This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume III. Number 1. 5741/1980-81
Editors:
Israel J. Katz
Albert Weisser
| CONTENTS | | |
| Friedrich Gernsheim (1839-1916) and the Lost Generation | Alexander L. Ringer | p.1 |
| Toward Defining the Jewish Prayer Modes: With Particular Emphasis on the Adonay Malakh Mode | Joseph A. Levine | p.13 |
| Seged: A Falasha Pilgrimage Festival | Kay Kaufman Shelemay | p.43 |
| The Jew in German Musical Thought before the Nineteenth Century | Jacob Hohenemser | p.63 |
| Letters to the Editors: An Encyclopedist's Ailments--Reviewing Reviews of the Encyclopaedia Judaica on Jewish Music | Hanoch Avenary | p.74 |
| Letters to the Editors: A reply to Dr. Avenary | Eric Werner | p.76 |
| Book and Music Reviews: Robert Strassburg, Ernest Bloch: Voice in the Wilderness (Los Angeles, 1977) | Byron Cantrell | p.77 |
| Book and Music Reviews: Miriam Gideon: Shirat Miriam L'Shabbat: A Sabbath Evening Service (London, 1978) | Hugo Weisgall | p.80 |
| Book and Music Reviews: Hugo Weisgall, The Golden Peacock: Seven Popular Songs from the Yiddish (Bryn Mawr, 1980) | Bruce Saylor | p.82 |
| Contributors of Articles | | p.86 |
| In Memoriam: Marvin Duchow (1914-1979) | Israel J. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume V. Number 1. 5743/1982-83
Editors:
Israel J. Katz
Laura Leon-Cohen, Associate Editor
| CONTENTS | | |
| Hugo Weisgall's The Golden Peacock: A Stylistic and Interpretive Analysis of Two Songs | Laura Leon-Cohen | p.1 |
| Frederick Emil Kitziger of New Orleans: A Nineteenth-Century Composer of Synagogue Music | John H. Baron | p.21 |
| The Biblical Trope System in Ashkenazic Phrophetic Reading | Joseph A. Levine | p.35 |
| Modulation as an Integral Part of the Modal System in Jewish Music | Judit Laki Frigyesi | p.53 |
| The Development of the Hallel Chant as Reflected in Rabbinic Literature | Macy Nulman | p.72 |
| Antisemitism and Music in Nineteenth-Century France | James H. Johnson | p.79 |
| Record Reviews: The Art of Moshe Rudinow. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XI. Number 1. 5750/1989-90
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
CONTENTS
| | |
| Written Evidence and Oral tradition: The Singing of Hayom Harat Olam in Sephardi Synagogues | Edwin Seroussi | p.1 |
| Neglected Sources for the Historical Study of Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah u'T'Fillah and Todah W'simrah--Annotated Translations | Geoffrey Goldberg | p.27 |
| A Guide to the Unpublished Works of Gershon Ephros (1890-1978): An Annotated Bibliography | Marsha Bryan Edelman | p.58 |
| Lord Byron's Hebrew Melodies: A Curious Episode Reconsidered-- A Review Essay | Carole Rosen | p.86 |
| Reviews: Philip V. Bohlman, The Land Where Two Streams Flow: Music in the German-Jewish Community of Israel (Urbana and Chicago, 1989) | Samuel Adler | p.93 |
| Akiva Zimmermann, B'ron Yahad: Essays, Research and Notes on Hazzanut and Jewish Music (Tel Aviv, 1988) | Joseph A. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume VI. Number 1. 5744/1983-84
Editors:
Israel J. Katz
CONTENTS
| | |
| Lazare Saminsky's Early Years in New York City (1920-1928): Excerpts from an Unpublished Autobiography | Edited by Israel J. Katz | p.1 |
| Sephardic Folkliterature and Eastern Mediterranean Oral Tradition | Samuel G. Armistead and Joseph H. Silverman | p.38 |
| A Trascription of the Judeo-Spanish Ballad La vuelta del marido | Israel J. Katz | p.55 |
| The "Prologue" to Jewish Music in Twentieth-Century America: Four Representative Figures: [Bloch, Saminsky, Copland, and Weisgall] | Albert Weisser | p.60 |
| Max Helfman: The Man and His Musical Legacy | Philip Moddel and Richard J. Neumann (Including a listing of Helfman's compositions compiled by Judith Tischler) | p.67 |
| Last Chants for the Cantorate? |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume IV. Number 1. 5742/1981-82
Editors:
Israel J. Katz
Albert Weisser
Laura Leon-Cohen, Associate Editor
Dedicated to the Memory of Albert Weisser (1918-1982)
| CONTENTS | | |
| The Music Division of the Jewish-Ethnographic Expedition in the Name of BaronHorace Guinzbourg (1911-1914) | Albert Weisser | p.1 |
| Curt Sachs and the Library Museum of the Performing Arts | Carleton Sprague Smith | p.9 |
| The Role of Ethnomusicology in the Study of Jewish Music | Johanna Spector | p.20 |
| The Enigma of the Antonio Bustelo Judeo-Spanish Ballad tunes in Manuel L. Ortega's Los hebreos en marreucos | Israel J. Katz | p.33 |
| On the Melody of David Edelstadts's "Vacht Oyfl" | Robert A. Rothstein | p.69 |
| Book and Music Reviews: Neil Levin, ed. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XIII. Number 1. 5755/1993-94
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
Founder, Albert Weisser (1918-1982)
CONTENTS
| | |
| From the Editor | Neil W. Levin | p.iv |
| An Unanticipated Consequence of Political/Racial Persecution: the Contribution of Jewish Musicians to the Cultural Transfer of European Art Music to Japan | Irene Suchy | p.1 |
| Mordecai Sandberg (1897-1973): A Catalogue of the Music | Austin Clarkson, with Karen Pegley and Jay Rahn | p.18 |
| An International Conference on Jewish Music at City University, London | Malcolm Miller | p.82 |
| Award of the Degree of Doctor of Humane Letters, Honoris Causa, to Israel Adler | | p.90 |
| Hanoch Avenary: In Memoriam | Edwin Seroussi | p.93 |
| Reviews: Walter Salmen, "...denn die Fiedel macht das Fest." Jüdische Musikanten und TÄnzer vom 13. |
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Herman Berlinski: From the World of My Father [8.559446]
The Milken Archive of American Jewish Music has released a CD of four works for the synagogue and the concert hall by German-born, American composer and organist Herman Berlinski. These works reflect his rich, post-Romantic musical language, eclectic musical style, and depth of Jewish inspiration. This new disc complements the Milken Archive’s 2004 release of the composer’s Avodat Shabbat, a large-scale setting of the Sabbath evening liturgy according to the American Reform prayerbook. It brings to 45 the number of recordings released since the Milken Archive CD series was launched in September 2003.
On Thursday, March 24th at 7 PM, in conjunction with YIVO, the Jewish Music Forum will present The Most Musical Nation: Jews and Culture in the Late Russian Empire, the title of a fascinating new book by Dr. James Loeffler, the Founder and first Executive Director of ASJM’s Jewish Music Forum.
Quoting from the book jacket below gives you additional details about this wonderful evening which will have live musical examples. Providing these music examples for Dr. Loffler’s talk, we are very grateful to have performers from YIVO’s Krum Young Artist Series. A reception and book singing will follow:
“No image of pre-revolutionary Russian Jewish life is more iconic than the fiddler on the roof. But in the half century before 1917, Jewish musicians were actually descending from their shtetl roofs and streaming in dazzling numbers to Russia’s new classical conservatories.…
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JEWISH MUSIC FORUM EVENT
Jewish Music Forum 2015–16 Season Opener In conjunction with The Barry S. Brook Center for Music Research and Documentation and the Leo Back Institute
“Jews, Music, and Postwar German Culture”
Book Talk and Conversation with Dr. Tina Frühauf (RILM, CUNY), Dr. William H. Weitzer (Executive Director, Leo Baeck Institute), and Dr. Mark Slobin (Winslow-Kaplan Professor of Music, Wesleyan University)
Dislocated Memories: Jews, Music, and Postwar German Culture (Oxford University Press, 2014), editors Tina Frühauf and Lily Hirsch
Monday, November 30, 6:00 p.m.
The Graduate Center, CUNY
365 Fifth Avenue, The Skylight Conference Room: 9100
The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust.…
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Once you have selected an area to research, the next step is to figure out where your area of research fits in to the existing literature.
A. Is your area of research too broad or too narrow?
What specific question or questions do you want to answer as you do your research? (i.e. what is your hypothesis or hypotheses? You may need to modify these as you do your research)
If your area of research is too broad you will be overwhelmed with too much information and will have trouble figuring out what to write about. Some areas of research might be fine if you were writing a full length book, but not practical for a 10 page paper. Try limiting your area of research in terms of time period, geography, or noteworthy individuals.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XII. 5754/1991-92
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
Founder, Albert Weisser (1918-1982)
| CONTENTS | | |
| A Song to Heal Your Wounds: Traditional Lullabies in the Repertoire of the Jews of Iraq | Sara Manasseh | p.1 |
| A Golden Age for Jewish Composers in Paris: 1820-1865 | John H. Baron | p.30 |
| The Message of Moses and Aaron as Reflection of Arnold Schoenberg's spiritual Quest | Boaz Tarsi | p.52 |
| An Historic Israeli-American Musical Dialogue in New York: The Counter-Harmonies Conference | Malcolm Miller | p.65 |
| Edith Gerson-Kiwi: In Memoriam | Edwin Seroussi | p.75 |
| Reviews: Susana Weich-Shahak, ed., Judeo-Spanish Moroccan Songs for the Life Cycle (Jerusalem, 1989) | Laurence D. Loeb | p. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVII. 2003-2004
Editors:
Israel J. Katz
Arbie Orenstein
CONTENTS
| | |
| President's Greetings | | p. iv |
| From the Editors | | p. vii |
| Marriage and Music as Metaphor: The Wedding Odes of Leon Modena and Salamone Rossi | Don Harran | p. 1 |
Don Harran p. 1
The Cantorial Fantasia Revisited: New Perspectives on an AShkenazic Musical Genre | Geoffrey Goldberg | p. 33 |
| Where Musical Realms Meet: Hermann Zivi--An Exemplar of the German-Jewish Cantorate | Tina Fruhauf | p. 87 |
| A Conversation with Miriam Gideon (1906-1996) | Judith Shira Pinnolis | p. 107 |
| Problems Concerning the History of Jewish Music | Bence Szabolsci Translaed by
Stephen Erdely | p. 143 |
| A Conference on The St. Petersburg Society for Jewish Folk Music (1908-1938) held at the University of Potsdam, Germany (May, 2004) | Malcolm Miller | p. |
…
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Music in Our Time: 2015
Concert May 31 2015 3pm
Music from Golijov’s The Dreams and Prayers of Isaac the Blind; Yulzari‘s Le Grand Méchant, l’Oud and Il était une Fois; Kaminsky‘s Duo for Cello and Piano; Cohen‘s Steal a Pencil for Me; Fine‘s A Short Alleluia; and Ladino songs by Neumann. Performed by Charles Neidich, Rémy Yulzari, Ilana Davidson, Laura Leon, Donna Breitzer, Nadav Lev, and artists from Mannes College The New School of Music.
Ticket Info: $18 general; $12 American Society for Jewish Music/American Jewish Historical Society/Center for Jewish History members; $9 students, seniors
Purchase Tickets
presented by American Jewish Historical Society and American Society for Jewish Music
Wednesday, May 25 · 6:00pm – 9:30pm
Central Square Theater
450 Massachussettes Avenue
Cambridge, MA
More Info
Join Miles Rapoport, Lisa Danetz, Lew Finfer, Renee Loth, Jeff Malachowsky, Arnie Miller, Josh Posner, Paul Summit, Ben Taylor, Brenda Wright, Robert Zevin, and Silver Spoon Co-Creators Amy Merrill and Si Kahn for an evening of musical theater, meeting friends, and mulling the future to benefit Demos and The American Prospect.
6:00 – 7:15: Reception and conversation with American Prospect Editor Kit Rachlis, Demos and American Prospect President Miles Rapoport, Si Kahn, and Amy Merrill.
7:30 – 9:30: Reserved tickets to evening performance of Silver Spoon.
Ticket Prices:
$100 – Participant
$250 – Picket Captain (2 tickets)
$1,000 – Movement Builder (4 tickets)
Proceeds shared by Demos and The American Prospect.…
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Sunday, June 7th at the Center for Jewish History
Celebrating the Siegmeister Centenary
“Music in Our Time,” the annual concert of Jewish music by contemporary composers, presented by the American Society for Jewish Music in association with the American Jewish Historical Society, will be given on Sunday, June 7th at 3 PM at the Center for Jewish History (15 West 16th Street, NYC).
For tickets $18 ($12 members); $6 for Students and Seniors, call 212-868-4444 or
www.smarttix.com or
contact the Box Office: (917) 606-8200 /
href=”mailto:boxoffice@cjh.org”boxoffice@cjh.org.
The Melodia Women’s Choir will present an all female performance of Vivaldi’s Gloria in D Major and contemporary works, including the world premiere of Becca Schack‘s new commissioned piece “In My end is My Beginning” based on a text by T. S. Eliot.
The concert is being held
Saturday November 17 at 8 PM, and
Sunday, November 18 at 3 PM at
St. Peter’s Church,
346 West 20th Street, New York City, New York.
Melodia will be joined by an all-women
instrumental chamber ensemble.
Tickets are $20 in advance and $25 at the door.
For information, call (212) 252-4134, or visit
www.melodiawomenschoir.org.
VOX: Showcasing American Composers 2006
Produced by New York City Opera
Presented by the Skirball Center for the Performing Arts, New York University
566 LaGuardia Place (Washington Square Park South)
May 6 – 7, 2006
FREE
Sunday, MAY 7, 4:30 – 5:30 pm
Stephen Andrew Taylor, Paradises Lost, libretto by Kate Gale
Max Stern, Messer Marco Polo
Directions to Skirball Center:
The Skirball Center is located at 566 LaGuardia Place at Washington Square Park South, within a few blocks of most subway lines, including West 4th St. (A, C, E, F, V, and S), 8th Street (N, R, W), Astor Place (6) and Christopher Street (1).
169 SUBMISSIONS FROM 5 COUNTRIES AND 19 U.S. STATES THRILL SHALSHELET BOARD
One year ago, the Chevy Chase, Maryland-based organization devoted to
finding and sharing new Jewish liturgical music didn?t even exist.
Today, it is relishing the task of selecting the best from among 169
pieces of music written by composers from 5 countries and 19 U.S.
states.
?We are absolutely thrilled,? said Dr. Norma Brooks, vice president
of Shalshelet: The Foundation for New Jewish Liturgical Music. ?A
festival highlighting new music for congregational singing was just
an idea, a dream. Where would the music come from? How would
composers find us? Well, they did, in a very big way,? she said,
pointing to a three-inch-thick stack of submitted sheet music and the
four accompanying review CDs.
At the Stone in NYC, 2nd St. and Ave C, www.thestonenyc.com
Violinist Alicia Svigals, a founder of the Grammy-winning Klezmatics
and the world’s best-known klezmer fiddler, is the curator for the
month of April at the Stone, John Zorn’s performance space on the
Lower East Side of Manhattan.
John Zorn, the composer who was recently awarded a MacArthur genius
grant, opened the Stone to provide a venue for the most creative new
music in New York. Each month he selects a different musician to
curate the series, and for April he asked Svigals to put together a
lineup that would tap into her eclectic and offbeat musical worlds.
The fifty acts Svigals booked revolve around three themes: Jewish
music, virtuoso female instrumentalist/improvisers/composers, and
all kinds of string music, traditional and contemporary.…
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Regina Resnik presents Colors of the Diaspora. It’s a DVD collection with 3 distinct programs included, conceived and written by Michael Philip Davis. Ms. Resnik introduces and narrates the three concerts. Each is a distinct classical music art program, with the common thread of Jewish art music or music on Jewish themes.
The DVD will make the perfect Hannukah present for someone who loves both classical music and Jewish music. The DVD can be obtained through Amazon.com VAI DVD 4540, but also can be ordered directly through Video Artists International, 109 Wheeler Ave., Pleasantville, NY 10570. Toll free number is 800-477-7146.
The DVD includes some surprising repertoire and will introduce even aficionados of Jewish music to new selections.The narration is well written and informative. The selections are thoughtful, artistic, and knowledgeable about the breadth of Jewish music.…
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Kultur Festival 2009: Keynote Tradition & Transformation, 1 Mar 2009
FAU Libraries & Klezmer Company Orchestra Present
Kultur Festival 2009
A Celebration of Jewish Music & Arts
February 25-March 1, 2009 @ Florida Atlantic University
Boca Raton, FL
Keynote Address
“Tradition and Transformation” Rabbi Irwin Kula
Sunday March 1, 2009 @ 1 p.m.
Friedberg Lifelong Learning Center (FAU)
Tickets $5
http://www.library.fau.edu/news/Kultur_Slide_Show/index.htm
Held at ELAT CHAYYIM in 99 Mill Hook Road, Accord, New York, starting August 2-8, 2004…
If you are one of the many people who have been moved and transformed by Rabbi Shefa Gold’s chanting practice and if you are a healer, teacher, artist or spiritual leader in your community, here is your chance to cultivate the inner qualities and learn the practical techniques that will enable you to bring that joy and meaning to others…not to mention the abundant blessings it will bring to your own spiritual life. Please feel free to pass this information on to others
who might benefit from it.
The Yellow Ticket in Seattle, Monday 5/12
Klezmer violinist Alicia Svigals performs her original score live to a screening of 1918 silent film
The work, which was awarded the Foundation for Jewish Culture’s 2012 New Jewish Music Network commission, is currently touring the U.S. and Canada. Next stop: as part of a Music of Remembrance concert at Benaroya Hall, Seattle. This performance, with Alicia on violin and pianist Marilyn Lerner, will also be the premiere of a new version of the score for clarinet, violin and piano, commissioned by Music of Remembrance and featuring Seattle Symphony clarinetist Laura DeLuca.
Remarkably progressive for its time, The Yellow Ticket (1918) is the first film to explore the discrimination of Jews in Tsarist Russia and stars famed Polish actress Pola Negri, Hollywood?s first European silent film star.…
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WEDNESDAY, JULY 25 AT 7 P.M.
SECOND ANNUAL NEW YORK’S BEST EMERGING JEWISH ARTISTS
TO BE HOSTED BY COMEDIAN SETH HERZOG
at the Museum of Jewish Heritage-A Living Memorial to the Holocaust
.WHAT: Second Annual New York’s Best Emerging Jewish Artists
WHERE: Museum of Jewish Heritage-A Living Memorial to the Holocaust
36 Battery Place, New York, NY 10280
WHEN: Wednesday, July 25 at 7p.m.
COST: $25 members, $30 non-members
NEW YORK, NY – After last year’s sold-out show which the Downtown Express called
“authentic, funny – and yes, subversive…,” the Museum welcomes a new line-up of
the best local Jewish talent. Established performers will introduce emerging Jewish
artists for a dynamic evening of cutting-edge comedy, music, and film at the Museum
of Jewish Heritage-A Living Memorial to the Holocaust on July 25 at 7 p.m.…
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Friday 4/24/2015 7pm
Detroit Film Theatre, Detroit Institute of Art
5200 Woodward Avenue, Detroit, Michigan 48202
Klezmer violinist Alicia Svigals performs her original score live to
1918 silent film, with special guest, Seattle Symphony clarinetist
Laura DeLuca
The work, which was awarded the Foundation for Jewish Culture’s 2012
New Jewish Music Network commission, is currently touring the U.S.
and Canada. Next stop: a return engagement at the Detroit Institute
of Art. This performance, with Alicia on violin and pianist Marilyn
Lerner, will also be a reprise performance of a new version of the
score for clarinet, violin and piano, commissioned by Music of
Remembrance and featuring Seattle Symphony clarinetist Laura DeLuca.
Remarkably progressive for its time, The Yellow Ticket (1918) is the
first film to explore the discrimination of Jews in Tsarist Russia
and stars famed Polish actress Pola Negri, Hollywood?s first
European silent film star.…
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WEDNESDAY, JULY 25 AT 7 P.M.
SECOND ANNUAL NEW YORK’S BEST EMERGING JEWISH ARTISTS
TO BE HOSTED BY COMEDIAN SETH HERZOG
at the Museum of Jewish Heritage-A Living Memorial to the Holocaust
.WHAT: Second Annual New York’s Best Emerging Jewish Artists
WHERE: Museum of Jewish Heritage-A Living Memorial to the Holocaust
36 Battery Place, New York, NY 10280
WHEN: Wednesday, July 25 at 7p.m.
COST: $25 members, $30 non-members
NEW YORK, NY – After last year’s sold-out show which the Downtown Express called
“authentic, funny – and yes, subversive…,” the Museum welcomes a new line-up of
the best local Jewish talent. Established performers will introduce emerging Jewish
artists for a dynamic evening of cutting-edge comedy, music, and film at the Museum
of Jewish Heritage-A Living Memorial to the Holocaust on July 25 at 7 p.m.…
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Songs Celebrating Jewish Communities Worldwide: Gershwin, Ravel,
Sephardic Melodies, many more
Featuring Dina Kuznetsova, Rinat Shaham, Steven Goldstein, Steven Blier
and Michael Barrett
FEBRUARY 18 AND 20 2009
AT MERKIN CONCERT HALL, Kaufman Center
at 8 PM
Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org),
will present Voices of the Jewish Diaspora on Tuesday and
Thursday, February 18 and 20, 2009 at 8 PM at Merkin Concert Hall at Kaufman
Center. It is the third subscription concert of the New York Festival of
Song, whose CD, Spanish Love Songs, (Bridge
Records, 2008) featuring Lorraine Hunt
Lieberson, Joseph Kaiser, Steven Blier and Michael Barrett was named one of the “Best of the year” by Opera News.
The program features songs in many languages celebrating the culturally
diverse Jewish communities that flourished as the tribes of Israel spread
out across the globe: Sephardic melodies arranged by Roberto Sierra;
Second Avenue specialties by Irving Berlin and Abraham Ellstein; art
songs by Ravel and Mahler; plus music by Gershwin, Bernstein, and Harold
Rome.…
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Hadassah Magazine January 2004 issue has a great article this month called “Jewish fusion is Here” by Samantha Shapiro…. The lead reads “Imagine Molly Picon in a catsuit, Hallel with a bolero beat.”
The Center for Jewish Studies at Queens College
Is proud to announce their 6th Annual Benefit Concert
Monday, June 11th, 2007
Starring the world famous Sydenham Choir
from Johannesburg South Africa
The return of Cantor Oshy Tugendhaft & the Sydenham Shul Choir marks
their 6th North American tour performing their hit musical CELEBRATION!
Both Oshy Tugendhaft, and the Choir are internationally acclaimed having
sung with many leading Cantors, most recently with Yitzchak Meir
Helfgot.
All seats are reserved. General admission: $50 $32 & $20
25 % discount for orders by May 28, 2007 $40 $24 & $15
Priority seating $100 $75. No discount, includes after show party with
choir.
Order tickets on line at www.boxofficetickets.com/sydenhamchoir.
or call 800-494-8497.
Their CELEBRATION musical depicts many aspects of traditional and
contemporary Jewish life and liturgy and takes place to live music,
provided by a jazzy orchestra.…
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The American Society for Jewish Music sends out this sad announcement about the passing of Jack Gottlieb.
Dear Members and Friends:
It is with sadness that I share with you the news of Jack Gottlieb’s passing.
A prolific composer, especially of sacred songs and choral music for the synagogue, Jack worked actively on behalf of Jewish music and served as President of the ASJM for a number of years. Also a scholar and noted author, his acclaimed books, Funny, It Doesn’t Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway and Hollywood, and, most recently, his memoire Working with Bernstein, about his years as assistant to Leonard Bernstein, received rave reviews. A biography of Jack Gottlieb’s distinguished career is appended below.
As Jack wished for no public funeral, those in the New York area wishing to mark his passing are invited to attend the services at Congregation Emanu-El on March 11 and 12, 2011, which will be devoted to his music.…
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The Center for Jewish History, the American Society for Jewish Music
and the American Jewish Historical Society present:
Thursday, November 6 at 8:00p.m.
Bernstein: A Jewish Legacy
An encore performance of the recently sold-out program at The Jewish Museum and
part of the city-wide festival Bernstein: The Best of all Possible Worlds.
The concert of mostly unknown Bernstein works on Jewish themes, narrated by Jack
Gottlieb, Bernstein’s longtime editor, sheds new light on some of the composer’s
more celebrated pieces. A number cut from West Side Story, lyrics by Stephen Sondheim,
combined with another piece from an abandoned project with lyrics by Betty Comden
and Adolph Green, reveals a surprising transformation as a choral setting in Hebrew.
Among the other works are world premieres of “A Choral Quilt” (arranged by Gottlieb)
and a song Bernstein wrote in reaction to anti-Semitism.…
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On Thursday, April 22 at 8 PM, the Musicians of Lenox
Hill, under the artistic direction of Soo-Kyung Park, will perform “Chamber Music –
New York Style” at Temple Israel of the City of New York, 112 East 75th Street, New
York City The program includes Three American Piecesfor flute and piano by Lukas
Foss, Gershwin’s Embraceable You and I’ve Got Rhythm arranged for solo piano by Earl
Wilde, Dvořák’s Piano Quartet No. 2 in Eb Major, B 162, Op.87 and Luminaria for
violin and harp by Kenji Bunch, who has been called “a composer to watch” by the New
York Times and is quickly emerging as one of the most prominent American composers
of his generation.
New York Concert Review hailed the Musicians of Lenox Hill as “exemplary throughout”
and “extremely impressive, technically and musically”.…
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The Night Before Rosh Hashonah…..
September 17th at the Wilshire Boulevard Temple
“The Sway Machinery Makes The Ancient Modern And The Mythological Real”
– Village Voice
On the heels of their successful New York
City events in 2007 and 2008, JDub Records Presents America’s only indie
rock/Jewish cantorial music group, The Sway Machinery
www.swaymachinery.com
http://www.myspace.com/theswaymachinery
bringing one of the most unique celebrations of the Jewish new year “Hidden Melodies
Revealed – a Secret Celebration of Rosh Hashanah” to Los Angeles for 2009.
This multi-media concert event celebrates Rosh Hashanah in a presentation
that is part ritual, part rock concert. The performance is scheduled for
the night before Rosh Hashanah, on September 17. “Hidden Melodies Revealed”
will also include storytelling and compelling animated films.
The event will take place at 9:00pm
at the Wilshire Boulevard Temple
3663 Wilshire Blvd, Los Angeles
and admission is free.…
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Charitable Concert for AV Israel. All proceeds to benefit Deaf Children at AV Israel.
A beautiful evening by women for women featuring:
Author Naomi Ragen, Singer/Songwriter Nomi Teplow and The Leora Damelin: Women’s Dance Company.
MC: Oshra Koren – Head of MATAN Ra’anana
Monday, January 26, 2009
Time:
8:00pm – 11:00pm
Location:
Yad L’Banim Concert Hall היכל התרבות רעננה
Street:
147 Achuza Street רח’ אחוזה 147
Doors open at 7.30PM – Evening starts at 8.00PM
Tickets: 55₪ and 75₪
To order tickets please contact:
Doors open at 7.30PM – Evening starts at 8.00PM
Tickets: 55₪ and 75₪
To order tickets please contact:
Jozie Eisner – mobile – 054-5505576
Cecile Rechtman – mobile – 050-7593713
Millie Wolf – mobile – 054-6777048.
Light refreshments will be served.
Light refreshments will be served.
New York – Ayecha, a leading Jewish diversity organization, is hosting a groundbreaking musical event celebrating the experience of Jews of Color in Israel, Africa and the United States. This historical event will feature top Jewish performers, including the internationally acclaimed Joshua Nelson and Danny Maseng.
The Jewish Soul Celebration concert will take place on
December 17, 2005,
from 8pm – 11pm,
at the Peter Norton Symphony Space at 2537
Broadway at 95th Street.
For more
on Ayecha, visit www.ayecha.org
Meridian Gallery: Composers in Performance Series Presents
VENUE: Meridian Gallery
535 Powell St, San Francisco, California 94108
Telephone: (415) 398-7229
TICKETS: $10 general, $5 students/seniors. No one
turned away for lack of funds.
BOX OFFICE: Tickets are available at the door.
The Jack Curtis Dubowsky Ensemble, a groundbreaking new
music ensemble led by classical and film composer Jack Curtis
Dubowsky, combines acoustic instruments, electronic hardware,
composed material and structured improvisation. The Ensemble
treats analog synth as a rare and unpredictable performance
instrument. The Ensemble s contemporary electroacoustic
music, abstract, calm, spacious, free form, and transcendental,
is performed and recorded live with no overdubs or sequencing.
www.myspace.com/jcdensemble
www.cdbaby.com/jackcurtisdubowsky
Talk by Dr. Yonatan Malin
Sponsored by the Jewish Music Forum
Friday, October 31, 2:00-4:00 P.M.
The Center for Ethnomusicology and Department of Music
Columbia University
Dodge Hall, Room 622
2960 Broadway
New York, NY
Admission is free; Please RSVP to info@jewishmusicforum.org
Reception to follow.
This paper is part of an ongoing project on the analysis of Jewish
cantillation in the Eastern Ashkenazic tradition. Jewish cantillation involves
the intoned reading of Biblical texts with melodies determined by accent
marks (te’amim) in printed Hebrew bibles. In other parts of the study, Malin
has explored aspects of the system broadly: how the melodies correlate with
and project text phrasing, and how they vary depending on the reading and
occasion.
For more information please visit http://www.jewishmusicforum.org/.…
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For Jews, the terms “assimilating” or “assimilation” are charged. Many unpleasant associations arise with thoughts of Jews “assimilating into” or disappearing altogether into, general society; becoming like others. As Jonathan Sarna says in the introduction to his new book, American Judaism,: “Through the years, ‘assimilation’ has become so freighted with different meanings, modifiers, and cultural associations that for analytical purposes it has become virtually meaningless. In some Jewish circles, indeed, the term is regularly employed as an epithet.” But “assimilating” is a term that the dictionary states, also means, “absorbing”, or “to take in and appropriate.” It can mean a “healthy appropriation of new forms and ideas.” In this book, David Schiller bravely makes distinctions with something that “happened in a more or less remote past or that is happening now.” Using the term in the title is not only eyecatching, but essential to his thesis about the nature of Jewish art music.…
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Emil Skobeloff and Or Chadash have released an album of all new tunes to liturgical music called “And Sarah Danced.: The album is thoroughly American in concept, and takes the listener on a walk through fifty-plus years of American popular styles, attached to Jewish liturgical texts. Skobeloff succeeds in creating some good tunes and some are quite catchy. So for those fond of American style music for Jewish worship, check out this album. Several of the successful songs are the “Magen Avot”, “Ma Tovu” and “Ashrei”. Skobeloff has a myspace page at: www.myspace.com/emilskobeloff
NEW CD RELEASES from the MILKEN ARCHIVE OF AMERICAN JEWISH MUSIC
and NAXOS AMERICAN CLASSICS: DAVID DIAMOND and OFER BEN-AMOTS
For details about Diamond CD, go to
http://www.milkenarchive.org/cds/cds.taf?cdid=17
To read an article about David Diamond’s AHAVA-Brotherhood, go to http://www.milkenarchive.org/articles/articles.taf?function=detail&ID=48
To read an interview with narrator Theodore Bikel, go to http://www.milkenarchive.org/articles/articles.taf?function=detail&ID=46
For details about Amots CD, go to http://www.milkenarchive.org/cds/cds.taf?cdid=18
On Sunday, March 11th at 3 PM the Society will present The Leo Kraft 90th
Birthday Concert at the Center for Jewish History. This performance will
feature some of New York’s finest chamber music players, including flutist
Patricia Spencer, clarinetists Charles Neidich and Ayako Oshima, violinist
Renne Jolles, violist Mark Halloway, and cellist Marcy Rosen, as well pianist
Morey Ritt, who will premiere Testimonium, a new work Kraft has written
for her.
Among other works on the program are New Songs from Old, a fantasy for
solo clarinet based on traditional Jewish motifs and Seven Hebrew Songs to
poems by medieval Hebrew poets, sung by the American baritone Thomas
Meglioranza, with David Jolley, horn and Konstantza Chernov, piano. Hailed by The
Boston Globe for his “vocal distinction and expressive warmth,” Meglioranza
is one of this country’s most sought-after and unique young singers.…
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The American Society of Jewish Music announces official release of MUSICA JUDAICA ONLINE REVIEWS, which has been operating under the Editorship of Dr. Judah M. Cohen of Indiana University
since the beginning of the year.
Designed as an offshoot of Musica Judaica, the Society’s journal which is
published once a year, Musica Judaica Online Reviews (MJOR) not only allows
us to publish reviews much closer to the publication date of the book or
recording in question, but also guarantees a much wider circulation and
distribution of the reviews, to all who are interested what is being written
about in Jewish music. Moreover, at the same time, our goal is not only to
share the reviews but to engage in discussion, with readers able to submit
their comments (of course, moderated by our editor).…
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The Jewish Music Forum and The Center for Jewish History
are pleased to present
Professor Mark Kligman
(Hebrew Union College-Jewish Institute of Religion)
Friday, April 8, 10 AM
Center for Jewish History
15 West 16th Street
“Beyond Yiddishland: New Studies from the Jewish Musical Mediterranean”
The music of Sephardi Jewish communities is a diverse and complex
cultural phenomenon. Spanning the Mediterranean from the Western
Sephardic communities of Spain and Portugal to North Africa, the Ottoman
Empire and the Levant, the Sephardi world encompasses a vast geographic,
cultural and linguistic space. This presentation will offer a broad
overview of the development of academic scholarship on Western and
Middle Eastern Sephardi musical traditions. Using extensive audio
examples, Professor Kligman will demonstrate the stylistic and cultural
diversity across Mediterranean Jewish communities, past and present.…
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Inaugural volume in book series on Jewish Cultural Studies, edited by Simon J. Bronner, Distinguished University Professor, The Pennsylvania State University, USA
Publisher: Littman Library of Jewish Civilization, Oxford, UK
Format and Guidelines: 8,000-word essays in English, prepared electronically
in Word, following Oxford Guide to Style (humanistic style with endnotes)
Deadline: May 1, 2006
Contact: Professor Simon J. Bronner, School of Humanities, The Pennsylvania
State University, 777 West Harrisburg Pike, Middletown, PA 17057-4898, USA,
sbronner@psu.edu
“Joel Rubin is Assistant Professor of Music in the Performance Program at the University of Virginia. He attended the California Institute of the Arts and received a BFA in clarinet performance from the State University of New York at Purchase (1978). His principal teachers were Richard Stoltzman and Kalmen Opperman. Rubin holds a Ph.D. in ethnomusicology from City University of London (2001). Rubin is an internationally acclaimed performer of Jewish instrumental klezmer music and hasidic music. In addition to performances with traditional musicians such as the Epstein Brothers (USA) and Moshe Berlin (Israel), he was the founder and clarinetist of some of the most internationally respected klezmer ensembles, including the Joel Rubin Jewish Music Ensemble and Brave Old World. Rubin’s fifth solo album, “Midnight Prayer”, came out in 2007 on Traditional Crossroads.…
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American born. Sings in Ladino, music orginally from Spain, and her family later settling in Salonika, Greece. The Aroeste sound combines and updates aspects from her ‘unique family background with influx of Latin-based music in America over the past few years.’ Sarah wrote: “I have a Ladino fusion band–you can check it out at www.saraharoeste.com I began this project because there are so few young people working in Ladino. I grew up on the traditional music (my family is from Salonika, Greece), but I am also influenced by other musicial styles. Not only am I a proud Sephardic Jew, but I am also a young, modern American woman! I wanted to find a musical style that could really incorporate my various identities. So I started a band a few years ago taking traditional sephardic songs from across the Mediterranean and combining them with American rock, blues and jazz.…
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American. Cantor. Born December 24, 1952, St. Louis, MO. She is the first woman invested as a cantor. Graduated 1975, Hebrew Union College-Jewish Institute of Religion-School of Sacred Music (HUC-SSM). Received the honorary DSM from HUC in 2000. From 1976 through 1988, served Temple Beth-El of Great Neck. From 1990 through 2002, served Temple Beth Am of Buffalo, NY. From 1996 to 1998, chaired the Joint Cantorial Placement Commission. In 2002, appointed as Placement Director of the American Conference of Cantors (ACC). She also served the American Conference of Cantors (ACC) as Secretary, Vice-President, as a Northeast regional representative, and several terms on the board of directors. Cantor Ostfeld edited the CAA newsletter, Shalshelet: The Chain, for two years.
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVIII. 2005-2006
Editors:
Israel J. Katz
Arbie Orenstein
CONTENTS
| | |
| President's Greetings | | p. iv |
| From the Editors | | p. vii |
p. vii
The History of the Jewish Music Publishing House Jibne and Yuwal
Translated from the German by Eliott Kahn and Verena Bopp | Jascha Nemtsov | p. 1 |
| The Augmented Second, Chagall's Silhouettes, and the Six-Pointed Star | Marina Ritzarev | p. 43 |
| The Female Sozanda Art from the Viewpoint of Professionalism in the Musical Tradition: A Preliminary Survey | Elena Reikher (Temin) | p. 71 |
| Arab Music and Aesthetics as Basis for the Liturgical Structure of the Sabbath Morning Service of the Syrian Jews in Brooklyn, New York | Mark Kligman | p. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVI. 2001-2002
Editors:
Israel J. Katz
Arbie Orenstein
CONTENTS
| | |
| President's Greetings | | p. iv |
| From the Editors | | p. vi |
| The Metaphor of Light in Joseph Haydn's Oratorio, The Creation (1798): A New Jewish Textual Source | Adena Portowitz | p.1 |
| The Music of David Nowakowsky (1848-1921): A New Voice from Old Odessa | Emanuel Rubin | p.21 |
| Toward a Clearer Definition of the Mogen Avot Mode | Boaz Tarsi | p.53 |
| Synagogal Chanting of the Bible: A Linking of Linguistics and Etnomusicology | Rachel Mashiah and Uri Sharvit | p.81 |
| In Memoriam: Alexander L. Ringer (1921-2002) | Amnon Shiloah | p.99 |
| Two Significant Musicological Events: Commemorating Salamone Rossi (ca.1570 - ca. 1628) and Eric Werner (1901-1988) | Mark Kligman | p.109
|
| The Turn of the Millennium in Jewish Music: A Bibliography of Selected Items (1999-2002) | Compiled by
Judith Shira Pinnolis | p.118 |
| Conributors of articles to this issue | | p.151 |
| ASJM Membership | | p.153 |
| Updated 25 March, 2005 | | |
All content © 2001-2002 American Society for Jewish Music.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XV. 2000-2001
Editors:
Israel J. Katz
Arbie Orenstein
| CONTENTS | | |
| Greetings from Hadassah B. Markson | | p. iv |
| From the Editors | | p. iv |
| Nationalism and the Creation of Jewish Music: The Politicization of Music and Language in the German-Jewish Press Prior to the Second World War | Esther Schmidt | p.1 |
| Heinrich Schalit and Weimar Jewish Music | Eliott Kahn | p.33 |
| The Song of Israel: An Eastern Viewpoint | Amnon Shiloah | p.69 |
| Yemenite Women's Songs at the Habani Jews' Wedding Celebrations | Yael Shai | p. 83 |
| The Third London International Conference on Jewish Music (2000) | Malcolm Miller | p.97 |
| A Musical Banquet: the Tenth London International Jewish Music Festival (11 June-13 July 2000) | Malcolm Miller | p.111 |
| IN MEMORIAM: Irene Heskes (1923-1999) | Jon Newsom | p.119 |
| IN MEMORIAM: Byron Cantrell (1919-1997) | Israel J. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XIV. 1999
Editor:
Irene Heskes
Production Editor, Doris B. Gold
A Publication Devoted to All Aspects of Jewish Music
This issue of Musica Judaica is dedicated to the late Cantor Aaron J. Caplow
“Sweet Singer of Prayers”
CONTENTS
| | |
| Greetings from the President of the Society | Hadassah B. Markson | p.6 |
| Editor's Commentary | Irene Heskes | p.7 |
| Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain. [Vol. I, 1975/76]. | Judith Kaplan Eisenstein | p.9 |
| Postscript: Remembering Some of Our Pioneers | Marsha Bryan Edelman | p.31 |
| The Music of the Synagogue as a Source of the Yiddish Folksong. [Vol. II. 1977/78] | Max Wohlberg. |
…
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American. B. 1955 in Washington, D.C. Studied composition at the University of Pennsylvania with George Crumb, George Rochberg, and Richard Wernick. Also at the Conservatoire de Musique in Geneva, Switzerland. Since 1999, he is Mary D.B.T. and James H. Semans Professor of Music at Duke University, where he taught since 1981. Jaffe co-directs Duke’s contemporary music concert series Encounters: with the Music of Our Time, and works with a inventive and gifted group of young composers. Jaffe won a Rome Prize from the American Academy in Rome, the American Academy of Arts and Letters Prize, and fellowships from the National Endowment for the Arts, Tanglewood, and the Guggenheim Foundation. Brandeis University awarded him its Creative Arts Citation (1989), Kennedy Center Friedheim Award for First Quartet(1991.…
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American. Born in 1912 in New York. Died in Boston on October 7, 2003. Avant-garde composer. Studied at NYU and Harvard University. Focused in chamber and solo piano music. New York Music Critics Circle Citation, 1962. Won awards from Guggenheim, Fromm, Coolidge, Naumburg and Fulbright Foundations. Fellow of the American Academy & Institute of Arts and Letters. Fellow of the American Academy of Arts & Sciences. Taught at Mills College, 1939–1943. Taught at Brandeis University 1953-1980 as Irving Fine Professor of Music. Helped establish the graduate program at Brandeis. 2003 ASCAP-Deems Taylor Award.
American. Cantor. Opera singer. She served as the first cantor of the Stephen Wise Free Synagogue of New York City and held the post for 21 years. Cantor Stettner is on the faculty of Hebrew Union College-Jewish Institute of Religion, School of Sacred Music, and currently is a member of the Joint Cantorial Placement Commission and Vice President of the American Conference of Cantors. Cantor Stettner has performed extensively throughout the country with the Santa Fe Opera, the New York Opera Ensemble, the New England Chamber Opera and the Princeton Opera. She won the prestigious National Arts and Letters Vocal Competition in Carnegie Hall and, as a result, was the featured soloist in a performance of Mozart arias with the American Symphony Orchestra. In addition, she was in documentaries produced by the BBC and the French National Television.…
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Cantor Benjie Ellen Schiller is both the first woman to be a full time faculty member at the School of Sacred Music at Hebrew Union College-Jewish Institute of Religion in New York and a composer of sacred music. Born in New York on April 14, 1958 to Miriam and Nathan Schiller, Cantor Schiller studied voice and composition, and received a B. M. in Theory and Composition at Boston University in 1980. She continued graduate studies there in voice and choral conducting, and shortly thereafter, married Rabbi Lester Bronstein in June, 1981.
She attended the School of Sacred Music of Hebrew Union College in New York and was invested in 1987. Her Master Thesis composition was “Life Song Cycle.” Cantor Schiller also became a full time faculty member and taught courses in cantillation, basic nusach (prayer modes) and the in-depth study of repertoire for Shabbat.…
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How an Afro-Jewish band rocked Nazi-occupied Denmark
Anne Dvinge, University of Copenhagen
It seems an impossibility: in Nazi-occupied Denmark in the 1940s, one of the hottest jazz orchestras around was the interracial Harlem Kiddies, with two white and three black band members – and a Jewish singer in front. The story of how the band came to be so popular is one that uncovers the great role that jazz and race played in the occupied territories during the Second World War.
Several factors contributed to the social and political atmosphere that enabled their success. In the occupied territories in the Second World War, Denmark was known as the Sahnefront – the cream front – due to the co-operative government and the relative leniency of the occupying forces.…
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The New York Andalus Ensemble will perform Oct. 30 2014 at 7;30
at the CUNY Graduate Center
Elebash Recital Hall
365 Fifth Ave (corner of 34th) NY, NY
$13 Adults, $10 students
The_New York Andalus Ensemble presents Et Dodim Kalah (It’s the Time of
Courting, O Bride!), an evening of music and song from al-Andalus and North Africa.
Reflecting the cultural pluralism that characterizes this music, the 20 members of
the ensemble perform repertoire in Arabic, Hebrew, and Judeo-Spanish Ladino, emphasizing the
region’s shared tradition while cherishing the individual cultures that comprise it.
Et Dodim Kalah_ (It’s the Time of Courting, O Bride!)
Come hear The New York Andalus Ensemble
Thursday, October 30, 2014
7:30 PM
Elebash Recital Hall, CUNY Graduate Center, 365 5th Ave. (at 34th St.)
The New York Andalus Ensemble will present _Et Dodim Kalah_ (It’s the Time of Courting, O Bride!), an
evening of music and song from al-Andalus and North Africa.
TIckets: $13 adults/$10 students, available at the door or at
www.newyorkandalusensemble.comor
(http://www.asefamusic.com/NYAndalusWEB/performances.html).
In al-Andalus (Southern Spain), peoples of the three Abrahamic faiths—Islam,
Judaism, and Christianity—shared their arts and sciences for more than five hundred
years, creating a multicultural canon of music and poetry. Since 1492, Jews and
Muslims in North Africa have carried the musical traditions forward from al-Andalus.
Today, the musical expansion from over five centuries ago to the present day
flourishes in New York City with the New York Andalus Ensemble.…
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Anthony Russell will perform in Miami on Sunday, June 9th at 4:00 p.m. in the first
solo concert presented by the Winter Jewish Music Concert.
Tickets for the concert are now on sale online
http://www.jewishconcert.org/tickets/ or by calling 1-800-838-3006. General
admission for the concert is $18, and sponsor tickets are $36.
Anthony Mordechai Tzvi Russell was profiled this week in the Times of Israel. “If
you think you know what a Yiddish singing star looks like, think again. The new, hot
name in the world of Yiddish musical performance is Anthony Russell, and he’s a
33-year-old, 6’1’’ African-American hipster from Oakland, California,” the author
wrote. “Baptist-born and Jew by choice, opera singer Anthony Mordechai Tzvi
Russell’s ‘niggunim’ have soul.” Read the rest of the article
http://www.timesofisrael.com/just-your-typical-61-african-american-yiddish-singer/
The concert will include a variety of music—Yiddish music, music in Hebrew, and
African American spirituals.…
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STEAL A PENCIL FOR ME–
OPERA BASED ON LIVES
OF HOLOCAUST SURVIVORS JAAP & INA POLAK
Semi-Staged Concert Performances in New York on April 28 & 30
of a new opera in two acts by Gerald Cohen and Deborah Brevoort
These semi-staged concert performances will take place on:
Sunday, April 28, 2 p.m. at Shaarei Tikvah Congregation, Scarsdale, NY; and
Tuesday, April 30, 7 p.m. at the Jewish Theological Seminary, New York, NY
Details can be found on Gerald Cohen ‘s website
www.geraldcohenmusic.com
Shaarei Tikvah Congregation is located at 46 Fox Meadow Road, Scarsdale NY. Individual tickets are $30 at the door; $25 in advance; $15 for seniors and $10 for students. Please contact (914) 472-2013 or office@shaareitikvah.org.
Jewish Theological Seminary (JTS) is located at 3080 Broadway (at 122nd st.), New York, NY.…
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HAZAMIR TEEN CHOIR CELEBRATES 20 YEARS IN GALA CONCERTS AT JAZZ AT LINCOLN CENTER ON MARCH 17
300 SINGERS FROM ACROSS U.S. AND ISRAEL TO PERFORM. NEW KINOR DAVID AWARD TO BE INAUGURATED
300 singers from 22 cities across the U.S. and Israel take part in the 20th anniversary concerts of HaZamir: The International Jewish High School Choir at Jazz at Lincoln Center on Sunday March 17. The back-to-back concerts, at 3pm and at 6:30pm, are the annual culmination of a year-long teen program sponsored by the Zamir Choral Foundation in New York. Zamir is the only organization of its kind to use Jewish choral singing as a vehicle to foster Jewish identity, community and continuity.
The concerts span a wide range of classical and contemporary musical selections, with mostly Hebrew texts.…
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http://roulette.org/events/judith-berkson/ . The Vienna Rite is a new chamber opera by Judith Berkson that will be premiering for two nights in November at the Roulette. There are only two performances, November 2nd and 3rd 2012. “The Vienna Rite” is the story of a new service composed in 1828 by Viennese Cantor Salomon Sulzer in collaboration with Franz Schubert and other Viennese composers which sought to merge European music with synagogue chant.
It is being performed by the new music ensemble Yarn/Wire along with guests Brian Chase and Chi-Chi Glass and features the amazing baritone Ian Greenlaw as Salomon Sulzer along with singers Lana Cencic, Allyssa Lamb, Bo Chang, Judith Berkson, Aram Tchobanian and Gavriel Savit. It is set in the historic Stadttempel with costumes and set design by Audrey Robinson.…
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All archival announcements from 2001 listed below.
**********************************************
AMJ: L’Association Amis de la Musique Juive
L’Association AMJ: Les Amis de la Musique Juive –Friends of Jewish Music in Geneva, Switzerland sponsors exhibits, concerts, lectures, debates and music workshops. The first CD produced by AMJ has segments that can be listened online. It’s the digital “live” recording from the “Psalm” concert organized on March 11th 2001. To hear a presentation:
http://www.club-association.ch/amj/WCD001-presE.htm
Voices: Continuity and Community
Gala opening concert of the Peretz Centre for Secular Jewish Culture
Saturday, Oct. 6 at 8 p.m., Peretz Centre, 6184 Ash Street (at 45th
Avenue), Vancouver
The Peretz Centre will celebrate the offical opening of its new
facilities with a concert featuring vocalists Claire Klein Osipov,
Grace Chan, Marcus Mosely and Stephen Aberle.…
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Thursday, May 12th. 7pm
As part of the Young Artists Concert Series, Hebrew College School of Jewish Music students
Richard Lawrence and Kate Judd will be performing in
a concert highlighting the works of Lazar Weiner and Joseph Achron at the YIVO
Institute for Jewish Research, New York City,
at the Center for Jewish History | 15 West 16th Street – NYC
For more information on the concert and to purchase tickets, please go to:
http://www.yivo.org/events/index.php?tid=181&aid=822
CNN reported that one of the victims of Continental Airlines Flight 3407 that crashed in Buffalo last Thursday was Cantor Susan Wehle. Brooklyn native Cantor Wehle was a cantor at Temple Beth Am in Williamsville, New York since November of 2002. She had also sung as a cantorial soloist at Temple Sinai in Amherst, New York. The cantor received her Cantorial Smicha from Aleph – the Movement for Jewish Renewal. Additionally she earned a Bachelor of Arts Degree in Theatre and in Judaic Studies, and a Bachelor of Fine Arts Degree in Acting. She performed with theatre companies in Buffalo, Chicago and New York City. Her parents were Holocaust survivors. Cantor Wehle was 55. She had released a CD called “Songs of Hope and Healing.” Temple Beth Am synagogue has established at guest book for those who wish to remember the cantor.…
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April 1 and April 2. Mark those dates on your calendars. Maybe even book a flight to New Orleans to attend the event! Out of towner tickets are only $50 for the entire two days. The first ever New Orleans International Jewish Music Festival is happening in only a few short weeks. And it’s going to be a great line up: Neshama Carlebach, Rebbe Soul, Moshav Band, Sam Glasser, The New Orlenas Klezmer All Stars and much more. To learn all about it, read this flyer: http://www.hiddurmitzvah.org/neworleans/media/pressrelease.pdf
Come support the Jewish community of New Orleans and at the same time bring some great music back to the city.
A quick reminder of what will be happening at the International
Jewish Music Festival from September 13 – 16, 2014. The festival directors want you to know about a special offer:
SPECIAL OPPORTUNITY!
Always wanted to make a flight over Amsterdam? If you support our
festival with a donation, our own pilot will take you up into the
sky! We enormously appreciate your help to realize our festival and
we can use every donation. But there is now another reason to help
us: until September 1st, KUNSTENISRAËL foundation will double any
amount donated to our voordekunst campagne (up to a maximum total of
€ 2500)! So every euro that you donate is worth three to us! Visit
http://cts.vresp.com/c/?InternationalJewishM/3ead79f654/dd0f152f70/12a8433f8e for
details and conditions.
What is happening in Amsterdam that weekend?…
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Barry Serota
Z”l
Barry Serota, a practicing attorney and executive director of the Institute for Jewish Sound Recording, died suddenly November 16, 2009 on a plane flight between New York and Madrid on the way to Israel.
Serota, widely known for his deep knowledge of Jewish music, had produced more than 100 recordings of Jewish sacred and secular music. Serota’s output at the Institute, based in Chicago, included choral, instrumental, folk and art music. Serota was especially known a promoter of chazzanut. Starting in 1969, he issued many esoteric Jewish music recordings under the imprint of Musique Internationale.
Serota, an advisor to the Milken Foundation, worked on their large project of the Library of American Jewish Music, the recordings which were published under the Naxos label.…
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October 11-14, 2012 in a new location!
The Third International Jewish Music Competition will be held at the
Compagnie theater in the heart of Amsterdam’s old city center and on
the edge of the city’s Jewish Cultural Quarter This competition is for individual musicians, ensembles and bands specializing in performing Jewish music and whose goal is an international career performing this repertoire.
Competition registration: open until July 1
Announcement of selected contestants: August 1
Ticket sales: starts in September
Festival opening concert: Wednesday October 10
Preliminary competition rounds: Thursday October 11 & Friday October
12
Finale: Saturday October 13
Winners’ Concert: Sunday October 14
More information & registration: www.ijmf.org
Location: Compagnietheater, Kloveniersburgwal 50, Amsterdam
IJMF Newsletter May 2012
Click to view this email in a browser –
http://hosted.verticalresponse.com/536935/db350ae0ba/1524001773/dd0f152f70/…
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Ashkenaz, A Festival of New Yiddish Culture 2004 a festival of music in Toronto Canada this weekend. The Canadian Cabaret, taking place late Saturday night (10pm), Sept. 4th, is again hosted by Theresa Tova (she was very funny and effective last time), who is otherwise involved in a number of key programs and not to be missed.
Lights Celebrate Hanukkah Live in Concert is a high-definition special feature on PBS with a distinguished, diverse and dynamic ensemble of musical performers in celebration of the Jewish Festival of Lights. Craig Taubman hosts a musical extravaganza featuring the likes of the Grammy Award-winning Klezmatics; cantor/tenor Alberto Mizrahi (first introduced in CANTORS: A FAITH IN SONG); top-selling jazz artist Dave Koz; soulful and dynamic Joshua Nelson; Emmy Award-winning actress Mare Winningham; rising star Michelle Citrin and others.
For Dates and Times, look for your local PBS station here:
http://www.craignco.com/lights/airdates.html
Master Klezmer Class with Clarinetist David Krakauer
Monday, November 14, 7:00-10:00pm
Jewish Community Center of the East Bay
1414 Walnut Street, Berkeley.
7:00-8:00pm: Lecture/demo by internationally-acclaimed klezmer and classical clarinetist David Krakauer, who will demonstrate klezmer technique and share personal stories and insights prior to the hands-on portion of the workshop.
8:00-10:00pm: Master class for “high intermediate to professional level” musicians. Participants will play (alone or with a pre-formed group) and will receive constructive feedback and coaching.
Registration fee:
* Individuals who play for Mr. Krakauer: $50/person
* Groups that play: $35/person
* Listeners (“auditors”): $20/person.
A limited number of reduced price scholarships will be available. Inquire at info[at]klezcalifornia.org.
Registration process:
Please reserve your space via phone (415.789.7679) or email (info[at]klezcalifornia.org). Tell us your name, email, and telephone and whether you will listen only OR play a solo OR play with a group of a specific number of people.…
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Join us for Yidstock 2013: the festival of new Yiddish music!
Thursday, July 18th through Sunday, July 21 Live at the Yiddish Book Center
DON’T MISS OUT ON WHAT PROMISES TO BE AN AMAZING FESTIVAL!
Purchase your tickets today.
To purchase tickets for individual events or to purchase a Festival Pass:
http://support.yiddishbookcenter.org/site/R?i=OUxhv-zFlGQX0WJsFs28rg
A limited number of Festival Passes are available.*
*Festival Pass includes access to all concerts, lectures, and workshops
Back by popular demand, Yosi’s Kosher Falafel Tent will be serving an assortment of
great food.
Concert Schedule
– Thursday, July 18 –
*7pm | Klezmer Conservatory Band
– Saturday, July 20 –
*7pm | Margot Leverett & the Klezmer Mountain Boys and Klezperanto
– Sunday, July 21 –
*12pm | Wholesale Klezmer Band – Family Concert
*2pm | Brass Khazones: Steven Bernstein and Frank London play Cantorial Music
*4pm | Golem
*7pm | Yidstock All-Stars
Workshop · Lecture Schedule
– Friday, July 20 –
*1pm | Lecture: Hebrew National Salvage: Rediscovering Lost Musical treasures with
Hankus Netsky
*2pm | Lecture: Rockin’ the Shtetl: The Essential Klezmer with Seth Rogovoy
*3:30pm | Workshop: Yiddish Folk Dance with instructor Steve Weintraub
*5pm | Workshop: Instrumental Klezmer with instructor Brian Bender
– Saturday, July 21 –
*4pm | Talk: New Riffs: Improvising a Contemporary Yiddish Culture with Aaron Lansky
and Seth Rogovoy
For more information and to purchase tickets:
Website – www.yiddishbookcenter.org/yidstock
Phone – 413-256-4900
**PLEASE NOTE: Lineup is subject to change.…
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Born June 27, 1924, Hamburg, Germany. Composer and pianist. Studied in Berlin where she was the “youngest student ever accepted at the Stern Conservatory.” In 1935 her family began fleeing the Nazis, going first to Stockholm, where she studied at the Royal Academy of Music, and then Mexico City where she studied composition with Manuel M. Ponce. In 1946, Hindemith met her and invited her to study at Yale, where she earned a BA in 1950. She worked in several part-time jobs to support herself both by playing and teaching. In 1950s, moved to New York, composing a large number of works over 30 years including operas, orchestra pieces, lieder and chamber music and quite a few piano works. Her works include several with Jewish themes such as A Bird Flew Over Jerusalem.…
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All archival announcements from 2002 listed below.
–Syracuse, NY–
Klezfest photos from Klezfest 2001 and 2002.Next Festival on June 8, 2003.
http://www.sjfed.org/klezfest/gallery.html
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–New York–TOUR with MUSIC–
LOWER EAST SIDE SERENADE
Musical Walking Tour Sings the Stories of the Lower East Side
SUNDAY, OCTOBER 27, 2002, 11 AM
Lower East Side, New York . . . On Sunday, October 27, 2002, from 11:00 AM to 1:00 PM, the Eldridge Street Project will host the Lower East Side Serenade, a musical walking tour of the historic sites and sounds of the Lower East Side. As they meander along the streets, tour-goers will be treated to live performances of Yiddish and English songs which reference turn-of-the-century immigrant life in the neighborhood. World-renowned “minstrelâ€, Jeff Warschauer, will sing his heart out as architectural historian Lucien Sonder points out nineteenth- and early-twentieth-century landmarks in the neighborhood.…
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“Beyond Boundaries: Music and Israel @ 60” looks at the Present-Day Complexities of Israeli Music
View Beyond Boundaries Brochure
On Friday, March 28, “Beyond Boundaries: Music and Israel @ 60,” a symposium of the Center for Jewish Studies at the CUNY Graduate Center, will explore the complex diversity of musical styles, cultures, religions and ethnicities that is Israel today. The daylong event will present papers, discussions, and musical performances from 9:30 AM to 3:30 PM in the Baisley Powell Elebash Recital Hall on the first floor of the Graduate Center, 365 Fifth Avenue (at 34th Street).
In the morning, three speakers will present papers on a variety of topics significant to our understanding of the present-day climate for music in Israel. In the afternoon, from 1 to 3 P.M., there will be a concert by two performance groups: the renowned contemporary New York-based chamber ensemble Continuum, with a program of Israeli art music with pieces by Tzvi Avni, Betty Olivero, and Benjamin Yusupov; and Galeet Dardashti’s all-woman band Divahn, with a program of ethnic and popular Mizrahi music.…
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Do you enjoy singing? Come and Celebrate…
Come and Sing 10 Centuries of Jewish Music
Join us for workshops and a concert at St John’s, Smith Square
Open to Intermediate and Experienced Choristers
Sponsored by the Zemel Choir and The Spiro Ark
Sunday 1st June 2008: Workshops and voice-training
Sunday 15th June 2008: Workshops and Concert
Price £30 (to include entry to concert)
Price £25 if booked before April 30th
To register, or for further information, call 020 8236 0317
(evenings), or email celebratewithsong@hotmail.com
Sponsored by the Harold Hyam Wingate Foundation
And with the support of The Jewish Music Institute
Come and share with us in the joy of Jewish choral music.
www.the-zemel-choir.org
e-mail: celebratewithsong@hotmail.com
www.spiroark.org
The workshop leaders: …read more….
Sunday, Jan. 30, 2005 4:00 PM
One of the most amazing performing groups in Jewish music will be at Temple Emanuel on January 30 for a fund raising concert in support of the Cantors Assembly. The concert is being jointly presented by Temple Emanuel and the New England Region of the Cantors Assembly.
The Sons of Sepharad features leading musicians who started their lives in countries surrounding the Mediterranean, including Turkey, Morocco, Greece, France and Israel. The group was founded by Gerard Edery, who has published a book of Sephardic songs, and recorded 10 CDs of Sephardic music. He is joined by two prominent members of the Cantors Assembly, Alberto Mizrahi and Aaron Bensoussan, who serve congregations in Chicago and Toronto, respectively. The instrumentalists are Rex Benincasa (percussion) who has a career spanning professional orchestral appearances and performing in Broadway pit bands; George Mgrdichian, the leading performer on oud in the US; and Emmanuel Mann (bass) founder of several Israeli performing groups.…
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The all women’s klezmer sextet, ISLE OF KLEZBOS, will perform at the Jewish Museum’s “SummerNights” Series on Thursday, July 25 2013 as the final concert. Isle of Klezbos plays imaginative versions of eclectic Eastern European-rooted Jewish folk music, Yiddish swing and tango.
This event also includes an open bar with wine and light refreshments.
Doors open at 7pm, and the concert begins at 7:30pm.
The Jewish Museum is located at Fifth Avenue at 92nd Street, Manhattan.
July 25 concert tickets are $15 for the general public; $12 for students and seniors;
and $10 for Jewish Museum members. Visit TheJewishMuseum.org/summernights
to purchase tickets online. For additional information, the public may call
212.423.3337.
An infrared assistive listening system for people who are hard of hearing is available
for programs in the Museum’s S.…
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October 10-14, 2012 in Amsterdam!
Preparations for the Third International Jewish Music Competition are
in full swing. Mark you calendar and tell your friends to join us in
Amsterdam for the five-day festival, October 10-14, 2012. We’ll start
with a kickoff concert in the monumental Portuguese Synagogue (built
in 1675), followed by the three-day competition in the
elegant Compagnie Theater, with 24 ensembles from around the world.
To close, we’ll host a day of workshops with a Jewish cultural
marketplace, an open podium, and a closing concert with winners from
the competition.
Take a look at our website for all the details.
Visit us:
http://www.ijmf.org/
Friend us:
http://www.facebook.com/pages/International-Jewish-Music-Festival-Amsterdam/164300605365?ref=ts
Watch us:
http://www.youtube.com/IJMFAmsterdam:
:
IJMF Newsletter June 18, 2012:
Click to view this email in a browser:
http://hosted.verticalresponse.com/536935/ecdf2d2057/1524001773/dd0f152f70/:
:
Who?…
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