The Ladino Rock Sound Featuring:
Sarah Aroeste: vocals, percussion
Yoel Ben-Simhon: musical director, oud, piano, guitar & backup vocals
Alan Cohen: electric guitar
Emmanuel Mann: bass
Liron Peled: drums, percussion
New York
Tuesday, August 3rd
Makor
35 W. 67th Street (between CPW & Columbus)
9 PM
Following Gerard Edery at 8 PM!
Tickets: $15 (for both shows)
More info & tix: www.makor.org or 212-413-8889
more schedules…
March 19- April 3, 2005
The largest festival of Jewish music in the US celebrates its landmark
anniversary in Berkeley, San Francisco and Marin. Highlights include
members of Israel’s East West Ensemble with the Omar Faruk Tekbilek
Ensemble, Theodore Bikel with Hankus Netsky, the Klezmatics with Joshua Nelson, Community Music Day with an Instrument Petting Zoo, Hebrew hip-hop, and workshops for all ages; Judith Cohen, a leading scholar of Sephardic music, and Emil Zrihan, an extraordinary Israeli counter-tenor and cantor of the Moroccan tradition in a sneak preview of a new work with America’s leading, San Francisco based new music string quartet.
Tickets and Info: 415-276-1511 or www.brjcc.org
15% discount for groups of 10 and more.
A project of the Berkeley Richmond Jewish Community Center…
CONTINUE READING >
Temple Shalom of Newton, MA will have a choral concert with music by Ben Steinberg, Saturday March 20, 2004 at 7:30pm. Featuring Cantor Renata Kruzhkova Braun, and acompanied by David Carrier and Chamber Orchestra, the piece is Torat Chayim: A Torah of Life, a work for Voice, Chorus and Chamber Orchestra. Tickets–general admission $25.00 Patron $100 reserved seating. Temple Shalom of Newton, 175 Temple Street. W. Newton, MA 02465. For tickets call: 617-332-9550. Tickets will be held at the door.
Habrera Hativeet, featuring Shlomo Bar
co-presented by The Boston Jewish Film Festival and the Museum of Fine
Arts, Boston (MFA)
If you’ve never seen this group, you owe yourself a treat next week. **Highly recommended** by JMWC.
So follow the drummer this summer on Sunday, June 18, 1PM, Remis Auditorium
Habrera Hativeet fuses together artists with authentic Sephardic,
African, Indian and Middle Eastern roots, time-honored songs from
Andalusian Spain, Yemen, and Morocco, Hasidic chants from Eastern
Europe, and contemporary Israeli poetry. Their music bridges time,
cultures, and mindsets in Israel and beyond. The group’s website can
be found at www.shlomobar.com
Tickets are $20 for MFA and Boston Jewish Film Festival members,
students, and seniors; $25 general admission. Front-of-house tickets
(guaranteed general admission seating within the first three rows) are
$25 discounted and $30 general admission.…
CONTINUE READING >
Women are Raising their voices in Jerusalem,– many concerts happening that will help support the displaced families in Israel:
Motsei Shabbat, August 12th at 9:30pm
Chava Rachel in Concert
Fundraiser for Tzfat families
11 Rechov Misgav L’dach, apt 3
Old City, Jerusalem
Suggested donation: “twice chai” – 36+ NIS… CDs are 50 NIS
Monday, August 14th
Neshama Carlebach in Concert
The Maabada – Jerusalem
Doors open 21:00
For more info, call 02-629200, 1-700700920
Also see http://www.pirsumeinisa.com/
Monday, August 14th @ 8 pm
Calling all women!
Evening of original music and spoken word performed by women for women!
Yellow Submarine
Doors open at 8 pm, show begins @ 8:30pm
Tickets in advance:30 NIS
At the door: 40 NIS
Proceeds of ticket sales are being
donated to a women’s charity (to be announced at the show!)
Headliners includes: Aliza Chava!…
CONTINUE READING >
This December, celebrate this season with festive holiday music for the whole
family. On Wednesday, December 5 at 7 p.m. Celebrate Hanukkah with the Andy Statman
Trio. Playing a unique blend of klezmer, rock, folk, and jazz. Statman has worked
with musical legends Jerry Garcia and Bob Dylan, and was a lead musician on Itzhak
Perlman’s klezmer sensation, In the Fiddler’s House. Unable to categorize his
music, Statman offers this description to listeners: “It’s deeply Jewish because I
am, and it’s honest because I am.” Tickets are $25 adults, $20 seniors, $15
students/members. On December 25th join Joshua Nelson and his Kosher Gospel Choir
for Challah-lujah with performances at 1 PM & 3:30 PM. Performing to sold-out crowds
at the Museum for two years in a row, Joshua Nelson is back for another spectacular
set of shows.…
CONTINUE READING >
August 5 2015 at 7pm at Rutgers University in New Jersey will be the first orchestrated performance in 70 years of the Operetta “di Goldene Kale” The Golden Bride with music by Joseph Rumshinsky. This performance will showcase the reconstruction of the operetta by Michael Ochs, a scholar and librarian who worked at Harvard and found the manuscript there 35 years ago. Di Goldene Kale became a smash hit for Rumshinsky who wrote beautiful romantic melodies. Zalman Mlotek of the Folksbiene National Yiddish Theater in NYC will conduct. A company of singers from New York City’s National Yiddish Theatre – Folksbiene, accompanied by the Mason Gross Muzikers orchestra, will perform the operetta. For full details and to get tickets:
http://www.masongross.rutgers.edu/content/yiddish-operetta-di-goldene-kale-golden-bride-closes-out-2015-mason-gross-summer-series
Di Goldene Kale takes place at 7 p.m.…
CONTINUE READING >
You are cordially invited to four free New York-area
performances of a new Yiddish musical comedy, “Purim
in Khelm”, presented by the National Yiddish Theatre –
Folksbiene and sponsored by the City University of New
York.
“Purim in Khelm” features a professional cast,
klezmorim, and original Yiddish songs, and is
presented in Yiddish with English and Russian
supertitles.
PURIM IN KHELM
by Motl Didner and Miryem-Khaye Seigel
An original Yiddish musical comedy
Presented with English and Russian supertitles
Featuring: Ashley Adler, Leizer Burko, Itzy Firestone,
Richard Kass, Susanne Nancy Kobb, David Mandelbaum,
Stuart Marshall, Freydale Zynstein-Oz, Harry Peerce
and Miryem-Khaye Seigel
With Art Bailey, Deborah Strauss and Jeff Warschauer
FOUR FREE PERFORMANCES sponsored by the City
University of New York
1) Tuesday, February 27 – Hunter College, Kaye
Playhouse – 7 PM.…
CONTINUE READING >
Rabbi Joe Black with The Maxwell Street Klezmer Band in Two Hanukkah Concerts!
Wednesday, December 20 (sixth night of Hanukkah)
6:00 pm Family Concert
7:30 pm Community Concert
Temple Sholom of Chicago
3480 N. Lake Shore Drive
Doors and concessions open 1/2 hour before each concert
Tickets
$12 advance/$15 at the door
Children age 3 and under free
Family maximum $50 advance/$55 at the door
Come early – stay late! One ticket price for one concert or both!
Be a Maccabee!
For $250, receive a reserved parking space in the Temple Sholom lot the
night of the concert, reserved concert seats for up to 6 people, a Rabbi Joe
Black CD, & a Maxwell Street Klezmer Band CD. Maccabee spaces are limited!
Reserve your tickets today!…
CONTINUE READING >
The Brotherhood and Music Committee of Temple Emanuel present
Hanukkah Happens 24
Jewish Love Songs
Sunday, January 19, 2014, 7:30 PM
Temple Emanuel, 385 Ward St., Newton
Featuring:
The Zamir Chorale of Boston
Joshua Jacobson, Artistic Director, and Hazzan Elias Rosemberg
Concert admission (open seating): TE Members – $25; Non-members – $30; Seniors (70+)
$25; Children under 13 – $15; Tickets night of concert $30
Proceeds to benefit American Friends of Magen David Adom.
For more information and tickets, please visit templeemanuel.com
http://r20.rs6.net/tn.jsp?f=001-4jc9DHS1FW5YOewU4GeSI4Os25a_TIOzVQB_9OzQ-JnP797VaOmqVRNy_Syex3iSnouRbLEH_JFipG1eip1XE0r6G_cRISzYCEMy0IE7lv0oXbfv7AAaI4f07qfPP71xtgqrYeAkU1_KNmJq1sDrVx6OErlI02EVhRAX4YEfMz5GxSq4AHaXA33UrlF0LDNQpOKN7H_urM=&c=KwP9qy0FXOw1OXV5dqvm03dDsCQ2XIebrUXjjM2jDAiYdTEwJnqEMw==&ch=fiWeq1viea985AJ27Id9wr_vN8W8GiRN7hlImTE37I2eOBx5dNTb7w==
HHConcert@gmail.com or call 617-558-8100.…
CONTINUE READING >
Kimber Leigh Nussbaum, a Vocalist with the Maxwell Street Klezmer Band, to Perform
Cabaret Show at Skokie Theatre
“Devil May Care, a one-woman cabaret show featuring Kimber Leigh Nussbaum, a
vocalist with the Maxwell Street Klezmer Band
Sunday, November 15, 2009
2:00 p.m.
Skokie Theatre, 7924 N. Lincoln Ave., Skokie, IL
$20 in advance, $25 at the door
More Information and to Order Tickets, Call the Skokie Theatre, 847-677-7761 or
visit www.skokietheatre.org
FRANK LONDON’S KLEZMER BRASS BAND ALLSTARS
IN CONCERT DECEMBER 27, 2011
CELEBRATING HANUKKAH AT THE JEWISH MUSEUM
1109 Fifth Avenue
New York, NY 10128
Frank London‘s Klezmer Brass Band Allstars will perform a Hanukkah
concert at The Jewish Museum on Tuesday, December 27 at 7:30 pm. This band has
toured the world, bringing over the top exuberant energy to traditional Jewish roots
music. Their 2005 CD Carnival Conspiracy was Rolling Stone magazine’s #1 non-English
recording. This concert will feature joyous Jewish-Gypsy-Balkan-jazz party sounds
as well as favorite Hanukkah songs in new arrangements. Members of the band are
trumpeter/composer Frank London, drummer Aaron Alexander, tuba player Ron Caswell,
clarinetist Matt Darriau, trombonist Brian Drye, and accordionist Patty Farrell.
Special guests for this concert include multi-instrumentalist and singer Michael
Alpert and the Purchase Klezmer Mob.…
CONTINUE READING >
Boston, you will be delighted because there’s another chance to catchA Cantor’s Tale
I’ve seen it, and it’s wonderful. You’ll be humming cantorial music when you leave. No, really, you will.
It’s screening as part of The Boston Jewish Film Festival: Encores (series runs through July 6 at the Museum of Fine Arts, Boston)
A Cantor’s Tale
Sun, Jun 18, 4 pm
Thu, Jun 22, 6 pm
A Cantor’s Tale by Erik Greenberg Anjou (2005, 95 min.). A joyous,
crowd-pleasing documentary, A Cantor’s Tale pays loving tribute to the
“golden age” of chazzanut, the celebrated art of cantorial music.
Brooklyn-born Cantor Jacob “Jackie” Mendelson traces the American
origins of Jewish liturgical music back to the vibrant culture of
1950’s Brooklyn, when the great cantors of New York had chart-topping
records and were idolized almost like rock stars.…
CONTINUE READING >
From “West Side Story” to “Wicked,” the music of the Broadway theatre
will be highlighted at the “Cantors’ Cabaret” concert at 7p.m.,
Thursday, February 15, 2007 at Congregation Rodeph Sholom, 7 W 83rd Street off
Central Park West.
Joining Rodeph Sholom’s Cantor Rebecca Garfein and Cantorial
Intern, Jennifer Strauss-Klein are New York Metro Area Cantors, Claire Franco,
Daniel Singer, Howard Stahl and pianist, Jonathan Faiman. The concert, a
light-hearted tribute to the Broadway theatre will benefit the School of Sacred
Music Scholarship Fund at the Hebrew Union College-Jewish Institute of Religion and
Project Kehila, Rodeph Sholom’s response to the devastation of Hurricane Katrina.
To date, Project Kehila has contributed tens of thousands of dollars to the hard-hit
Gulf community.
General admission tickets to the “Cantors’ Cabaret” are $25 in advance/$36 at the
door; Senior citizen tickets (age 65 and above) are $18.…
CONTINUE READING >
WEDNESDAY, JULY 25 AT 7 P.M.
SECOND ANNUAL NEW YORK’S BEST EMERGING JEWISH ARTISTS
TO BE HOSTED BY COMEDIAN SETH HERZOG
at the Museum of Jewish Heritage-A Living Memorial to the Holocaust
.WHAT: Second Annual New York’s Best Emerging Jewish Artists
WHERE: Museum of Jewish Heritage-A Living Memorial to the Holocaust
36 Battery Place, New York, NY 10280
WHEN: Wednesday, July 25 at 7p.m.
COST: $25 members, $30 non-members
NEW YORK, NY – After last year’s sold-out show which the Downtown Express called
“authentic, funny – and yes, subversive…,” the Museum welcomes a new line-up of
the best local Jewish talent. Established performers will introduce emerging Jewish
artists for a dynamic evening of cutting-edge comedy, music, and film at the Museum
of Jewish Heritage-A Living Memorial to the Holocaust on July 25 at 7 p.m.…
CONTINUE READING >
WEDNESDAY, JULY 25 AT 7 P.M.
SECOND ANNUAL NEW YORK’S BEST EMERGING JEWISH ARTISTS
TO BE HOSTED BY COMEDIAN SETH HERZOG
at the Museum of Jewish Heritage-A Living Memorial to the Holocaust
.WHAT: Second Annual New York’s Best Emerging Jewish Artists
WHERE: Museum of Jewish Heritage-A Living Memorial to the Holocaust
36 Battery Place, New York, NY 10280
WHEN: Wednesday, July 25 at 7p.m.
COST: $25 members, $30 non-members
NEW YORK, NY – After last year’s sold-out show which the Downtown Express called
“authentic, funny – and yes, subversive…,” the Museum welcomes a new line-up of
the best local Jewish talent. Established performers will introduce emerging Jewish
artists for a dynamic evening of cutting-edge comedy, music, and film at the Museum
of Jewish Heritage-A Living Memorial to the Holocaust on July 25 at 7 p.m.…
CONTINUE READING >
Canyon Club in Agoura Hills, CA
Sunday, March 21
at 4:00pm
The Moscow Male Jewish Choir, “Hasidic Cappella”
General admission seats are only $25 ($18 for seniors and students). Premier seating and entrance to the champagne reception with the artists are only $45. For more information and tickets, call the Canyon Club 818-879-5016.
administration@adatelohim.com
The premiere of Gerald Cohen’s new one-act opera, SEED, written with the superb librettist David Simpatico, will be on Thursday June 2, at 7 p.m. at Symphony Space in NYC. It will be presented along with three other one-act operas by Cohen’s colleagues in American Lyric Theater’s Composer Librettist Development Program, where he has been a resident artist for the past year.
Symphony Space
2537 Broadway
New York, NY 10025
(212) 864-5400
Tickets: $15 Advance / $20 Day of Performance
SEED will be sung by three outstanding performers: mezzo Sarah Heltzel, tenor Glenn Seven Allen, and baritone Christopher Burchett.
Information and tickets about the event at Symphony Space website under “Opera in Eden”. http://www.symphonyspace.org/event/6583-opera-in-eden
Advance purchase is strongly recommended, as the hall is small and these events have sold out in previous years.…
CONTINUE READING >
Special Half Price Tickets to see Dudu Fisher
Live in Concert at Boston Symphony Hall – November 1, 2009
Known for his stirring performance on Broadway as
Jean Valjean in LES MISERABLES and as a world
famous Israeli cantor, Dudu Fisher brings an
exciting and visually stunning show to Boston’s
Symphony Hall on Sunday, November 1, at 7:30 PM.
Based on his highly successful PBS special, IN
CONCERT FROM ISRAEL, Fisher will take the
audience on an inspired journey connecting his
talent as a Broadway performer, cantor, and
contemporary artist with music and stories that
celebrate the beauty of Israel’s landscape, culture and people.
We are pleased to offer half-price tickets to
those who mention this announcement by calling
617-266-1200 or by visiting www.bostonsymphonyhall.org/dudufisher.
Fisher has performed on the stages of Broadway,
the West End in London, Israel, and throughout
the world, including singing with the Israel
Philharmonic Orchestra conducted by Maestro Zubin
Mehta, recording an album of show tunes with the
London Symphony Orchestra, and performing for
Britain’s Royal family and Bill and Hillary
Clinton.…
CONTINUE READING >
The Night Before Rosh Hashonah…..
September 17th at the Wilshire Boulevard Temple
“The Sway Machinery Makes The Ancient Modern And The Mythological Real”
– Village Voice
On the heels of their successful New York
City events in 2007 and 2008, JDub Records Presents America’s only indie
rock/Jewish cantorial music group, The Sway Machinery
www.swaymachinery.com
http://www.myspace.com/theswaymachinery
bringing one of the most unique celebrations of the Jewish new year “Hidden Melodies
Revealed – a Secret Celebration of Rosh Hashanah” to Los Angeles for 2009.
This multi-media concert event celebrates Rosh Hashanah in a presentation
that is part ritual, part rock concert. The performance is scheduled for
the night before Rosh Hashanah, on September 17. “Hidden Melodies Revealed”
will also include storytelling and compelling animated films.
The event will take place at 9:00pm
at the Wilshire Boulevard Temple
3663 Wilshire Blvd, Los Angeles
and admission is free.…
CONTINUE READING >
American Society for Jewish Music & American Jewish Historical Society presents :
The Hanukkah Concert
Featuring Gerard Edery and His Virtuoso Musicians
Dec 21 2014 3:00PM
Concert, Reading, Menorah Lighting, Singing, Refreshments
Price: $9.00 – $18.00
Seating: General Admission
Center for Jewish Historyv
15 West 16th Street New York, New York 10011 • Tel: 212.294.8301
To get tickets:
Widely regarded as a master singer and guitarist, Gerard Edery has a remarkable range of ethnic folk styles and traditions from around the world, including songs from Europe, the Middle East, South America and ancient Persia. Collaborating with virtuoso musicians, Edery energizes this repertoire for contemporary audiences. A special guest will open the program with a story from the pen of a great Jewish writer, plus menorah lighting, singing and refreshments.
THE LEO BAECK INSTITUTE and the AMERICAN SOCIETY FOR JEWISH MUSIC present
AN ERWIN SCHULHOFF RETROSPECTIVE
performed by Mimi Stern-Wolfe’s Downtown Chamber Players
Wednesday May 25 at 7:30 PM
Center for Jewish History, 15 West 16th Street
Tickets: $15; $10 for students, seniors
Reservations: www.lbi.org/schulhoff
The Leo Baeck Institute and the American Society for Jewish Music are proud to present Mimi Stern Wolfe’s Downtown Music Productions in “An Erwin Schulhoff Retrospective,” a concert of chamber works by Schulhoff, along with an academic presentation of his life and musical legacy, May 25th, 7:00 PM, at the Center for Jewish History at 15 West 16th street. The prolific Schulhoff, a Jewish composer born in Prague, perished in a concentration camp at Wurzberg, Bavaria in 1942.
The program will include the following works of Erwin Schulhoff”:
** Hot Sonata for Saxophone and Piano (1930) performed by Marty Ehrlich, saxophone and Mimi Stern-Wolfe, piano.…
CONTINUE READING >
Margot Leverett kicks off the series, beginning Thursday July 2nd at 7:30pm
NEW YORK, NY – The Jewish Museum’s popular SummerNights program returns,
presenting live world music in a concert setting on four Thursdays in
July. Each concert begins at 7:30 pm. Margot Leverett and the Klezmer
Mountain Boys, performing their unique mix of bluegrass and klezmer,
kick off SummerNights on July 2. This cosmopolitan concert series
features critically acclaimed musicians offering innovative
interpretations of music from all over the world. Other scheduled
performers include Musette Explosion with accordionist Will Holshouser
and guitarist Matt Munisteri echoing on French jazz of the 1930s and 40s
with fiery improvisations; the virtuosic brass band music of SLAVIC SOUL
PARTY!; and Ljova and the Kontraband performing a mix of
Eastern-European melodies, Latin rhythms and jazz-inspired
improvisations.…
CONTINUE READING >
The Center for Jewish Studies at Queens College
Is proud to announce their 6th Annual Benefit Concert
Monday, June 11th, 2007
Starring the world famous Sydenham Choir
from Johannesburg South Africa
The return of Cantor Oshy Tugendhaft & the Sydenham Shul Choir marks
their 6th North American tour performing their hit musical CELEBRATION!
Both Oshy Tugendhaft, and the Choir are internationally acclaimed having
sung with many leading Cantors, most recently with Yitzchak Meir
Helfgot.
All seats are reserved. General admission: $50 $32 & $20
25 % discount for orders by May 28, 2007 $40 $24 & $15
Priority seating $100 $75. No discount, includes after show party with
choir.
Order tickets on line at www.boxofficetickets.com/sydenhamchoir.
or call 800-494-8497.
Their CELEBRATION musical depicts many aspects of traditional and
contemporary Jewish life and liturgy and takes place to live music,
provided by a jazzy orchestra.…
CONTINUE READING >
The American Society for Jewish Music
The American Jewish Historical Society
Present
A Heymishe Yiddishe Chanuke
Sunday, December 13, 2009 at 3 PM
With
Zalmen Mlotek and Guests from
The National Yiddish Theater-Folksbiene
(All songs will be accompanied by English supertitles, as is
the custom at the National Yiddish Theater-Folksbiene.)
Master Storyteller Isaiah Sheffer
of NPR’s Selected Shorts
Program followed by Menorah lighting, singing and reception.
$18 General; $12 Members;$9 Students & Seniors
For tickets call (212) 868-4444, or _www.smarttix.com_
(http://www.smarttix.com/)
Center for Jewish History
15 West 16th Street, NYC
The Jewish Music Forum of The AmericanSociety for Jewish Music
“Israel in Three Anthems”
Michael A. Figueroa, Assistant Professor of Music, University of North Carolina, Chapel Hill
Discussant: Brigid Cohen, Assistant Professor of Music, NYU
Monday, November 28th at 7pm. at the Center for Jewish History
15 West 16th Street, New York, NY 10011. Tickets are free and all programs are open to the public. Please rsvp to: info@jewishmusicforum.org.
This talk discusses how three anthems—“Ha-Tikva,” “L’Internationale,” and “Yerushalayim shel Zahav”— have helped shaped Israeli society, analyzing these songs as performances of collectivity representing the multifaceted nature of Zionism and the shifting political landscape in Israel.
Michael A. Figueroa is an ethnomusicologist whose work resides at the intersection of music and political consciousness in Middle Eastern and African American contexts.
…Coming on June 30th, 2008
“Andy Statman is the real thing – a musician’s musician.” –The New Yorker
“It’s the music of Jewish mystics” – The New York Times
“A fascinating & moving mixture” – Jazz Times
WHAT: Andy Statman will be performing live at “The Song & The Spirit”
WHEN: Monday, June 30, 2008 7:30 PM
WHERE: North Shore Center for the Performing Arts,
9501 Skokie Blvd. Skokie, IL
TICKET PRICES (in advance) $25, $36, $60
Purchase tickets online at:
http://www.lubavitchchabad.org/songspirit
For more information call Megan Ensign at 773-262-2770
On Sunday, June 1 at 3 PM, at the Center for Jewish History (15 West 16th
Street, NYC), the American Society for Jewish Music, in association with the
American Jewish Historical Society and the Mannes College of Music of the New
School, presents “Music in Our Time 2008,” our annual concert of contemporary
music.
As those of you who have attended the Society’s previous concerts of
contemporary music know, not only are these concerts an important part of the
Society’s mission, but they are filled with vital, committed performances of Jewish
music by wonderful artists.
The program for “Music in Our Time 2008” consists of works by Paul Richards,
Arkadie Kougell, Ofer Ben-Amots, Lionel Semiatin and Paul Schonfield.
For tickets, please contact the CJH Theater Box Office, phone: (917) 606-8200
email: boxoffice@cjh.org .…
CONTINUE READING >
By David M. Schiller
For Jews, the terms “assimilating” or “assimilation” are charged. Many unpleasant associations arise with thoughts of Jews “assimilating into” or disappearing altogether into, general society; becoming like others. As Jonathan Sarna says in the introduction to his new book, American Judaism,: “Through the years, ‘assimilation’ has become so freighted with different meanings, modifiers, and cultural associations that for analytical purposes it has become virtually meaningless. In some Jewish circles, indeed, the term is regularly employed as an epithet.” But “assimilating” is a term that the dictionary states, also means, “absorbing”, or “to take in and appropriate.” It can mean a “healthy appropriation of new forms and ideas.” In this book, David Schiller bravely makes distinctions with something that “happened in a more or less remote past or that is happening now.” Using the term in the title is not only eyecatching, but essential to his thesis about the nature of Jewish art music.…
CONTINUE READING >
JEWISH MUSIC FORUM EVENT
Jewish Music Forum 2015–16 Season Opener In conjunction with The Barry S. Brook Center for Music Research and Documentation and the Leo Back Institute
“Jews, Music, and Postwar German Culture”
Book Talk and Conversation with Dr. Tina Frühauf (RILM, CUNY), Dr. William H. Weitzer (Executive Director, Leo Baeck Institute), and Dr. Mark Slobin (Winslow-Kaplan Professor of Music, Wesleyan University)
Dislocated Memories: Jews, Music, and Postwar German Culture (Oxford University Press, 2014), editors Tina Frühauf and Lily Hirsch
Monday, November 30, 6:00 p.m.
The Graduate Center, CUNY
365 Fifth Avenue, The Skylight Conference Room: 9100
The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust.…
CONTINUE READING >
Anne Dvinge, University of Copenhagen
It seems an impossibility: in Nazi-occupied Denmark in the 1940s, one of the hottest jazz orchestras around was the interracial Harlem Kiddies, with two white and three black band members – and a Jewish singer in front. The story of how the band came to be so popular is one that uncovers the great role that jazz and race played in the occupied territories during the Second World War.
Several factors contributed to the social and political atmosphere that enabled their success. In the occupied territories in the Second World War, Denmark was known as the Sahnefront – the cream front – due to the co-operative government and the relative leniency of the occupying forces.…
CONTINUE READING >
The New York Andalus Ensemble will perform Oct. 30 2014 at 7;30
at the CUNY Graduate Center
Elebash Recital Hall
365 Fifth Ave (corner of 34th) NY, NY
$13 Adults, $10 students
The_New York Andalus Ensemble presents Et Dodim Kalah (It’s the Time of
Courting, O Bride!), an evening of music and song from al-Andalus and North Africa.
Reflecting the cultural pluralism that characterizes this music, the 20 members of
the ensemble perform repertoire in Arabic, Hebrew, and Judeo-Spanish Ladino, emphasizing the
region’s shared tradition while cherishing the individual cultures that comprise it.
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume X. Number 1. 5749/1987-88
Editor:
Israel J. Katz
Review Editor, Neil W. Levin
Dedicated to the Memory of Eric Werner (1901-1988)
| CONTENTS | ||
|---|---|---|
| Eric Werner (1901-1988): A Bibliography of His Collected Writings | Israel J. Katz | p.1 |
| Eric Werner: A Personal Memoir | Judith K. Eisenstein | p.37 |
| The Hazzanic Recitative | Max Wohlberg | p.40 |
| A Possible Influence of Traditional Chant on a Synagogue Motet of Salomone Rossi | Joshua R. Jacobson | p.52 |
| Revival and Renewal: Can Jewish Ethnic Tradition Survive the Melting Pot? | Amnon Shiloah | p.59 |
| Jewish Music Published in Palestine: An Introduction | James J. Fuld | p.70 |
| Mordecai Sandberg (1897-1973) | Joel Mandelbaum | p.81 |
| In Memoriam: Shalom Altman (1911-1986) | Marsha Bryan Edelman | p.92 |
| Reviews: Darryl Lyman. |
On Sunday, March 11th at 3 PM the Society will present The Leo Kraft 90th
Birthday Concert at the Center for Jewish History. This performance will
feature some of New York’s finest chamber music players, including flutist
Patricia Spencer, clarinetists Charles Neidich and Ayako Oshima, violinist
Renne Jolles, violist Mark Halloway, and cellist Marcy Rosen, as well pianist
Morey Ritt, who will premiere Testimonium, a new work Kraft has written
for her.
Among other works on the program are New Songs from Old, a fantasy for
solo clarinet based on traditional Jewish motifs and Seven Hebrew Songs to
poems by medieval Hebrew poets, sung by the American baritone Thomas
Meglioranza, with David Jolley, horn and Konstantza Chernov, piano. Hailed by The
Boston Globe for his “vocal distinction and expressive warmth,” Meglioranza
is one of this country’s most sought-after and unique young singers.…
CONTINUE READING >
Cantor Benjie Ellen Schiller is both the first woman to be a full time faculty member at the School of Sacred Music at Hebrew Union College-Jewish Institute of Religion in New York and a composer of sacred music. Born in New York on April 14, 1958 to Miriam and Nathan Schiller, Cantor Schiller studied voice and composition, and received a B. M. in Theory and Composition at Boston University in 1980. She continued graduate studies there in voice and choral conducting, and shortly thereafter, married Rabbi Lester Bronstein in June, 1981.
She attended the School of Sacred Music of Hebrew Union College in New York and was invested in 1987. Her Master Thesis composition was “Life Song Cycle.” Cantor Schiller also became a full time faculty member and taught courses in cantillation, basic nusach (prayer modes) and the in-depth study of repertoire for Shabbat.…
CONTINUE READING >
NEW CD RELEASES from the MILKEN ARCHIVE OF AMERICAN JEWISH MUSIC
and NAXOS AMERICAN CLASSICS: DAVID DIAMOND and OFER BEN-AMOTS
For details about Diamond CD, go to
http://www.milkenarchive.org/cds/cds.taf?cdid=17
To read an article about David Diamond’s AHAVA-Brotherhood, go to http://www.milkenarchive.org/articles/articles.taf?function=detail&ID=48
To read an interview with narrator Theodore Bikel, go to http://www.milkenarchive.org/articles/articles.taf?function=detail&ID=46
For details about Amots CD, go to http://www.milkenarchive.org/cds/cds.taf?cdid=18
Soundswrite newsletter: Volume 10, Number 7 • April, 2011 • Adar II/Nisan, 5771
Purim is over, which means Passover is just around the corner! Arguably the most widely observed of all Jewish holidays, Passover (Pesach) is a celebration of freedom–a remembrance of our people’s Exodus from slavery in Egypt over 3,000 years ago. Today, there’s an amazing array of terrific music for Pesach, both traditional and contemporary, to enliven your holiday and brighten your home, your car, your classroom, or anywhere else you listen to music. Check out these amazing recordings by clicking on any cover image below. Chag Pesach Sameach!
The Jewish Music Forum and The Center for Jewish History
are pleased to present
Professor Mark Kligman
(Hebrew Union College-Jewish Institute of Religion)
Friday, April 8, 10 AM
Center for Jewish History
15 West 16th Street
“Beyond Yiddishland: New Studies from the Jewish Musical Mediterranean”
The music of Sephardi Jewish communities is a diverse and complex
cultural phenomenon. Spanning the Mediterranean from the Western
Sephardic communities of Spain and Portugal to North Africa, the Ottoman
Empire and the Levant, the Sephardi world encompasses a vast geographic,
cultural and linguistic space. This presentation will offer a broad
overview of the development of academic scholarship on Western and
Middle Eastern Sephardi musical traditions. Using extensive audio
examples, Professor Kligman will demonstrate the stylistic and cultural
diversity across Mediterranean Jewish communities, past and present.…
CONTINUE READING >
On Thursday, March 24th at 7 PM, in conjunction with YIVO, the Jewish Music Forum will present The Most Musical Nation: Jews and Culture in the Late Russian Empire, the title of a fascinating new book by Dr. James Loeffler, the Founder and first Executive Director of ASJM’s Jewish Music Forum.
Quoting from the book jacket below gives you additional details about this wonderful evening which will have live musical examples. Providing these music examples for Dr. Loffler’s talk, we are very grateful to have performers from YIVO’s Krum Young Artist Series. A reception and book singing will follow:
“No image of pre-revolutionary Russian Jewish life is more iconic than the fiddler on the roof. But in the half century before 1917, Jewish musicians were actually descending from their shtetl roofs and streaming in dazzling numbers to Russia’s new classical conservatories.…
CONTINUE READING >
The American Society of Jewish Music announces official release of MUSICA JUDAICA ONLINE REVIEWS, which has been operating under the Editorship of Dr. Judah M. Cohen of Indiana University
since the beginning of the year.
Designed as an offshoot of Musica Judaica, the Society’s journal which is
published once a year, Musica Judaica Online Reviews (MJOR) not only allows
us to publish reviews much closer to the publication date of the book or
recording in question, but also guarantees a much wider circulation and
distribution of the reviews, to all who are interested what is being written
about in Jewish music. Moreover, at the same time, our goal is not only to
share the reviews but to engage in discussion, with readers able to submit
their comments (of course, moderated by our editor).…
CONTINUE READING >
Emil Skobeloff and Or Chadash have released an album of all new tunes to liturgical music called “And Sarah Danced.: The album is thoroughly American in concept, and takes the listener on a walk through fifty-plus years of American popular styles, attached to Jewish liturgical texts. Skobeloff succeeds in creating some good tunes and some are quite catchy. So for those fond of American style music for Jewish worship, check out this album. Several of the successful songs are the “Magen Avot”, “Ma Tovu” and “Ashrei”. Skobeloff has a myspace page at: www.myspace.com/emilskobeloff
American. Cantor. Born December 24, 1952, St. Louis, MO. She is the first woman invested as a cantor. Graduated 1975, Hebrew Union College-Jewish Institute of Religion-School of Sacred Music (HUC-SSM). Received the honorary DSM from HUC in 2000. From 1976 through 1988, served Temple Beth-El of Great Neck. From 1990 through 2002, served Temple Beth Am of Buffalo, NY. From 1996 to 1998, chaired the Joint Cantorial Placement Commission. In 2002, appointed as Placement Director of the American Conference of Cantors (ACC). She also served the American Conference of Cantors (ACC) as Secretary, Vice-President, as a Northeast regional representative, and several terms on the board of directors. Cantor Ostfeld edited the CAA newsletter, Shalshelet: The Chain, for two years.
Herman Berlinski: From the World of My Father [8.559446]
The Milken Archive of American Jewish Music has released a CD of four works for the synagogue and the concert hall by German-born, American composer and organist Herman Berlinski. These works reflect his rich, post-Romantic musical language, eclectic musical style, and depth of Jewish inspiration. This new disc complements the Milken Archive’s 2004 release of the composer’s Avodat Shabbat, a large-scale setting of the Sabbath evening liturgy according to the American Reform prayerbook. It brings to 45 the number of recordings released since the Milken Archive CD series was launched in September 2003.
American. Cantor. Opera singer. She served as the first cantor of the Stephen Wise Free Synagogue of New York City and held the post for 21 years. Cantor Stettner is on the faculty of Hebrew Union College-Jewish Institute of Religion, School of Sacred Music, and currently is a member of the Joint Cantorial Placement Commission and Vice President of the American Conference of Cantors. Cantor Stettner has performed extensively throughout the country with the Santa Fe Opera, the New York Opera Ensemble, the New England Chamber Opera and the Princeton Opera. She won the prestigious National Arts and Letters Vocal Competition in Carnegie Hall and, as a result, was the featured soloist in a performance of Mozart arias with the American Symphony Orchestra. In addition, she was in documentaries produced by the BBC and the French National Television.…
CONTINUE READING >
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XI. Number 1. 5750/1989-90
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
…
CONTENTS
Written Evidence and Oral tradition: The Singing of Hayom Harat Olam in Sephardi Synagogues Edwin Seroussi p.1
Neglected Sources for the Historical Study of Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah u'T'Fillah and Todah W'simrah--Annotated Translations Geoffrey Goldberg p.27
A Guide to the Unpublished Works of Gershon Ephros (1890-1978): An Annotated Bibliography Marsha Bryan Edelman p.58
Lord Byron's Hebrew Melodies: A Curious Episode Reconsidered-- A Review Essay Carole Rosen p.86
Reviews: Philip V. Bohlman, The Land Where Two Streams Flow: Music in the German-Jewish Community of Israel (Urbana and Chicago, 1989) Samuel Adler p.93
Akiva Zimmermann, B'ron Yahad: Essays, Research and Notes on Hazzanut and Jewish Music (Tel Aviv, 1988) Joseph A.
CONTINUE READING >
American. Born in 1912 in New York. Died in Boston on October 7, 2003. Avant-garde composer. Studied at NYU and Harvard University. Focused in chamber and solo piano music. New York Music Critics Circle Citation, 1962. Won awards from Guggenheim, Fromm, Coolidge, Naumburg and Fulbright Foundations. Fellow of the American Academy & Institute of Arts and Letters. Fellow of the American Academy of Arts & Sciences. Taught at Mills College, 1939–1943. Taught at Brandeis University 1953-1980 as Irving Fine Professor of Music. Helped establish the graduate program at Brandeis. 2003 ASCAP-Deems Taylor Award.
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume VII. Number 1. 5745/1984-85
Editors:
Israel J. Katz
| CONTENTS | ||
|---|---|---|
| Yemenite and Babylonian Elements in the Musical Heritage of the Jews of Cochin, India | Johanna Spector | p.1 |
| Songs of the Jews on the Island of Djerba. A Comparison between Two Surveys: Hara Sghira (1929) and Hara Kebira (1976) | Ruth Francis Davis | p.23 |
| The Resurgence of Jewish Musical Life in an Urban German Community: Mannheim on the Eve of World War II | Philip V. Bohlman | p.34 |
| Felix Mendelssohn's Commissioned Composition for the Hamburg Temple: The 100th Psalm (1844) | Eric Werner | p.54 |
| Another Anthology of Sephardic Folksongs (A Review Essay) | Samuel G. Armistead, Israel J. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume IX. Number 1. 5748/1986-87
Editor:
Israel J. Katz
Associate/Review Editor, Neil W. Levin
| CONTENTS | ||
|---|---|---|
| Chant and Cantillation | Johanna Spector | p.1 |
| Folk Music in the Urban German-Jewish Community 1890-1919 | Philip V. Bohlman | p.22 |
| Fumio Koizumi of Japan: An Asian's Use of the Concepts of Melody Found in the Works of Abraham Z. Idelsohn, Robert Lachmann, and Curt Sachs | James Siddons | p.35 |
| Ami Maayani and the Yiddish Art Song (Part II) | Laya Harbater Silber | p.47 |
| Hebrew as an Elucidator of Concepts in Western Music | Vered Cohen | p.65 |
| In Memoriam: Reuven Kosakoff (1898-1987) | Sharon Kosakoff | p.68 |
| Book Reviews: Letter to the Editor | Bernard Beer | p.76 |
| Book Reviews: A Reply to Cantor Beer | Neil Levin | p.77 |
| p.77 Book Reviews: Adaqi, Yehiel, and Uri Sharvit. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume II. Number 1. 5738/1977-78
Editors:
Israel J. Katz
Albert Weisser
| CONTENTS | ||
|---|---|---|
| Lazare Saminsky's Years in Russia and Palestine: Excerpts from an Unpublished Autobiography/ | Edited and annotated by Albert Weisser | p.1 |
| The Music of the Synagogue as a Source of the Yiddish Folksong | Max Wohlberg | p.21 |
| Cross-Cultural Dynamics in Musical Traditions: The Music of the Jews of Cochin/ | Israel J. Ross | p.51 |
| Soviet-Yiddish Folklore Scholarship/ | Eleanor Gordon Mlotek | p.73 |
| Book Reviews: The Articles "Music, Masoretic Accents, and Hazzan" in the Encyclopaedia Judaica (Jerusalem, 1971) | Eric Werner | p.91 |
| Book Reviews: Chanah Milner and Paul Storm, eds. Sefardische Liederen en Balladen (romanzas) (The Hague, 1974) | Samuel G. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume III. Number 1. 5741/1980-81
Editors:
Israel J. Katz
Albert Weisser
| CONTENTS | ||
|---|---|---|
| Friedrich Gernsheim (1839-1916) and the Lost Generation | Alexander L. Ringer | p.1 |
| Toward Defining the Jewish Prayer Modes: With Particular Emphasis on the Adonay Malakh Mode | Joseph A. Levine | p.13 |
| Seged: A Falasha Pilgrimage Festival | Kay Kaufman Shelemay | p.43 |
| The Jew in German Musical Thought before the Nineteenth Century | Jacob Hohenemser | p.63 |
| Letters to the Editors: An Encyclopedist's Ailments--Reviewing Reviews of the Encyclopaedia Judaica on Jewish Music | Hanoch Avenary | p.74 |
| Letters to the Editors: A reply to Dr. Avenary | Eric Werner | p.76 |
| Book and Music Reviews: Robert Strassburg, Ernest Bloch: Voice in the Wilderness (Los Angeles, 1977) | Byron Cantrell | p.77 |
| Book and Music Reviews: Miriam Gideon: Shirat Miriam L'Shabbat: A Sabbath Evening Service (London, 1978) | Hugo Weisgall | p.80 |
| Book and Music Reviews: Hugo Weisgall, The Golden Peacock: Seven Popular Songs from the Yiddish (Bryn Mawr, 1980) | Bruce Saylor | p.82 |
| Contributors of Articles | p.86 | |
| In Memoriam: Marvin Duchow (1914-1979) | Israel J. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume IV. Number 1. 5742/1981-82
Editors:
Israel J. Katz
Albert Weisser
Laura Leon-Cohen, Associate Editor
Dedicated to the Memory of Albert Weisser (1918-1982)
| CONTENTS | ||
|---|---|---|
| The Music Division of the Jewish-Ethnographic Expedition in the Name of BaronHorace Guinzbourg (1911-1914) | Albert Weisser | p.1 |
| Curt Sachs and the Library Museum of the Performing Arts | Carleton Sprague Smith | p.9 |
| The Role of Ethnomusicology in the Study of Jewish Music | Johanna Spector | p.20 |
| The Enigma of the Antonio Bustelo Judeo-Spanish Ballad tunes in Manuel L. Ortega's Los hebreos en marreucos | Israel J. Katz | p.33 |
| On the Melody of David Edelstadts's "Vacht Oyfl" | Robert A. Rothstein | p.69 |
| Book and Music Reviews: Neil Levin, ed. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume V. Number 1. 5743/1982-83
Editors:
Israel J. Katz
Laura Leon-Cohen, Associate Editor
| CONTENTS | ||
|---|---|---|
| Hugo Weisgall's The Golden Peacock: A Stylistic and Interpretive Analysis of Two Songs | Laura Leon-Cohen | p.1 |
| Frederick Emil Kitziger of New Orleans: A Nineteenth-Century Composer of Synagogue Music | John H. Baron | p.21 |
| The Biblical Trope System in Ashkenazic Phrophetic Reading | Joseph A. Levine | p.35 |
| Modulation as an Integral Part of the Modal System in Jewish Music | Judit Laki Frigyesi | p.53 |
| The Development of the Hallel Chant as Reflected in Rabbinic Literature | Macy Nulman | p.72 |
| Antisemitism and Music in Nineteenth-Century France | James H. Johnson | p.79 |
| Record Reviews: The Art of Moshe Rudinow. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XIV. 1999
Editor:
Irene Heskes
Production Editor, Doris B. Gold
A Publication Devoted to All Aspects of Jewish Music
This issue of Musica Judaica is dedicated to the late Cantor Aaron J. Caplow
“Sweet Singer of Prayers”
| CONTENTS | ||
|---|---|---|
| Greetings from the President of the Society | Hadassah B. Markson | p.6 |
| Editor's Commentary | Irene Heskes | p.7 |
| Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain. [Vol. I, 1975/76]. | Judith Kaplan Eisenstein | p.9 |
| Postscript: Remembering Some of Our Pioneers | Marsha Bryan Edelman | p.31 |
| The Music of the Synagogue as a Source of the Yiddish Folksong. [Vol. II. 1977/78] | Max Wohlberg. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume VI. Number 1. 5744/1983-84
Editors:
Israel J. Katz
| CONTENTS | ||
|---|---|---|
| Lazare Saminsky's Early Years in New York City (1920-1928): Excerpts from an Unpublished Autobiography | Edited by Israel J. Katz | p.1 |
| Sephardic Folkliterature and Eastern Mediterranean Oral Tradition | Samuel G. Armistead and Joseph H. Silverman | p.38 |
| A Trascription of the Judeo-Spanish Ballad La vuelta del marido | Israel J. Katz | p.55 |
| The "Prologue" to Jewish Music in Twentieth-Century America: Four Representative Figures: [Bloch, Saminsky, Copland, and Weisgall] | Albert Weisser | p.60 |
| Max Helfman: The Man and His Musical Legacy | Philip Moddel and Richard J. Neumann (Including a listing of Helfman's compositions compiled by Judith Tischler) | p.67 |
| Last Chants for the Cantorate? |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume VIII. Number 1. 5747/1985-86
Editor:
Israel J. Katz
Associate/Review Editor, Neil W. Levin
| CONTENTS | ||
|---|---|---|
| A Family of Jewish Musicians in Mid-Eighteenth Century Paris | Alexander L. Ringer | p.1 |
| Reminiscences of Guido Adler (1855-1941) | Carl A. Rosenthal | p.13 |
| Salomon Sulzer's Schir Zion, Volume One: A Survey of Its Contributors and Its Contents | Abraham Lubin | p.23 |
| A Perception of the Prayer Modes as Reflected in Musical and Rabbinical Sources | Macy Nulman | p.45 |
| They Made Me a Jewish Composer | David Finko | p.59 |
| Ami Maayani and the Yiddish Art Song (Part I) | Laya Harbater Silber | p.75 |
| Book Reviews: Eric Werner, The Sacred Bridge: The Interdependence of Liturgy and Music in Synagogue and Church during the First Millenium, Volume Two (New York, 1984) | Theodore C. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVI. 2001-2002
Editors:
Israel J. Katz
Arbie Orenstein
| CONTENTS | ||
|---|---|---|
| President's Greetings | p. iv | |
| From the Editors | p. vi | |
| The Metaphor of Light in Joseph Haydn's Oratorio, The Creation (1798): A New Jewish Textual Source | Adena Portowitz | p.1 |
| The Music of David Nowakowsky (1848-1921): A New Voice from Old Odessa | Emanuel Rubin | p.21 |
| Toward a Clearer Definition of the Mogen Avot Mode | Boaz Tarsi | p.53 |
| Synagogal Chanting of the Bible: A Linking of Linguistics and Etnomusicology | Rachel Mashiah and Uri Sharvit | p.81 |
| In Memoriam: Alexander L. Ringer (1921-2002) | Amnon Shiloah | p.99 |
| Two Significant Musicological Events: Commemorating Salamone Rossi (ca.1570 - ca. 1628) and Eric Werner (1901-1988) | Mark Kligman | p.109 |
| The Turn of the Millennium in Jewish Music: A Bibliography of Selected Items (1999-2002) | Compiled by Judith Shira Pinnolis | p.118 |
| Conributors of articles to this issue | p.151 | |
| ASJM Membership | p.153 | |
| Updated 25 March, 2005 |
All content © 2001-2002 American Society for Jewish Music.…
CONTINUE READING >
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVIII. 2005-2006
Editors:
Israel J. Katz
Arbie Orenstein
| CONTENTS | ||
|---|---|---|
| President's Greetings | p. iv | |
| From the Editors | p. vii | |
| p. vii The History of the Jewish Music Publishing House Jibne and Yuwal Translated from the German by Eliott Kahn and Verena Bopp | Jascha Nemtsov | p. 1 |
| The Augmented Second, Chagall's Silhouettes, and the Six-Pointed Star | Marina Ritzarev | p. 43 |
| The Female Sozanda Art from the Viewpoint of Professionalism in the Musical Tradition: A Preliminary Survey | Elena Reikher (Temin) | p. 71 |
| Arab Music and Aesthetics as Basis for the Liturgical Structure of the Sabbath Morning Service of the Syrian Jews in Brooklyn, New York | Mark Kligman | p. |
American born. Sings in Ladino, music orginally from Spain, and her family later settling in Salonika, Greece. The Aroeste sound combines and updates aspects from her ‘unique family background with influx of Latin-based music in America over the past few years.’ Sarah wrote: “I have a Ladino fusion band–you can check it out at www.saraharoeste.com I began this project because there are so few young people working in Ladino. I grew up on the traditional music (my family is from Salonika, Greece), but I am also influenced by other musicial styles. Not only am I a proud Sephardic Jew, but I am also a young, modern American woman! I wanted to find a musical style that could really incorporate my various identities. So I started a band a few years ago taking traditional sephardic songs from across the Mediterranean and combining them with American rock, blues and jazz.…
CONTINUE READING >
American. B. 1955 in Washington, D.C. Studied composition at the University of Pennsylvania with George Crumb, George Rochberg, and Richard Wernick. Also at the Conservatoire de Musique in Geneva, Switzerland. Since 1999, he is Mary D.B.T. and James H. Semans Professor of Music at Duke University, where he taught since 1981. Jaffe co-directs Duke’s contemporary music concert series Encounters: with the Music of Our Time, and works with a inventive and gifted group of young composers. Jaffe won a Rome Prize from the American Academy in Rome, the American Academy of Arts and Letters Prize, and fellowships from the National Endowment for the Arts, Tanglewood, and the Guggenheim Foundation. Brandeis University awarded him its Creative Arts Citation (1989), Kennedy Center Friedheim Award for First Quartet(1991.…
CONTINUE READING >
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume I. Number 1. 5736/1975-76
Editors:
Israel J. Katz
Albert Weisser
| CONTENTS | ||
|---|---|---|
| Abraham Zvi Idelsohn (1882-1938): A Bibliography of His Collected Writings/ | Israel J. Katz | p.1 |
| Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain/ | Judith K. Eisenstein | p.33 |
| Giacomo Meyerbeer: The Jew and His Relationship with Richard Wagner/ | Joan L. Thomson | p.55 |
| Review Essay: The Music of Europe and the Americas (nineteenth and twentieth centuries) in the Encyclopaedia Judaica (Jerusalem, 1971)/ | Albert Weisser | p.87 |
| Facsimile of Two Fragments of Joseph Achron's Kiddush Hasem | Almanach of the Yiddish Art Theatre | p.104 |
| Contributors of Articles | p.105 | |
| Alfred Sendrey (1884-1976): In Memoriam/ | Israel J. |
Saturday, May 22nd at 8:30pm
Merryall Center for the Arts
Chapel Hill Road, New Milford, CT 06776
Tickets $15 – for reservations, directions, etc., phone: 860-354-7264
or visit http://www.merryall.org/main.htm
“One of our biggest hits last season,this popular group specializing in
Israeli and Klezmer music connects with the audience through song,
instrumentals and poignant classics of Yiddish theater. Their beautiful songbird
delights audiences young and old.”
www.nefeshband.com
Cookie Segelstein and Joshua Horowitz invite you to join us for a concert in this historic building in the woods!
Four Seasons Plus presents Klezmer Music Concert
with Cookie Segelstein and Joshua Horowitz
Date: Friday, May 14th, 2010
Time: 8 PM
Place: Emmanuel Episcopal Church, Church in the Wilderness
50 Emmanuel Church Rd.
Killingworth, CT 06419
Phone: 860-663-1800
Tickets: $20
Reception follows concert.
Sunday April 27, 2008
Workshop 10am-1pm
Performance 3:00pm
Klezmer music and Yiddish dance workshop, led by Ilana Cravitz and Guy
Schalom, with members of FDT Klezmorim and guests
10:00am Workshop for all and introduction to the afternoon’s concert
performance
Participants and observers will learn about the historical background and
cultural context of this Jewish music and the associated dances. They will
then have the opportunity to gain hands-on (or feet-on!) experience,
choosing either to study the music (style, ornamentation, accompaniment) in
more depth, or to learn some of the dances with experienced dance leader and
drummer Guy Schalom, with live music from members of the band. No previous
knowledge of klezmer music or dance required. Instrumentalists should be
grade 4 equivalent or above.
3:00pm Afternoon Concert: FDT Klezmorim – Bessarabia – London –
Philadelphia: Klezmer from Old World to New, and back again
A journey beyond the borders of time and space with a programme of old and
new ‘traditional’ Jewish music crossing the boundaries between Orient and
Occident.…
CONTINUE READING >
Duo Brikcius & Year of Czech Music
[2 Cellists & 2 Siblings]
You are invited to the November concert “Festival Brikcius” – DUO BRIKCIUS & YEAR OF
CZECH MUSIC (2 Cellists – 2 Siblings), that will take place on Thursday 20th
November 2014
at 7.30pm
Location: in the representative concert hall from the 13th century of
the Stone Bell House in Prague
GHMP, 3rd floor, Old Town Square 605/13,
Prague 1,
Czech Republic.
The two cellists, brother and sister Anna Brikciusová and František Brikcius (Duo
Brikcius), will introduce a new programme for two cellos. It includes: Suite for Two
Cellos by composer and cellist from Prague David Popper (1843 – 1913); Chassidic
Dances by “Terezín” Jewish composer Zikmund Schul (1916 – 1944); Composition for Two
Cellos by Czech composer Bohuslav Martinů (1890 – 1959; Duo by “Terezín” Jewish
composer Gideon Klein (1919 – 1945), written shortly before World War II.…
CONTINUE READING >
Wednesday 11th August 2010 · 7:00pm – 11:00pm
Location The Union Chapel, Compton Avenue, London N1 2XD
More Info Frank London of the Klezmatics and an impressive line-up of American, European and British klezmer stars bring the rhythms and excitement of Eastern European party music to the heart of London. With Michael Alpert, Deborah Strauss, Jeff Warschauer, Merlin Shepherd, Andreas Schmitges, Ilana Cravitz, Ros Hawley, Paul Tkachenko, Guy Schalom, Emma Stiman, Stewart Curtis and Maurice Chernick. Concert is presented by the Jewish Music Institute (JMI) as part of KlezFest London.
* Doors: 7:00 pm
* Price: £17.50 adv + booking fee, £20 on the door
* Entry: All Ages
* Room(s): Chapel
Galeet Dardashti and Divahn
Sunday, August 7 · 7:00pm – 9:00pm
Location Riverside Park South, NYC
Summer on the Hudson: Amplified Sundays –
7:00 p.m.–9:00 p.m.
FREE
Featuring:
Galeet Dardashti: lead vocals, guitar, back-up percussion
Eleanor Norton: cello, vocals
Elizabeth Pupo-Walker: congas and cajon, vocals
Sejal Kukadia: tabla, vocals
Rebecca Cherry: violin, vocals
Pier I in Riverside Park South between between 65th/72nd Streets
Map of Location: http://maps.google.com/?t=h&daddr=40.7797%2C+-73.9889+%28Pier+I%29
Israeli conductor. Graduated the Rubin Academy of Music in Jerusalem and the Music School of the Indiana University. Chorus master in operatic productions of the Israel Philharmonic Orchestra under the batons of Zubin Mehta, James Levine, Daniel Barenboim and Kurt Masur. Works with professional choirs such as the Philharmonia Singers Choir and the New Vocal Ensemble. Won first prizes in international choirs’ contests – such as Malta (1998), Spain (2000) and Belgium (2001). With the Ensemble he was also invited to participate in the choir festival in Korea during the 2002 Mondial and to perform in Sardinia in 2003. Ben-Ozer is also the music director of the international choir festival “The Zimria”. Conducts the Kibbutz Artzi Choir.
“Oi-Va-Voi represent the cutting edge of new wave klezmer. Their unique sound infuses the traditional music of Sephardi Jews, Transylvanian gypsies and the Ashkenazi shtetl with the dub and breakbeats of urban London. Odessan freylekhs, Yemeni devotionals and Macedonian wedding tunes explode effortlessly into drum and bass driven tracks. Hip young Londoners, Oi-Va-Voi are the subject of a recent international documentary film showcasing the best of contemporary British culture. They have recorded original music for film, theatre and BBC2’s South Bank Show. The eclecticism of their music means klezmer Voi-style is not a musical sacrament played only in hushed auditoriums. Oi-Va-Voi’s musical wanderings have taken the spirit of klezmer to club nights in Amsterdam, to New York’s avant-garde jazz scene, to Robert Wyatt’s Meltdown at the Royal Festival Hall and to Antwerp International Festival of Jewish Music.” Contact:INFO or bookings
http://www.oi-va-voi.com…
CONTINUE READING >
Amalia Ishak, soprano; Wendy Eisler-Kashy, flute; and Allan Sternfield, piano are the trio’s performers. The Jerusalem Lyric Trio is an Israeli ensemble that highlights the religious and cultural heritage of the Jewish people in its performances. Since 1995, they have performed our programs throughout Western and Eastern Europe, the United States, South America, Russia, and of course, Israel.
The Trio’s repertoire, in addition to familiar classical repertoire, includes works inspired by biblical texts, Jerusalem, the landscape of Israel, the Holocaust, and familiar songs (in Hebrew, Yiddish, and Ladino). They have represented Israel in international music festivals, including the Old Testament in the Arts (Prague), Judische Kulturtage (Munich), Musical Spring in St. Petersburg (Russia), The Eighth International New Music Festival (Riga, Latvia), Encuentros (Buenos Aires), Concentus Moravaie (Czech Republic) and the Budapest Spring Festival 2000.…
CONTINUE READING >
Nee Ella Milch. Born 1954 In Haifa, Israel. Composer. Singer, pianist. Milch-Sheriff started as a child prodigy, writing her first compositions by the age of 12. While serving in the Israeli army, she continued to write and sing her songs. After army service, she returned to studies in composition under Prof. Tzvi Avni at the Rubin Academy of Music at the Tel-Aviv University where she graudated in composition. She studied vocal studies with Prof. Tamar Rachum and Dafna Cohen-Licht. Her output consists of opera, orchestral, chamber and vocal and popular music. Her works have had numerous performances in Israel and abroad. She is composer of chamber works such as: Duo for flute & Cello (1976) with recent pieces that include “A Crown they shall give unto You” for voice and orchestra based on Ladino-Flamenco folk music (premiered January 2005); “Woman in Paths” for voice and piano (premiered 2005); and “Good Night, Sweet ladies” for 3 singers, actress and orchestra (premiered 2004).…
CONTINUE READING >
Violin Soloist, Chamber Musician and Leader of Professional Orchestras in Italy and UK, Ms. Amato is now dedicating much of her Research into Jewish Music Study, with major interest in the arrangements of traditional Italian and Askenazy Music. She performed in major National and International Festivals. Purcell Room debut 1994; Teatro Francesco Cilea debut 1996; Teatro Bellini debut 1989. Winner of National and International Music Awards. Recorded for Radio France, Radio Swisse Romande, BBC and Rai radio and TV. CD recordings include 28° and 29° Tibor Varga Festival, Sion, Switzerland. Plays a French violin 1780 Paris School. Contact:aulos@paipai.net
http://www.supportimusicali.it/musicisti/scheda.asp?n=Angela%20Amato
Oud Prayers on the Road to St. Jacques
Sacred music of the Abrahamic faiths
Oud solo performances and arrangements by Yuval Ron
International composer, producer and world music artist Yuval Ron
takes on a highly symbolic endeavor, to unite chants from the three
religious traditions of the Middle East into a handful of harmonic
musical medleys. His deeply moving weaving of ancient sacred music
from the Hebrew, Maronite, Armenian and Sufi traditions results in a
decidedly contemplative, meditative and introspective experience.
Upon hearing a performance on the Oud by Yuval Ron, Pir Zia Inayat-
Khan, head of the Sufi Order International, remarked: “While deep
practice of one’s religious tradition is like sounding a note, a note
of great integrity and beauty, bringing together many sacred
traditions through the harmony of music expands the notes into a
symphony!” Recorded in live recitals on April 18, 2007 at Chapelle de
Cgan (built 12th Century) in Arthez and on April 19, 2007 at Notre
Dame a Sarrance (built 14th century) in Sarrance.…
CONTINUE READING >
Oxford University Press has released the scholarly work of Dr. Tina Fruhauf, The Organ and Its Music in German-Jewish Culture. The press descriptions states that the book “examines the powerful but often overlooked presence of the organ in synagogue music and the musical life of German-speaking Jewish communities. Tina Frühauf expertly chronicles the history of the organ in Jewish culture from the earliest references in the Talmud through the 19th century, when it had established a firm and lasting presence in Jewish sacred and secular spaces in central Europe. Frühauf demonstrates how the introduction of the organ into German synagogues was part of the significant changes which took place in Judaism after the Enlightenment, and posits the organ as a symbol of the division of the Jewish community into Orthodox and Reform congregations.…
CONTINUE READING >
This year’s Ud U’fiyyut (a co-production of the JMRC and the Confederation House in Jerusalem, in the framework of the International ‘Ud Festival Jerusalem, 2006) bears the title:
Mi-qeddem U-miyyam: The Legacy of Asher Mizrahi
This concert is dedicated to the work of Asher Mizrahi – poet, musician, composer, artist and a teacher of Hebrew and music – who was born in Jerusalem in 1890, lived more than 40 years in Tunisia, and died in Jerusalem in 1967. Mizrahi wrote songs in Ladino, Hebrew Piyyutim of longing to Zion, as well as Arab-Tunisian songs, performed in the 1930′ and 1940′ by the most prominent musicians of his time, both Jews and Arabs.
The ‘Ud Ufiyyut series, initiated by the Jewish Music Research Centre at the Hebrew University, together with the Confederation House in Jerusalem as part of the International ‘Us Festival, Jerusalem, is meant to bring closer the academia and the stage.…
CONTINUE READING >
For the first time in Britain an International Academic Conference is being devoted to the music of Jewish prayer. Internationally acclaimed scholars in Jewish liturgical music will lead the programme presented jointly by the School of Music, University of Leeds and the Academic Wing of the European Cantors Association.
University of Leeds, UK
Tuesday 16 – Friday 19 June 2015
The conference is organised in association with the international research project Performing the Jewish Archive, funded by the Arts and Humanities Research Council. Supported by the Jewish Music Institute, SOAS University of London
More details email conference@cantors.eu
or see http://www.mmm.leeds.ac.uk/magnified-sanctified
and
www.cantors.eu
KEYNOTE SPEAKERS
Professor Emeritus Eliyahu Schleifer, Professor of Sacred Music and Director of the School of Sacred Music at HUC-JIR/ Jerusalem, Israel
Professor Mark Kligman, Professor of Jewish Music University of California, Los Angeles, CA
Professor Rabbi Jeffrey Summit, Research Professor, Tufts University, Medford/Somerville, MA (near Boston) …
CONTINUE READING >
The Jewish Music Forum invites you to their next event of the 2011-2012 Jewish Music Forum season.
Thursday, February 9, 2012, at the Center for Jewish History,
Professor Paula Eisenstein Baker will present a pre-concert talk entitled, “The St. Petersburg School: The Music of Leo Zeitlin (1884-1930).” The event details are as follows:
Feb. 9th, 2012
Thursday, 7:00 P.M.
Center for Jewish History
15 West 16th Street
New York, New York 10011
Professor Paula Eisenstein Baker with YIVO’s Sidney Krum Young Artists. Leo Zeitlin belonged to a group of early 20th- century young Russian-Jewish composers–mostly students of the St. Petersburg Conservatory and members of the Society for Jewish Folk Music in St. Petersburg–who were united by the idea of creating a Jewish national music movement. Fascinated by Zeitlin’s masterpiece “Eli Zion,” cellist Paula Eisenstein Baker started to investigate the life and works of this remarkable, but almost unknown, composer.…
CONTINUE READING >
