume XVI

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XVI. 2001-2002

Editors:
Israel J. Katz
Arbie Orenstein

CONTENTS
  
President's Greetings p. iv
From the Editors p. vi
The Metaphor of Light in Joseph Haydn's Oratorio, The Creation (1798): A New Jewish Textual SourceAdena Portowitz p.1
The Music of David Nowakowsky (1848-1921): A New Voice from Old OdessaEmanuel Rubinp.21
Toward a Clearer Definition of the Mogen Avot ModeBoaz Tarsi p.53
Synagogal Chanting of the Bible: A Linking of Linguistics and EtnomusicologyRachel Mashiah and Uri Sharvitp.81
In Memoriam: Alexander L. Ringer (1921-2002)Amnon Shiloah p.99
Two Significant Musicological Events: Commemorating Salamone Rossi (ca.1570 - ca. 1628) and Eric Werner (1901-1988)Mark Kligmanp.109
The Turn of the Millennium in Jewish Music: A Bibliography of Selected Items (1999-2002)Compiled by
Judith Shira Pinnolis
p.118
Conributors of articles to this issuep.151
ASJM Membershipp.153
Updated 25 March, 2005

All content © 2001-2002 American Society for Jewish Music.…
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Musica Judaica Issues: 2000-2001, Volume XV

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XV. 2000-2001

Editors:
Israel J. Katz
Arbie Orenstein

CONTENTS  
Greetings from Hadassah B. Markson p. iv
From the Editorsp. iv
Nationalism and the Creation of Jewish Music: The Politicization of Music and Language in the German-Jewish Press Prior to the Second World WarEsther Schmidt p.1
Heinrich Schalit and Weimar Jewish MusicEliott Kahn p.33
The Song of Israel: An Eastern ViewpointAmnon Shiloahp.69
Yemenite Women's Songs at the Habani Jews' Wedding CelebrationsYael Shaip. 83
The Third London International Conference on Jewish Music (2000)Malcolm Millerp.97
A Musical Banquet: the Tenth London International Jewish Music Festival (11 June-13 July 2000)Malcolm Millerp.111
IN MEMORIAM: Irene Heskes (1923-1999)Jon Newsomp.119
IN MEMORIAM: Byron Cantrell (1919-1997)Israel J.

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Musica Judaica Issues: 1999, Volume XIV

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XIV. 1999

Editor:
Irene Heskes

Production Editor, Doris B. Gold

A Publication Devoted to All Aspects of Jewish Music
This issue of Musica Judaica is dedicated to the late Cantor Aaron J. Caplow
“Sweet Singer of Prayers”

CONTENTS
  
Greetings from the President of the SocietyHadassah B. Markson p.6
Editor's CommentaryIrene Heskes p.7
Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain. [Vol. I, 1975/76].Judith Kaplan Eisensteinp.9
Postscript: Remembering Some of Our PioneersMarsha Bryan Edelmanp.31
The Music of the Synagogue as a Source of the Yiddish Folksong. [Vol. II. 1977/78]Max Wohlberg.

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Jacob Mendelson at viewing of Cantor’s Tale

Date: Friday, January 28, 2010
Time: 6PM – Erev Shabbat Services; 7:15PM – Film Viewing
Price: Free, open to the community
Contact: Cantor Rebecca Garfein,
cantorgarfein@crsnyc.org
RSVP: requested
Telephone Number: 646-454-3030
Website: www.rodephsholom.org
Artist/Speaker: Cantor Jacob Mendelson
Event Description: Cantor Jacob Mendelson will lend his magnificent voice and
neshama (soul) to Erev Shabbat Services, followed by a viewing of his award winning
film, A Cantor’s Tale, and a question and answer session. On Saturday, following
the 10AM Shabbat Service, Cantor Mendelson will demonstrate and discuss the styles
of Cantors from the Golden Age, introduce his family zemirot (songs) to the
congregation, and explain that the DNA for hazzanut is contained therein.

Musica Judaica Issues: 1991-92, Volume XII

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XII. 5754/1991-92

Editor:
Neil W. Levin

Assistant Editor, Alexander V. Knapp

Founder, Albert Weisser (1918-1982)

CONTENTS  
A Song to Heal Your Wounds: Traditional Lullabies in the Repertoire of the Jews of IraqSara Manasseh p.1
A Golden Age for Jewish Composers in Paris: 1820-1865John H. Baron p.30
The Message of Moses and Aaron as Reflection of Arnold Schoenberg's spiritual QuestBoaz Tarsip.52
An Historic Israeli-American Musical Dialogue in New York: The Counter-Harmonies ConferenceMalcolm Millerp.65
Edith Gerson-Kiwi: In MemoriamEdwin Seroussip.75
Reviews: Susana Weich-Shahak, ed., Judeo-Spanish Moroccan Songs for the Life Cycle (Jerusalem, 1989)Laurence D. Loebp.

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Gideon, Miriam

Information from the recording by CRI on the composer’s works. For additional information on Miriam Gideon, see the article by Judith Pinnolis in Women and Music in America Since 1900 vol. I, (Greenwood Press, 2002). Gideon’s compositions with Jewish materials include: The Hound of Heaven (1945), How Goodly Are Thy Tents (1947), Adon Olam (1954) , Psalm 84, Three Biblical Masques (1958), Sacred Service (1970), Shirat Miriam L’Shabbat (1974), The Resounding Lyre (1979), and A Woman of Valor(1981).
http://www.composersrecordings.com/cd/782.html

The Bluegrass Kabbalat Shabbat Experience

Featuring Naomi Less
Friday | March 6 | Service at 6:15pm

Join Matt Check and Naomi Less for a Kabbalat Shabbat experience featuring both traditional and newly composed melodies, infused with the vitality of bluegrass rhythms.
With musicians Jordan Shapiro, Sarah Alden, Jacob Tilove & Max Johnson.
Cost: $15 per person.
CLICK ON THE BELOW LINK TO REGISTER

https://mcheck.wufoo.com/forms/the-bluegrass-kabbalat-shabbat-experience/

Jalopy Theatre and School of Music
315 Columbia St, Brooklyn, New York 11231

Yaffa Yarkoni: A Voice for Peace; Gave Voice to Israeli Pride; Supported National Morale for Half Century

Yaffa Yarkoni, (December 24,1925-Jan 1, 2012). Born in Giv’ atayim, Israel. Yarkoni, as many of her generation, was the child of immigrants from the Caucuses. She was the daughter of Malka Alhassof and Avraham Abramov, the middle daughter of three children. Each parent had migrated early in the 20th century. Avraham Abramov, a fabric and carpet dealer, met Malka in Tel Aviv and married her there. Later, he left his family and moved to South Africa. Meanwhile, Malka was left to raise the children. She owned Tslil coffee house in Givatayim (Givat Rambam). All three young children (including Yaffa’s siblings Binyamin, Tikva) proved to have musical talent in singing, dancing and playing musical instruments. They started off in a teenage group Basmati. Yaffa attended Gertrude Kraus Dance School and from there succeeded in landing a place with the dance troupe of the Palestine Opera Company.…
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Music in Jewish History and Culture

By Emanuel Rubin and John H. Baron

In a carefully chosen title, Rubin and Baron set about to teach not only Jewish music but to give the reader a handle to understand their working definition of Jewish music which is “Jewish music is music that serves Jewish purposes.” Thus Music in Jewish History and Culture is a title that tells the reader that any music “that serves Jewish purposes” in the course of time, various places and for various Jewish cultural or religious purposes might be construed as Jewish music. This is functional music. It must be at the service of those in the community for religious, spiritual, national, psychological, artistic or cultural matters. In the end, there are many Jewish musics. These are not only the product of the ages past such as cantillation, nusach or synagogue modes, but also the music of the streets of today’s youth in Israel or elsewhere.…
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Love Notes- A musical festival celebrating Tu B’Av

Temple Emanuel, Temple Sinai and Shalom Cares Present Love Notes,
featuring the music of
• Rabbi Joe Black and Troy Dexter (of the Wilson Phillips Band)
• Cantor Regina Heit
• Cantorial Soloist Bryan Zive and Kol Echad
• Steve Brodsky and the Shabbat Unplugged Band and special guest Cantor Robbi Sherwin
Sunday, August 14 · 5:00pm – 8:00pm
Location
14800 E. Belleview Dr.
Aurora, CO

Temple Emanuel Denver

Meira Warshauer’s In Memoriam

Composer Meira Warshauer’s In Memoriam September 11 and Caesaria will be presented in the U.S. and Germany in several formats by several ensembles on Saturday, September 10 and Sunday, September 11, 2011.

The World and German Premiere performances of the cello choir version of In Memoriam (for 6 celli, adapted by Mirel Iancovici from the version for solo cello and strings) will be given by Mr. Iancovici and I Multicelli in Bottrop at Martinskirche on September 10 at 7:00 PM, in Gelsenkirchen at the New Synagogue on the 11th at noon and in Gladbeck at the Martin Luther Forum Ruhr on the 11th at 6:00 PM. Other composers on these programs include J.S. Bach, Mozart, Ravel, Samuel Barber, Max Bruch and John Tavener. Special guest soloist will be Felicia Hamza.…
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The Music of Un’taneh Tokef

RJ.org has a blog column by Lisa Levine,
The Music of Un’taneh Tokef, from June
http://blogs.rj.org/blog/2013/06/06/the-music-of-untaneh-tokef/.
Lisa Levine is the Cantor of Temple Shalom in Chevy Chase, MD. Her original
compositions are published by Transcontinental Music.
Her website is:http://www.cantorlisalevine.com/ with links to her audio and sheet music downloads through oysongs.com. Among other publications is her Soulful Shabbat Ruach Band Book which is “an entire original Shabbat evening service by Cantor Lisa Levine, written for the choirs, bands, and congregation…”

Judith Shatin

Judith Shatin’s Chai Variations on Eliahu HaNavi
will be performed
by pianist Mary Kathleen Ernst
on 4/29/12 at 3:00 p.m. at the Roberts Music Center
4200 54th Ave S, Saint Petersburg, FL 33711
on the Eckerd College Recital Series
and
on 5/06/12 at 3:00 p.m. at the Crocker Art Museum
216 O Street
Sacramento, CA 95814
916.808.7000
in conjunction with the Judy Chicago Exhibition in Sacramento, CA.

Mary Kathleen Ernst website: www.marykathleenernst.com
My website: www.judithshatin.com

Program notes:

Chai Variations on Eliahu HaNavi was inspired by the folk song
Eliahu HaNavi (Elijah the Prophet), often sung during the closing
service of the Jewish Sabbath. The letters of Chai, which means
life or living in Hebrew, symbolically stand for the number 18;
hence, 18 variations. I decided to give the performer a choice
regarding the ordering of the variations as a reflection of my
sense of performance as a collaboration between performer and
composer (and, for that matter, listener).…
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“A Prayer for Modernity: Cantor Abraham Baer (1834-1894) and the Jewish Reform Movement”

Monday, Oct. 29, 2012
1:45 p.m. – 3:05 p.m.
Hebrew Union College, Chapel
1 West 4th Street, New York, NY 10003
*Photo ID required for entry. Please RSVP to: info@jewishmusicforum.org
Associate Professor Anders Hammarlund, Center for Swedish Folk Music and Jazz Research

In 1877 Abraham Baer published his “Baal t’fillah oder der practische Vorbeter,” an epoch-making work in the history of Jewish liturgical music. Baer’s publication is considered the most comprehensive documentation of traditional, 19th-century European hazzanut. While his work is well known, astonishingly little has been published about Baer’s biography. My work sheds new light on the cantor’s early years in the German/Polish province Posen, and on his cultural environment in Gothenburg, Sweden, where he worked as cantor, shochet and mohel since 1857. I demonstrate that the very peculiar and specific cultural climate of the Swedish city considerably encouraged Baer in his strivings.…
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Mickey Katz Endowed Chair in Jewish Music

Job Opening:
Mickey Katz Endowed Chair in Jewish Music
Position Description

The UCLA School of the Arts and Architecture and the UCLA Herb Alpert School of Music are pleased to invite applications from distinguished figures in composition, performance, ethnomusicology, musicology, or other scholarly disciplines for a tenured, professorial position as inaugural holder of the Mickey Katz Chair in Jewish Music. The Chair supports the study and practice of Jewish music broadly defined in terms of geographical area, historical period, and genre or style. Candidates are welcome to apply from a variety of disciplinary perspectives, including interdisciplinary ones. The eventual occupant of the Chair will hold an appointment in at least one department of the UCLA Herb Alpert School of Music (Ethnomusicology, Music, Musicology), with the possibility of cross-appointments in other departments, as appropriate.…
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Craig Taubman’s Friday Night Live at Ford Theater

Rabbis Nicole Guzik and David Wolpe will join celebrated musician
Craig Taubman for this Friday Night Live service at the Ford for the third
year running on June 14, 2013.

2580 Cahuenga Blvd. East, Hollywood, CA 90068

Friday Night Live at the Ford will be held under the stars in one
of the city’s great venues, and include musical performances from Duvid
Swirsky, George Komsky
, and husband and wife team Lynn Harrell and Helen
Nightengale.

Guests are invited to bring a picnic dinner while enjoying a
pre-show festival featuring performances by YouTube sensation Ari Herstand,
MiMoDa Jazzo Gruppa, and an art show curated by Laurel Johnson. Gates open
at 6:00 PM and Shabbat services will begin at 8:00 PM.

Tickets are $10 and on sale now at the Ford Theater’s website.…
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Musica Judaica Issues: 1993-94, Volume XIII

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XIII. Number 1. 5755/1993-94

Editor:
Neil W. Levin

Assistant Editor, Alexander V. Knapp

Founder, Albert Weisser (1918-1982)

CONTENTS
  
From the EditorNeil W. Levin p.iv
An Unanticipated Consequence of Political/Racial Persecution: the Contribution of Jewish Musicians to the Cultural Transfer of European Art Music to JapanIrene Suchy p.1
Mordecai Sandberg (1897-1973): A Catalogue of the MusicAustin Clarkson, with Karen Pegley and Jay Rahnp.18
An International Conference on Jewish Music at City University, LondonMalcolm Miller p.82
Award of the Degree of Doctor of Humane Letters, Honoris Causa, to Israel Adler p.90
Hanoch Avenary: In MemoriamEdwin Seroussi p.93
Reviews: Walter Salmen, "...denn die Fiedel macht das Fest." Jüdische Musikanten und TÄnzer vom 13.

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‘When We Remembered Zion’: The New Budapest Orpheum Society Commemorates Yom HaShoah

‘When We Remembered Zion’: The New Budapest Orpheum Society Commemorates Yom HaShoah
Monday, April 24, 2017
Pre-concert talk at 6:30 pm by Dr. Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, University of Chicago
Concert at 7 PM

Drawing from repertories of Jewish song from the Holocaust gathered from the cabarets, camps, ghettos, theaters, and films New Budapest Orpheum Society bears witness to those murdered, those who resisted, and those who must not be forgotten. In this concert commemorating Yom HaShoah, the New Budapest Orpheum Society honors composers Hermann Leopoldi, Friedrich Hollander, Imré Kálmán,

Hans Eisler/Bertolt Brecht, and Erich Korngold, whose musical contributions trace
a path to the European Jewish past resounded once again.

Center for Jewish History | 15 West 16th Street | New York, NY 10011
This program is co-sponsored by the Leo Baeck Institute, the YIVO Institute for Jewish Research, and the American Jewish Historical Society.


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Across the Blue Sea

A concert of Israeli, Armenian, Greek and Turkish songs of the Mediterranean Sea Come to Sing and
Dance with The Yuval Ron Ensemble LIVE

Who: The Yuval Ron Ensemble featuring the powerful voice of
Hagai Batzri and special guests the Gypsy Roma musicians of
Istanbul. The concert will include musicians Norik Manoukian
(woodwind), Virginie Alimian (kanoun), Jamie Papish
(percussion), David Martinelli (percussion), Yuval Ron (Oud and
musical director) and the Gypsy Roma musicians: Master clarinet
virtuoso Ferit Benli and percussionist, Ali Durac (darbuka).

Where: Temple Emanuel 8844 Burton Way, Beverly Hills, CA
90211
When: Thursday July 5th at 8:00 PM
Admission: Advance tickets online are $20 at
http://www.maticenter.com/ and tickets are $30 at the door.

Ran, Shulamit

A widely acclaimed composer and pianist who studied in Israel and the United States and now works internationally, including the US. Ms. Ran was born in Tel Aviv. While primarily a classical musician, Ms. Ran has written several works both on Jewish themes, including an opera The Dybbuk, and and works with Jewish musical content, including klezmer-influenced music and several liturgical settings. Ms. Ran won the Pulitzer Prize in 1991. Her music is published by Theodore Presser which has an excellent page dedicated to her music, her publications, her biography and a discography. It includes a photo.
http://www.presser.com/composers/ran.html

Zilbershtein, Tziona

Singer Tziona Zilbershtein lives in northern Israel. She devotes her recordings specifically for women as a religious Jew. Tziona has a lovely voice and a lot of talent. She’s trained in music and dance in the United States, from classical ballet to Indonesian traditional dance, to Tai Chi. She’s also a multi-instrumentalist and composer. Tziona originally performed in the improvisitory jazz style but has since moved into accessible religious songs based on liturgical and biblical texts. Among her CDs is the newHanayni, preceded by Miriam’s Drum, a superb recording of spiritual song and dance. Her focus on rhythms is evident in earlier recordings such as the CD Aleynu. Tziona’s music is availble through her website:
http://koltziona.com/

Bloomfield Zeisler, Fannie

American. Born July 16, 1863 in Bielitz, Silesia. Died, August 20, 1927. Moved to US in 1867. Concert pianist, teacher. Studied piano in US and then in Vienna with Leschetizky between 1879-1883. Professionally debuted at Chicago Beethoven Society in 1884. Concertized throughout the United States, in recital and with orchestras, promoting the works of contemporary American and European composers in addition to a vast standard repertoire.

Maxine Warshauer, Meira

A prolific composer based in Columbia, S.C. A graduate of Harvard, New England Conservatory of Music, and the University of South Carolina, Dr. Warshauer studied composition with Mario Davidovsky, Jacob Druckman, William Thomas McKinley, and Gordon Goodwin. She has received numerous awards from ASCAP as well as the America Music Center, Meet the Composer, and the South Carolina Arts Commission. She is the first recipient of the Art and Cultural Achievement Award from the Jewish Historical Society of South Carolina in 2000. Ms. Warshauer has composed numerous works for Jewish liturgy and on Jewish themes. Meira Warshauer s  We Are Dreamers , for SATB chorus, clarinet, percussion and piano, was commissioned in honor of the 50th anniversary of the state of Israel. The text is Psalm 126, whose theme is the return of exiles to Zion.…
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Tal, Michal

Israeli. Pianist. As one of Israel’s leading pianists, she has served since 2004, as the vice-director of the Givatayim Conservatory. Michal teaches, coaches and lectures at the Thelma Yelin High School for the Arts, the Jerusalem Music Center and the Tel Aviv Academy of Music. For many years she has promoted musical education in Israel. Michal Tal enjoys a versatile career as a soloist, chamber musician and as a devoted performer of new music.
Coming from a musical family, Michal started her piano lessons at the age of five. At the age of 16 she performed as a soloist with the Israel Philharmonic Orchestra. She studied at The Tel Aviv Academy of Music, and from 1983-1988 at Indiana University, and also in New York at The Juilliard School, and SUNY at Stony Brook with Richard Goode, Leon Fleischer, Richard Goode and Gilbert Kalish.…
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Strauss, Deborah

Highly regarded klezmer violinist. Also accordionist and vocalist. Studied at violin, Rutgers University. Ethnomusicology, University of Chicago. Member, Klezmer Conservatory Band. Strauss/Warschauer Duo. Leads workshops and classes in the United States and Canada as well as Europe. Faculty, KlezKamp and KlezKanada. Amsterdam International Yiddish Festival and other major Jewish music festivals in Europe and and North America. Discography includes: Josh Waletzky’s Crossing the Shadows, (2002); Sweet Home Bukovina Oriente Musik, (RIEN CD 13, 1998); Klezmer Music A Marriage of Heaven and Earth Ellipsis Arts (CD4090, 1996); Kapelye On the Air Shanachie(LC 5762, 1995); The Singing Waltz (Omega OCD 3027, 1996); Deborah also appears on two Klezmer Conservatory Band CDs: Dance Me to the End of Love (Rounder 11661-3169-2, 2000) and A Taste of Paradise(Rounder 11661-3189-2, 2003).…
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Shirona

“Shirona, a native New Yorker, was raised in Israel in a musical, cultured evironment, and started performing at an early age. After serving in the Israeli army she returned to the United States and starred in the nationally acclaimed Israeli-American Musical Review “On Silver Wings”. After taking time off to marry and raise a family, Shirona returned to the Jewish Music scene with a newfound interest in New Age and Jewish Spirituality. She began composing original melodies to the ancient texts of the Bible and Prayer Book, in Hebrew, using multi-cultural musical influences, such as Celtic, Eastern European, Middle Eastern and American.” She currently resides with her family in Rye, NY. He CD Judaic Love Songsreceived wide ranging acclaim and received reviews in The Journal of Synagogue Music – Fall 2001 and Jewish Week, August 10, 2001.…
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Schaechter-Gottesman, Bella

Née Beyle Schaechter. Poet, artist and songwriter. Born 7 August 1920 in Vienna. Her mother, Lifshe Gottesman, and father, Benjamin Schaechter, moved to Cernauti, Romania (also called Czernowitz, now part of the Ukraine) when Beyle was eighteen months old. Beyle attended general school in Romanian, also learning French and Latin, spoke Yiddish at home, and German or Ukrainian around town. She studied violin briefly, but her fascination lay in art, singing and Yiddish poetry. Home was full of song as her mother knew a large folk song repertoire and had a wonderful voice. Years later, Lifshe Schaechter-Widman recorded songs in the United States, and wrote a memoir,Durkhgelebt a Velt: Zikhroynes (1973).

In 1938, Beyle’s two-year study at the Vienna art school was cut short when Hitler invaded Austria.…
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Scharrer, Irene

British. Pianist. Born, London, 2 Feb. 1888, Died London, 11 January, 1971. Ida and Tobias Scharrer’s third child. She first studied with her mother, Ida. At the age of twelve she won a scholarship to study with Tobias Matthay at the Royal Academy of Music in London. At her first Royal Academy student concert in 1901, Scharrer played Chopin s Rondo in E flat Op. 16 & “with wonderful finish and very remarkable technical skill.” Her Debut was 1904. According to Naxos music, Myra Hess was not a cousin, but she was someone with whom Irene played duos often, and with whom she gave her last public concert in 1958. Early in her career Scharrer toured widely, performing in Germany, France, Holland, Belgium, Scandinavia and the United States.…
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Rudinow nee Leviash, Ruth

The following article was supplied by her daughter, Naomi Rudinow Cohen.

Ruth Leviash was born in Odessa, Russia, July 24, 1890. She studied at the Imperial Conservatory in Odessa, graduating in 1917. She married Moshe Rudinow, (who also graduated in the same class,) on February 28, 1917. In 1919, they left Russia and toured though Europe, reaching Palestine in 1920, where they joined the First Palestine Opera Company. Moshe and Ruth sang in operas and concerts throughout Palestine until 1927, when she and her husband sailed to the United States. Their son, Jacob was born in Odessa in August 1919, and their daughter, Naomi was born in Tel Aviv in July 1925. Both reside in California. Ruth lived with Moshe, (Cantor of Temple Emmanuel,) in New York until 1948, when he retired and they moved to Oakland, California to be closer to the children.…
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Reisenberg, Nadia

Born 14 July 1904, in Vilna, Lithuania, Nadia Reisenberg moved with her family to St. Petersburg in 1915 where she studied piano at the Conservatory under Leonid Nikolaiev. After the Russian revolution, the family moved, going from Vilna, where Nadia played in the Gelios Theatre accompanying movies, to Poland where she concertized with the Warsaw Philharmonic, to Germany. The Reisenberg s came to America in 1922. Under the helpful largesse of Isaac Sherman, Nadia gave private recitals and began to build a reputation.

With less than one year of study with Alexander Lambert in New York, she gave her American debut on 17 December 1922, playing the Polish Fantasy by Ignace Paderewski, with the composer at the performance in the Century Theatre. With sterling reviews by the press, the young Miss Reisenberg began to receive invitations for more recitals.…
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Rabin Queler, Eve

American. Born January 1, 1936 in New York City. Conductor, pianist. First woman appointed conductor to a metropolitan orchestra and first woman to conduct at Lincoln Center’s Philharmonic Hall. Also the first woman to conduct on a commercially recorded opera. (Massenet’s Le Cid, 1976) Ms. Rabin grew up in an Orthodox Jewish home. A child prodigy, she received a scholarship by age 5. She attended New York City High School of Music and Art. Later she studied at CCNY and conducting at Mannes College of Music. She also studied at the Hebrew Union College School of Sacred Music. Started vocal coaching and rehearsal accompanist at New York City Opera in 1957-(8). Then, in graduate school, studied conducting with Carl Bamberger and later with Joseph Rosenstock at the Metropolitan Opera.…
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Berlinski, Herman

Herman Berlinski, the great composer of Jewish music, including synagogue organ music, was born in Leipzig on August 18, 1910. He studied piano, composition and conducting at the Leipzig Conservatory 1927-1932. He studied at the Ecole Normale de Musique in Paris from 1934-1938, and the Schola Cantorum from 1937-1939. He emigrated to the United States in 1941. This article explores some of his life and the performances of some of his music in Europe.
http://www.juedische-musik.de/synagoge/berlinski.htm

Olivero, Betti

Betti Olivero, born in Tel Aviv in 1954, is one of few young women composers highly acclaimed throughout Israel, Europe and the US. She studied both in Israel and in the United States at Yale with Jacob Druckman. Ms. Olivero’s list of works shows skill and variety. She has written instrumental chamber works, symphonic works, for voice and chamber groups, puppet plays and for large string ensembles. A list of compositions, a brief bio and a discography has been gathered by the Israel Music Institute.

http://www.aquanet.co.il/vip/imi/bios/olivero.htm#Biographical notes

Kramer, Miriam

Born in Connecticut. Violinist. Lives in Great Britain. Named United Kingdom’s Jewish Performer of the Year 1995. Her grandfather was a Cantor and two of her uncles were concert violinists. Graduate of the Eastman School of Music, where she was awarded the Performers Certificate for Exceptional Young Artists. Studied violin with Charles Castleman and chamber music with Zvi Zeitlin. Studied with Yfrah Neaman on the Advanced Solo Studies Course at the Guildhall School. Won the National Federation of Music Clubs First Prize, the Stillman Kelley Prize and the Artists International Young Artist award. In November 1999, her disc of the music of Josef Achron was released. In her latest CD, Miriam and British pianist Nicholas Durcan have recorded for Naxos the violin and piano music of the great 20th century Polish composer Karol Szymanowski.…
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Anne Joseph, Robin

American. Cantorial soloist. Songwriter. Robin has performed and recorded her original music as one half of the duo B’shert and now solo, with the release of her recording “Ta’amod–Stand Up!” Winner of the American Zionist Movement’s First Annual Song Competition in 1994, Robin’s unique style of storytelling through song, MidraShir, has been acclaimed nationwide. Robin’s liturgical compositions have been sung in synagogues across the United States and her Adonai Mah Adam was recently published through Transcontinental Music Publications. Ordained at the Academy for Jewish Religion, Robin is the cantor at Temple Beth Shalom in Hastings-in-Hudson, NY.
www.robinannejoseph.com

Hirshhorn, Linda

Vocalist, Cantor and composer. Founder and director of jazz a cappella ensemble “Vocolot” , a California Arts Council Touring Artist group. Active primarily in the Western United States. Her discography includes “Marcia Falks Blessings in Song” with Fran Avni,”Heart Beat” (2002), “Behold” (1997), “Roots and Wings” (1992), “Gather Round” (also songbook)(1989), “Skies Ablaze”, and “More than Luck and a Prayer”. Works at the Conservative congregation Temple Beth Shalom, San Leandro, CA as a cantor since 1988. Directed first Jewish Women’s International Chorus in Kiev (1994). Hirshhorn has also written songs that became part of a UAHC social justice recording, including “Circle Chant” and “Homeless Blues”.
Linda Hirshhorn webpage

Greenfeld, Judy

Cantor Judy Greenfeld is the founder and spiritual leader of the Nachshon Minyan (www.nachshonminyan.org) in Encino, California. Cantor Judy Greenfeld did her undergraduate work at the University of Arizona and received her ordination as well as a Master s Degree in Jewish Sacred Music from the Academy for Jewish Religion, California (www.ajrca.org), a pluralistic rabbinical and cantorial seminary based in Los Angeles. Cantor Greenfeld is the co-author (with Dr. Tamar Frankiel) of two books, Minding the Temple of the Soul and Entering the Temple of Dreamswhich detail a new approach to Jewish prayer through movement and meditation. She has lectured and taught movement and prayer at retreats and synagogues around the United States. One of the highlights of Cantor Greenfeld’s work with the Nachshon Minyan includes authoring a prayer book which reflects a blending of Conservative and Reform traditions.…
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Jewish Music Forum features Ezro Malakov

The Jewish Music Forum is offering a program being given at the Center for Jewish History
on Monday, March 2nd at 7 PM.
Celebrating the release of an important new book by Dr. Evan Rapport, Greeted with Smiles: Bukharian Jewish Music and Musicians in New York (Oxford University Press), with live music examples by some of New York’s most respected Bukharian musicians led by master singer Ezro Malakov, this promises to be a wonderfully informative and entertaining evening.
Center for Jewish History
15 West 16th Street
New York, NY
Please RSVP at: info@jewishmusicforum.org
Reception to follow.
Additional information about the program, Dr. Rapport and the performers is below.
I hope you will be able to join us on Monday, March 2nd. Admission is free.
Please RSVP to info@jewishmusicforum.org.…
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LABAmusic: Alicia Svigals, Yoav Gal, Nadav Lev

Friday January 9 and Sunday January 11 (with brunch included!)

LABA, A Laboratory of Jewish Culture,
presents award-winning opera and contemporary music,
featuring LABA fellowship alumni Alicia
Svigals
, Klezmer Violinist, Yoav Gal, and Nadav Lev.

From world music to indie opera, their diverse voices are united by the common
thread of Jewish culture – a mesmerizing tapestry of some of the
best original music made in downtown NYC.

Where: 14th Street Y, 344 E 14th St, New York, New York 10003
When: Friday 1/9 at 8 pm, Sunday 1/11 at 11:30, including brunch!
Tickets: $15, free with APAP badge.

Get Tickets here:
http://klezmerbyalicia.c.topica.com/maarAJgackqVDbIFEx6eafpQav/

Ayelet Rose at The Forge –London

Wednesday, September 11, 2013
7:30pm in UTC+01
A rare London performance by international vocalist / composer Ayelet Rose Gottlieb, as she passes through, en-rout to New York, where she will perform at the Metropolitan Museum with composer John Zorn’s Mycale quartet.

Get Tickets:www.forgevenue.org

Originally from Jerusalem, tonight Ayelet will be singing in Hebrew and English. Her lush, individual sound, combining Jazz, Jewish and Middle-Eastern music is enhanced by percussionist Guy Schalom – one of London’s most prominent musicians – leader of The Baladi Blues Ensemble.

Forge Music and Arts Venue
3-7 Delancey Street, NW1 7NL
London, United Kingdom

Achron, Joseph

JosephAchron

Joseph Achron, born May 13, 1886, Lodzdzieje, Poland (now Lasdjaj, Lithuania). Died, April 29, 1943, Los Angeles. Violinist, teacher and composer. His brother Isador was a pianist. A child prodigy and a concert soloist. He studied composition in Russia under Anatoly Ljadov. Toured widely, giving more than 1000 concerts between 1919-1922. Served as Head, and gave Violin Master classes in Leningrad’s Artist Union. He joined the Society for Jewish Folk Music in 1911. In 1922 established a publishing company called “Jibneh” in Berlin. Traveled to Palestine in 1924, staying only a few months. In 1925, Achron emigrated to the U.S. and settled in New York. Worked for a short time rearranging Yiddish theater music for Maurice Schwartz. Taught violin at the Westchester Conservatory. In 1934, he moved to Hollywood, composing film music.…
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Bitton, Eyal

Canadian Composer. Born of Moroccan and German Jewish descent in Montreal, Canada on January 25, 1970. In 1971, his family and he moved to Kinshasa, Zaire where he attended TASOK (The American School of Kinshasa). He moved back to Montreal in 1978 and then attended United Talmud Torahs, Herzliah High School, Vanier College (DEC Pure & Applied Sciences), and McGill University (B.A. Jewish Studies). He has taught English at Ecole Maimonide and at College Francais. He served as President of the Sephardic Educational Center in Montreal, board member of the Spanish & Portuguese Synagogue, and YAD Co-Chair for Federation CJA Campaign 2001. He now lives in Toronto with his wife, Michèle Tredger. He is currently currently the Choir Director of Toronto’s Beth Tikvah Synagogue Choir, formerly conducted by Srul Irving Glick.…
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The Brothers Nazaroff!

Sunday, January 8, 2012
Time 7:00pm until 9:00pm
Barbes
376 9th St. (corner of 6th Ave.), Brooklyn, New York

The joyous public debut of the united heirs of legendary outsider Yiddish troubadour Nathan “Prince” Nazaroff, recorder of the mysterious 1954 Folkways EP “Jewish Freilach Songs”, the missing link between our post-modern Babylonian exile and the lost Atlantis of Yiddish “Middle-Europe”. Scattered all over the globe from Moscow, Berlin, Budapest, and New York, the lost Nazaroff brothers come together one time only at Barbes, in Brooklyn. Together, Pasha Nazaroff, Danik Nazaroff, Meyshke Nazaroff, Zaelic Nazaroff, and Yankl Nazaroff will celebrate the discordant, obscure, jubilant, ecstatic legacy of their Happy Prince.

Jewish Theological Seminary. Music Archives and Sabin Family Music Library

The Jewish music library supports the H.L. Miller Cantorial School of the JTS. The music library contains more than 5,500 reference materials, general Jewish music, cantor’s notebooks, music histories, scores, and sound recordings. Other historical materials include liturgical music,published and unpublished, from late-nineteenth and early twentieth century Europe and Russia. The library serves as a “repository for the history of Jewish music in the United States.” The music archives are part of the JTS special collections. Of special note are the papers of Max Wohlberg, Solomon Rosowsky, Herbert Fromm and Samuel Rosenbaum with finding aids available online. The JTS music archives contains the manuscripts of the Putterman Collection, which were commissioned works for synagogue.
For more information contact
Dr. Eliott Kahn, Music Archivist,
Jewish Theological Seminary
3080 Broadway,
New York, NY 10027
Phone: (212) 678-8076
Fax: (212) 678-8998
elkahn@jtsa.edu
http://www.jtsa.edu/library/archives/music/index.shtml
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…BESIDE the GOLDEN DOOR

“…BESIDE the GOLDEN DOOR”

Annual Concert for a Bold Spiritual Community of Resistance and Love

Sunday, May 21, 2017, 4 PM
130 W 30, NYC

The Emma Lazarus powerful 1883 sonnet, “The New Colossus,” inscribed on the pedestal of the Statue of Liberty, has served as a beacon of welcome and hope to generations of immigrants who came to our shores seeking refuge and freedom. We can revel in the chamber music, songs, liturgical settings, choral music and works for Yiddish theater created by immigrant composers, Bela Bartok, Ernest Bloch, Kurt Weill, Sholom Secunda, Irving Berlin, Miguel del Aguila, and Regina Spektor,

performed by

Elana Arian, violin/singer, Ivan Barenboim, clarinet, Adria Benjamin, viola, Tomoko Fujita, cello, John Riddle, tenor, Beth Robin, piano, Joyce Rosenzweig, pianist/conductor, Amanda Seigel, soprano, Sebu Sirinian, violin, Lisa Tipton, violin, Sally Wilfert, singer, Cantor Steve Zeidenberg, singer, and the CBST Community Chorus.


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Music Library Association

“The Music Library Association is the professional association for music libraries and librarianship in the United States. Founded in 1931, it has an international membership of librarians, musicians, scholars, educators, and members of the book and music trades. Complementing the Association’s national and international activities are eleven regional chapters that carry out its programs on the local level. MLA publishes the journal Notes, the world’s leading journal in its field.”

http://www.musiclibraryassoc.org/

The Legacy of Robert Moevs

Event title: The Legacy of Robert Moevs; includes Elijah’s Chariot for string quartet and electronics from shofar sounds by Judith Shatin

Event date: Nov 13, 2016

Time: 7:30 p.m.

Location: Address: Shindell Choral Hall, 79 George St. City/Town: New Brunswick, NJ Country: US – United States State: NJ New Jersey Zip Code: 08901

This concert features Composition Teachers and Students at Rutgers University. Distinguished composer Robert Moevs, in whose honor the concert was conceived, was the first composition teacher of Judith Shatin, now William R. Kenan Professor of Music at the University of Virginia. In turn, her PhD advisee, Steven Kemper, is now Assistant Professor of Music at Rutgers University. This concert features music for string quartet, in Shatin’s case with electronics fashioned from recordings of Shofar calls, and shows the circle continuing.…
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Announcements Archive 1999

All archival announcements from 1999 listed below.

–New York, NY–
A Tribute to Cantor Moshe Koussevitsky the Holocaust Survivor.
100 YEARS OF THE LEGACY
A tribute to the Tlomitzka Synagogue of Warsaw
World renowned Cantors Ben Zion Miller, Joseph Malovany, Moshe Schulof, the
Yuval Cantors choir of Israel, and other world famous artists will present
their renditions of the music which Koussevitzky was highly acclaimed.
Music performed by a symphonic orchestra led by: Conductor Dr. Mordechai Sobel of Tel Aviv. Date: Sun. Evening- March 5, 2000. Location: Avery Fisher Hall- Manhattan For more information on how to set aside advance tickets for your organization contact: Jill Smulevitz. JEWISH STARS.(516) 292-0670. JS4Talent@aol.com
Tickets are available for fundraising purposes.
The concert committee will update you with the complete list of world famous
performers.…
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International Association of Jewish Music Collections

International Association of Jewish Music Collections

Mission:

The purpose of the International Association of Jewish Music Collections (IAJMC) is to share information between archives, scholars and performers;  to facilitate communication between owners of collections of Jewish music and libraries and archives; and to aid stakeholders in better discovery, preservation and cataloging of items of interest to Jewish musicology and performance.

Origins:

The initial organization of the nascent IAJMC occurred in 2015. During the ICSM seminar at the Royal College of Music, Exile Estates, Archives and Music Restitution (May 2015) and the International Conference on Jewish Liturgical Music, held in Leeds, UK under the auspices of the 3-year international project ‘Performing the Jewish Archive’ (June 2015),  the crucial role of archives was identified as a means for safeguarding musical estates still in private hands.…
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Starting Research in Jewish Music

Introduction

This is a guide to library research in the field of Jewish music. It contains a selective list of resources that may be helpful for getting started. For additional assistance with research, consult your local librarian or write to me on email.


Analyzing your research question

For help narrowing your subject for research or with help in formulating your questions to make
them appropriate for online research, read this brief guide.


Research the vocabulary:

In looking for resources in Jewish music, the student should start not only with traditional Library of Congress Subject Headings such as “Jews–music” or “Synagogue music”, but keyword searching. Keyword searching is an important component of any search today and especially on Internet sources. Here are some samples of additional ways to access unknown materials and focus searching in catalogs, databases and online sources:

Using variations: Jews, Jewish, Judaic, Judaism, Jewry

Synonyms and/or related terms: Israeli, Yiddish, Ladino, Hebrew, Yemenite, Sephardic, Ashkenazic, Palestinian, Middle Eastern

Narrower or specific terms: nusach, masoretic chants, chazan, synagogue, avodat hakodesh, klezmer, kol nidrei, Koenigsberg tradition

Word variations or language transliterations: cantor, chazan, hazan, hazon, kanter

Corporate authors or institutions in note fields: Hebrew Union College, Ktav, Transcontinental, Bloch Publishing, Rubin Academy, Hebrew University

Societies or organizations: American Society of Jewish Music, Renanot Institute, Yeshiva University, YIVO, National Yiddish Book Center

Publication medium: sound recordings, videocassette, score, manuscript

Performance groups: Western Wind, Zamir Chorale, Poogy, Arbel

Names: Andy Statman, Debbie Friedman, Hankus Netsky, Srul Glick, Simon Sargon, Ben Steinberg, Nathan Lam, Shlomo Carlbach, Max Janowsky

Broader/and or Related Subject Headings: liturgical music, synagogues; Yiddish theater; Jewish culture; cantillation; manuscripts, Hebrew art song; chants (Jewish); folk song (Jewish); klezmer; Jewish musicians; zemirot; passover songs; Songs, Hebrew; Songs, Yiddish; Music in the Bible; Music in Synagogues; Psalms;

Foreign terms: schir; shirim; megillah; Hebraische Musik; Yehudiym; yidishe; Jiddische lieder; z’mirot; zemirot; nigun; lider; lieder


Encyclopedias and Dictionaries

TITLES
LOCATIONS
Nulman, Macy.

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Mordechai Gebirtig: His Poetic and Musical Legacy

Edited by Gertrude Schneider

A biography by Sara Rosen about Gebirtig (17-38) gives a very good picture of the life of the composer. Included in the book are songs with score, and poems and songs with only the texts surviving. Also included in the introductory section are pieces that the editor speculates are written by Gerbirtig.

Mordechai Gebirtig was a folk composer of Yiddish song who lived in and around Crakow, Poland, and died during the Holocaust. He was a poor carpenter who was self-taught in music and composed songs completely by ear, remembering them all in his head. Because he was illiterate in music, friends notated his songs. Despite the handicaps, Gebirtig’s (also spelled Gebertig) songs grew wildly popular and were picked up, even in the United States, to become part of folk, popular theater and sheet music repertoire.…
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The Academy for Jewish Religion, California (AJR, CA)

Located at the Yitzhak Rabin Hillel Center for Jewish Life at UCLA, The Academy for Jewish Religion, of California is a pluralistic Rabbinical and Cantorial Seminary and Chaplaincy Program. AJR, CA’s Cantorial Seminary is the only Cantorial school in the Western United States and its’ Dean, Hazzan Nathan Lam, is the hazzan of Stephen S. Wise Temple, the largest congregation in the world. The Cantorial Seminary trains men and women to become cantors who will be a living resource of the varied aspects of the Jewish musical tradition – with mastery of the melodies and chants for Jewish prayer, and of the music for home, school and community. This mastery, coupled with the ability to impart and inspire, includes the contemporary modes and sounds, which resonate with today’s generation.…
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The American Seminary for Contemporary Judaism

New Cantorial school which has finished its first year of teaching the art of Chazzanut. Located at the Baldwin Jewish Center in Baldwin, New York. The Seminary is new,having opened in October, 2004, but it is affiliated with the Jewish Ministers Cantors Association of America (JMCA) which was foundin 1896 as the Hazanim Farband iand is the oldest cantorial association in the United Sttes. The JMCA will serve all denominations of Jewish cantors. One of the main advocacies of the group will be the preservation of nusach. The program of study is based on the “nuts and bolts” of what cantors need to know. The perspective is essentially Orthodox, although the Conservative and Reform perspective are also explained to students. The Seminary is at 885 East Seaman Avenue, Baldwin, NY 11510.…
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Milken Archive of American Jewish Music

The Milken Archive of American Jewish Music, under the artistic direction of Neil Levin, has been working on producing a CD set of 50-80 CDs that will be a comprehensive examination of a diverse body of Jewish music. There will be over 700 titles of pieces of music in the collection when completed. The recording project is only the first of several ambitious projects planned, including a comprehensive history of Jewish music in the United States, and a working archive including audio recordings, videotaped oral histories, and composer interviews and other materials. The Archive is preparing to comission curricula for study at high school and college levels. Other notables involved with the project, which includes several composers and musicologists, are: Samuel Adler, Ofer Ben-Amots, Martin Bookspan, Charles Davidson, Henry Fogel, Lukas Foss, Morton Leifman, Gerard Schwarz, Paul Schwendener, Barry Serota, and Edwin Seroussi.…
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Hebrew Union College-Jewish Institute of Religion. Klau Library Cincinnati. Eduard Birnbaum Collection

Handwritten vocal scores written between 1825 to 1860 along with over 300 folio volumes represent an impressive collection of rare documents in Jewish music. The Birnbaum collections contain synagogue music written or printed between 1700 and 1910. Other music in the HUC-JIR collection in Cincinnati includes sound recordings and musical publications from Europe and the United States dating to early twentieth century.
http://huc.edu/libraries/birnbaum.html

Moscow Male Jewish Choir–Hassidic Capella

A “hasidic capella” choir, the artistic director and conductor is Alexander Tsaliuk. This is the male choir of the Cantorial Art Academy, established in 1989. It is n ow called the Hassidic Cappella, and is based in Moscow. “The choir s singers are all professional musicians  students and teachers at Moscow Tchaikovsky State Conservatory and other leading musical institutes in the capital  who have performed in the city s most acclaimed choral groups. They are united by their commitment to introducing listeners to the beauty of Jewish liturgical and cantorial music — music that has been forgotten and remains unknown to even the most educated lovers of music.” The choir sings in Hebrew, Yiddish and Russian. They perform both Jewish liturgical pieces, Russian folk music and classical repertoire.…
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Basel Synagogue Choir

The Basel Synagogue Choir, one of the rare synagogue choirs in continuous, uninterrupted existence in Europe from before the Holocaust, has recorded several CDs, and now has a new website at www.synagogenchorbasel.ch. The Basel Jewish community founded in 1805 Einheitsgemeinde ( United Community ) has also maintained a professional chazzan. Sound clips on the website feature the beautiful voice of Issachar Helman, a native of Israel. He and the all male Choir sing at The Great Synagogue in Basel located at Leimenstrasse 24, every week.
http://www.synagogenchorbasel.ch

Recht, Rick

Rock star of the Reform/BBYO/Hillel movements, Rick Recht concertizes widely throughout the United States. “Recht also won the 2001 American Zionist Movement and 2000 American Jewish Festival songwriting contests.” According to his website, he has played at over 70 Jewish camps. Recht has amassed a huge following in the teen/20-something community. He has albums, “Tov”, “Shabbat Alive” and “Free to be the Jew in me” and he composes on commission for camps and Jewish venues. His website states: “His contribution to the Jewish music world marks the birth of a unique blend of pop, radio-friendly music with Hebrew, Jewish text, and social responsibility.” But there doesn’t seem to be any question of his growing popularity.
http://www.rickrecht.com/

The Jerusalem Lyric Trio

Amalia Ishak, soprano; Wendy Eisler-Kashy, flute; and Allan Sternfield, piano are the trio’s performers. The Jerusalem Lyric Trio is an Israeli ensemble that highlights the religious and cultural heritage of the Jewish people in its performances. Since 1995, they have performed our programs throughout Western and Eastern Europe, the United States, South America, Russia, and of course, Israel.
The Trio’s repertoire, in addition to familiar classical repertoire, includes works inspired by biblical texts, Jerusalem, the landscape of Israel, the Holocaust, and familiar songs (in Hebrew, Yiddish, and Ladino). They have represented Israel in international music festivals, including the Old Testament in the Arts (Prague), Judische Kulturtage (Munich), Musical Spring in St. Petersburg (Russia), The Eighth International New Music Festival (Riga, Latvia), Encuentros (Buenos Aires), Concentus Moravaie (Czech Republic) and the Budapest Spring Festival 2000.…
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Fred Hersch

American Jazz pianist and composer, described by The New Yorker as “a poet of a pianist”. Hersch has been awarded several residencies at the MacDowell Colony, including in February, 2006, when his CD Fred Hersch in Amsterdam: Live at the Bimhuis (Palmetto Records) will also be released. He tours widely in the United States and Europe. Hersch has reached outstanding acclaim in the jazz world, such that a Jazziz magazine writer stated: “few jazz pianists have ever struck as beguiling a balance between technique, feeling, insight and imagination…Hersch s engagement with each of these songs is so complete that he evokes the sort of secret meanings words cannot. Besides critical claim, Hersch composes ‘classical’ music, and has won a 2003 Guggenheim Memorial Fellowship for composition, a Rockefeller Fellowship for a composition residency at the Bellagio Center in Italy and two Grammy® nominations for Best Jazz Instrumental Performance.…
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Kapele, Di Naye

Bob Cohen formed Di Naye Kapelye, a klezmer ensemble, to “present Carpathian klezmer music in its most authentic form. A member of the Jewish Music Research Center at Budapest’s ELTE University, Bob has done extensive field research in klezmer and Yiddish music in Eastern Europe, the United States, and Israel. A founding member of the Budapester Klezmer Band, Bob has also performed and toured with Budowitz.” The website contains information about the group, its members, links and photos, a discography and articles including “Jewish Musicians in Moldavia” a translation of an article by Itzik Schwartz.
http://www.dinayekapelye.com/DNKfront.htm

Beyond the Pale

Bios, Reviews, Sound Samples, Pictures, Schedule are all featured on the website. “Since their formation in 1998, Toronto’s Beyond the Pale has emerged as one of the most exciting ensembles in the Canadian klezmer, folk, and world music scenes. Rooted firmly in the spirit and forms of klezmer music, the group flirts with elements of other eastern-European folk styles (Romanian, Roma, Balkan) as well as modern and North American styles (bluegrass, reggae, funk) to forge a unique contemporary sound. Known both for inventive arrangements of traditional material and for compelling original compositions, their music has been described as “post-modern klezmer in all the best senses” (KlezmerShack— www.klezmershack.com) and “an altogether original mix” (Victoria Times-Colonist). The band performs at music festivals, concert theatres, community and private events, and has toured across Canada and parts of the United States.…
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