Klezmer: Music, History and Memory: Aesthetic and Cultural Dimensions
published by Oxford University Press, Fall 2016
Lecture and Musical program
Thursday, December 22 at 6:30 PM – 8:30 PM
A lecture and musical program with Dr. Walter Zev Feldman (author, cimbal) and Deborah Strauss (violin)
This event is free and open to the public on a first-come, first-served basis, and is generously sponsored by the Dorot Jewish Division in cooperation with Yiddish New York and the Center for Traditional Music and Dance.
From the NYPL announcement:
Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times – the Ashkenazim of Eastern Europe.…
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JEWISH MUSIC FORUM EVENT
Jewish Music Forum 2015–16 Season Opener In conjunction with The Barry S. Brook Center for Music Research and Documentation and the Leo Back Institute
“Jews, Music, and Postwar German Culture”
Book Talk and Conversation with Dr. Tina Frühauf (RILM, CUNY), Dr. William H. Weitzer (Executive Director, Leo Baeck Institute), and Dr. Mark Slobin (Winslow-Kaplan Professor of Music, Wesleyan University)
Dislocated Memories: Jews, Music, and Postwar German Culture (Oxford University Press, 2014), editors Tina Frühauf and Lily Hirsch
Monday, November 30, 6:00 p.m.
The Graduate Center, CUNY
365 Fifth Avenue, The Skylight Conference Room: 9100
The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust.…
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Released this past week: “The Pianos I Have Known: The Autobiography Of Irving Fields”
Collaboratively written between 94 year old Irving Fields and Huffington Post
music columnist Tony Sachs
(http://www.huffingtonpost.com/tony-sachs/) and edited and released by music critic
Aaron Joy through his indie book publishing and music label Roman Midnight Music
The book is currently available only in paperback via Lulu, and on Amazon.
“He’s [Fields] the composer of chart-topping songs performed by the likes of Dean Martin, Louis Armstrong, Sarah Vaughan and Xavier Cugat… one of the original Manhattan “society” cocktail
pianists whose career stretches back to the days of Prohibition… whose sister
Peppy was known as the Sophie Tucker of Miami Beach due to her long running radio
show… the originator of one of the first piano-drum-bass trios, with a later trio
lasting nearly 40 years… the man who first fused Jewish and Latin music with the
classic 1959 album “Bagels & Bongos”… a headliner at Carnegie Hall, top draw on
round-the-world cruises, star of radio and TV, and writer/performer of a hit song on
YouTube… and he’s still playing six nights a week as he approaches his 100th
birthday… This is the life of a Jewish kid from the Lower East Side who hated
practicing piano.” He’s also the inspiration behind the writing of
the book ‘And You Shall Know Us By The Trail Of Our Vinyl’ about Jewish music
history and the first release by the ReBoot Stereophonic jazz reissue label.…
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Jonathan L. Friedmann has a book review of Yale Strom’s book Dave Tarras: The King of Klezmer
Musica Judaica Online Reviews has a new online review on Jim Loeffler’s book The Most Musical Nation: Jews and Culture in the Late Russian Empire. http://mjoreviews.org/
Oxford University Press has released the scholarly work of Dr. Tina Fruhauf, The Organ and Its Music in German-Jewish Culture. The press descriptions states that the book “examines the powerful but often overlooked presence of the organ in synagogue music and the musical life of German-speaking Jewish communities. Tina Frühauf expertly chronicles the history of the organ in Jewish culture from the earliest references in the Talmud through the 19th century, when it had established a firm and lasting presence in Jewish sacred and secular spaces in central Europe. Frühauf demonstrates how the introduction of the organ into German synagogues was part of the significant changes which took place in Judaism after the Enlightenment, and posits the organ as a symbol of the division of the Jewish community into Orthodox and Reform congregations.…
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Ilana Cravitz announces the publication of her new book,
Klezmer Fiddle. This is a how-to guide. It is a new tutor book, published by Oxford University Press and is available through an introductory offer at: http://www.ilanacravitz.com/bookoffer.html The book contains 16 tunes in treble clef with chords above the stave for easy accompaniment. Currently in use by clarinet players, oboeists, viola and bass players, and cellists, the melodies, accompaniments, and tips on playing have appeal and application well beyond violinists.
* Each tune has a ‘workshop’ on playing in traditional style.
* There’s also a CD with the complete set of tunes, historical recordings of a selection of the melodies, plus backing tracks you can play along to.
* The package contains two pull-out booklets with bandstand-style parts for sekund and bass players.…
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Along with a group of talented lyricists, humorists, and poets, Rosalie Calabrese will be reading from her song lyrics in the Mom Egg, a new book is a multigenerational look at all sorts of issues from the mom’s point of view.
Friday, May 18, 2007 – 5:00-7:00 PM
85 East 4th St. (2nd Ave.) NYC
The Mom Egg book launch
and Mamapalooza celebration: music, poetry, and more –
books will be available for purchase ($15.00)
— and a Daisy guitar will be raffled off!
free admission, open seating
Discovering Jewish Music
By Marsha Bryan Edelman
is now being released in Paperback
You can read a review of this book by the JMWC at http://www.jmwc.org/jmwc_bookandscore_reviews.html
Preview the Preface
Preview excerpts from Chapter 8
Jewish music from the Bible to the present, with musical illustrations
and an audio CD
Most of us have experienced “Jewish music,” whether it’s through
synagogue attendance, a bar mitzvah celebration, a klezmer concert, or
the playing of “Hava Nagila” at a baseball
game. The many different kinds of Jewish music are reflected by the
multitude of Jewish communities throughout the world, each having its
own unique set of experiences and values. This book puts the music into
a context of Jewish history, philosophy, and sociology.
Edelman begins 3,000 years ago, with a discussion of music in the Bible,
and then examines the nature of folk and liturgical music in the three
major Diaspora communities
that evolved over centuries, after the destruction of the Temple in
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The publication of a new book “Bo Shir Ivri (Come, Thou Hebrew Song) – Songs of the Land of Israel: Musical and Social Aspects” (Haifa University Press, 2005) by Dr. Talila Eliram, will be celebrated in the auditorium of the music dept. at Bar Ilan University, on Wednesday, 22 November, 2006, 7:30pm. Free admission. Please confirm your participation (or leave a message) at either: 08-9432870, or 054-8032870
A new book about Irving Fine, by Phillip Ramey was published a few months ago by Pendragon Press. Fine was the Brandeis University composer who founded the Music Department and began the landmark performing arts festival at Brandeis. Pulitzer Prize-winning composer Richard Wernick, who studied under Fine at Brandeis, wrote the Forward. This book is being published by Pendragon Press in association with The Library of Congress.
ISBN: 978-1-57647-116-0 It’s part of the Lives in Music Series No. 8 called Irving Fine – An American Composer in His Time
A book review of Jack Gottlieb’s new book published in association with The Library of Congress: Funny, It Doesn’t Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood now appears on The Jewish Music WebCenter at http://www.jmwc.org/jackgottlieb.html
A book “Purimshpil. Scenario for work at Klezfest in Ukraine, 2005” (Kiev: The Center of Jewish Education in Ukraine. Jewish Music Department, 2005) was published for the recent “Klezfest in Ukraine, 2005” event. The book has been prepared using Moisey Beregovsky’s materials from his “Jewish folk musical theatrical performances” (Kiev, Institute of Judaic Library, Publisher “Duh I Litera”, 2001). The book was released for the use of musicians and teachers in concert work and education. The Purimshpil was directed by Alina Ivakh, scenario composed by Eugenia Lopatnik, music by Polina Shepherd and traditional.
COMPLETE JEWISH SONGBOOK FOR CHILDREN: MANGINOT, VOL. 1 & 2
Magnificent Jewish music for children ages 2 to 13, The Complete Jewish Songbook for Children series provides lyrics, chords, and melodies for hundreds of well-loved Jewish songs for children. Ideal for home and classroom, these volumes feature thematic categories (Jewish holidays, Israel, Holocaust, prayer, and more) to help you find appropriate music for any occasion. Introduce children of all ages to the joy of singing with the help of The Complete Jewish Songbook for Children. For information, call 888.489.8242 or
New Book released by Transcon… Nigun Anthology.
*Unique, diverse compilation of wordless Jewish melodies (nigunim) and
*Features nigunim from folk tradition and contemporary
*Includes Notational index by melody line & foreword by ethnomusicologist
*Transcending history, language, and society, the nigun – or wordless
Jewish melody – helps unify us in worship or around the Shabbat table.
Nigunim have long served to spark the spirit: 18th century Chasidim sang
nigunim to create a mood of holiness; in today’s liberal Jewish worship
service, the nigun helps shift focus to prayer from the concerns of the
outside world. Now, Transcontinental Music introduces the first
comprehensive anthology of inspiring nigun melodies, available in a
songbook with CD and on CD alone.
Purchase Songbook with CD
Purchase CD only:
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Stichting Eliezer Foundation in The Netherlands has just published:
W.G.S. Bornstein, Chazzones aan het Nederlands Israelitisch Seminarium, de historie van de Hollandse Cantoropleiding (Stichting Eliezer: Amsterdam 5765 / 2004), 38 pages.
1082 XL Amsterdam
“Under One Canopy: Readings in Jewish Diversity” edited by Karen
Primack is the subject of a Literary Reading Evening. UNDER ONE CANOPY also includes music lyrics which includes musical notes…
The Eurovision Song Contest: Popular Music, Media, and Politics
With the 50th anniversary of the Eurovision Song Contest approaching, we
invite submissions for a collection of essays dealing with this popular
culture phenomenon from a wide range of historical, sociological, and
YIVO bleter, New series, vol. IV has a lot of new material on Eastern European Jewish folklore, folk songs, theater performances, and more. Chana Mlotek’s annotated publication of 42 folk songs is included….
Sholom Kalib’s 5-volume project makes possible the existence of one centralized, definitive place and resource to the vast and major musical, cultural, and historic legacy of the Eastern European synagogue…