The Forward had an interesting article about a recent event held at the Kane Street Synagogue in Brooklyn this past week. Jewish contemporary classical composers had some of their works performed, with composers Samuel Adler and Ursula Mamlok speaking at the event.
http://www.forward.com/articles/7830
American Recorder Society ▪ Amsterdam Loeki Stardust Quartet ▪
Composition Competition
The American Recorder Society, in collaboration with the Amsterdam
Loeki Stardust Quartet (ALSQ), is pleased to announce its composition
competition for recorder music. The competition’s goal is to expand
the recorder quartet repertoire with new music for professional recorder
players by composers from the United States and Canada.
Further information on ALSQ is available
on their web site: http://www.loekistardust.nl/html_en/index.html
This is a guide to library research in the field of Jewish music. It contains a selective list of resources that may be helpful for getting started. For additional assistance with research, consult your local librarian or write to me on email.
For help narrowing your subject for research or with help in formulating your questions to make
them appropriate for online research, read this brief guide.
In looking for resources in Jewish music, the student should start not only with traditional Library of Congress Subject Headings such as “Jews–music” or “Synagogue music”, but keyword searching. Keyword searching is an important component of any search today and especially on Internet sources. Here are some samples of additional ways to access unknown materials and focus searching in catalogs, databases and online sources:
Using variations: Jews, Jewish, Judaic, Judaism, Jewry
Synonyms and/or related terms: Israeli, Yiddish, Ladino, Hebrew, Yemenite, Sephardic, Ashkenazic, Palestinian, Middle Eastern
Narrower or specific terms: nusach, masoretic chants, chazan, synagogue, avodat hakodesh, klezmer, kol nidrei, Koenigsberg tradition
Word variations or language transliterations: cantor, chazan, hazan, hazon, kanter
Corporate authors or institutions in note fields: Hebrew Union College, Ktav, Transcontinental, Bloch Publishing, Rubin Academy, Hebrew University
Societies or organizations: American Society of Jewish Music, Renanot Institute, Yeshiva University, YIVO, National Yiddish Book Center
Publication medium: sound recordings, videocassette, score, manuscript
Performance groups: Western Wind, Zamir Chorale, Poogy, Arbel
Names: Andy Statman, Debbie Friedman, Hankus Netsky, Srul Glick, Simon Sargon, Ben Steinberg, Nathan Lam, Shlomo Carlbach, Max Janowsky
Broader/and or Related Subject Headings: liturgical music, synagogues; Yiddish theater; Jewish culture; cantillation; manuscripts, Hebrew art song; chants (Jewish); folk song (Jewish); klezmer; Jewish musicians; zemirot; passover songs; Songs, Hebrew; Songs, Yiddish; Music in the Bible; Music in Synagogues; Psalms;
Foreign terms: schir; shirim; megillah; Hebraische Musik; Yehudiym; yidishe; Jiddische lieder; z’mirot; zemirot; nigun; lider; lieder
| TITLES | LOCATIONS |
|---|---|
| Nulman, Macy. |
Use the search function and type “klezmer” for a chronological listing of several upcoming events. Gives dates, time, place and links to band websites. Includes links to venue locations with local contact information, which is very helpful for those wishing to attend the concerts.
http://concerts.calendar.com/
Anthony Russell will perform in Miami on Sunday, June 9th at 4:00 p.m. in the first
solo concert presented by the Winter Jewish Music Concert.
Tickets for the concert are now on sale online
http://www.jewishconcert.org/tickets/ or by calling 1-800-838-3006. General
admission for the concert is $18, and sponsor tickets are $36.
Anthony Mordechai Tzvi Russell was profiled this week in the Times of Israel. “If
you think you know what a Yiddish singing star looks like, think again. The new, hot
name in the world of Yiddish musical performance is Anthony Russell, and he’s a
33-year-old, 6’1’’ African-American hipster from Oakland, California,” the author
wrote. “Baptist-born and Jew by choice, opera singer Anthony Mordechai Tzvi
Russell’s ‘niggunim’ have soul.” Read the rest of the article
http://www.timesofisrael.com/just-your-typical-61-african-american-yiddish-singer/
The concert will include a variety of music—Yiddish music, music in Hebrew, and
African American spirituals.…
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STEAL A PENCIL FOR ME–
OPERA BASED ON LIVES
OF HOLOCAUST SURVIVORS JAAP & INA POLAK
Semi-Staged Concert Performances in New York on April 28 & 30
of a new opera in two acts by Gerald Cohen and Deborah Brevoort
These semi-staged concert performances will take place on:
Sunday, April 28, 2 p.m. at Shaarei Tikvah Congregation, Scarsdale, NY; and
Tuesday, April 30, 7 p.m. at the Jewish Theological Seminary, New York, NY
Details can be found on Gerald Cohen ‘s website
www.geraldcohenmusic.com
Shaarei Tikvah Congregation is located at 46 Fox Meadow Road, Scarsdale NY. Individual tickets are $30 at the door; $25 in advance; $15 for seniors and $10 for students. Please contact (914) 472-2013 or office@shaareitikvah.org.
Jewish Theological Seminary (JTS) is located at 3080 Broadway (at 122nd st.), New York, NY.…
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On Thursday, March 24th at 7 PM, in conjunction with YIVO, the Jewish Music Forum will present The Most Musical Nation: Jews and Culture in the Late Russian Empire, the title of a fascinating new book by Dr. James Loeffler, the Founder and first Executive Director of ASJM’s Jewish Music Forum.
Quoting from the book jacket below gives you additional details about this wonderful evening which will have live musical examples. Providing these music examples for Dr. Loffler’s talk, we are very grateful to have performers from YIVO’s Krum Young Artist Series. A reception and book singing will follow:
“No image of pre-revolutionary Russian Jewish life is more iconic than the fiddler on the roof. But in the half century before 1917, Jewish musicians were actually descending from their shtetl roofs and streaming in dazzling numbers to Russia’s new classical conservatories.…
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The Jewish Music Forum is offering a program being given at the Center for Jewish History
on Monday, March 2nd at 7 PM.
Celebrating the release of an important new book by Dr. Evan Rapport, Greeted with Smiles: Bukharian Jewish Music and Musicians in New York (Oxford University Press), with live music examples by some of New York’s most respected Bukharian musicians led by master singer Ezro Malakov, this promises to be a wonderfully informative and entertaining evening.
Center for Jewish History
15 West 16th Street
New York, NY
Please RSVP at: info@jewishmusicforum.org
Reception to follow.
Additional information about the program, Dr. Rapport and the performers is below.
I hope you will be able to join us on Monday, March 2nd. Admission is free.
Please RSVP to info@jewishmusicforum.org.…
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Music in Our Time: 2015
Concert May 31 2015 3pm
Music from Golijov’s The Dreams and Prayers of Isaac the Blind; Yulzari‘s Le Grand Méchant, l’Oud and Il était une Fois; Kaminsky‘s Duo for Cello and Piano; Cohen‘s Steal a Pencil for Me; Fine‘s A Short Alleluia; and Ladino songs by Neumann. Performed by Charles Neidich, Rémy Yulzari, Ilana Davidson, Laura Leon, Donna Breitzer, Nadav Lev, and artists from Mannes College The New School of Music.
Ticket Info: $18 general; $12 American Society for Jewish Music/American Jewish Historical Society/Center for Jewish History members; $9 students, seniors
Purchase Tickets
presented by American Jewish Historical Society and American Society for Jewish Music
Wednesday, May 25 · 6:00pm – 9:30pm
Central Square Theater
450 Massachussettes Avenue
Cambridge, MA
More Info
Join Miles Rapoport, Lisa Danetz, Lew Finfer, Renee Loth, Jeff Malachowsky, Arnie Miller, Josh Posner, Paul Summit, Ben Taylor, Brenda Wright, Robert Zevin, and Silver Spoon Co-Creators Amy Merrill and Si Kahn for an evening of musical theater, meeting friends, and mulling the future to benefit Demos and The American Prospect.
6:00 – 7:15: Reception and conversation with American Prospect Editor Kit Rachlis, Demos and American Prospect President Miles Rapoport, Si Kahn, and Amy Merrill.
7:30 – 9:30: Reserved tickets to evening performance of Silver Spoon.
Ticket Prices:
$100 – Participant
$250 – Picket Captain (2 tickets)
$1,000 – Movement Builder (4 tickets)
Proceeds shared by Demos and The American Prospect.…
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Sunday, June 7th at the Center for Jewish History
Celebrating the Siegmeister Centenary
“Music in Our Time,” the annual concert of Jewish music by contemporary composers, presented by the American Society for Jewish Music in association with the American Jewish Historical Society, will be given on Sunday, June 7th at 3 PM at the Center for Jewish History (15 West 16th Street, NYC).
For tickets $18 ($12 members); $6 for Students and Seniors, call 212-868-4444 or
www.smarttix.com or
contact the Box Office: (917) 606-8200 /
href=”mailto:boxoffice@cjh.org”boxoffice@cjh.org.
Once you have selected an area to research, the next step is to figure out where your area of research fits in to the existing literature.
What specific question or questions do you want to answer as you do your research? (i.e. what is your hypothesis or hypotheses? You may need to modify these as you do your research)
If your area of research is too broad you will be overwhelmed with too much information and will have trouble figuring out what to write about. Some areas of research might be fine if you were writing a full length book, but not practical for a 10 page paper. Try limiting your area of research in terms of time period, geography, or noteworthy individuals.…
CONTINUE READING >
The Melodia Women’s Choir will present an all female performance of Vivaldi’s Gloria in D Major and contemporary works, including the world premiere of Becca Schack‘s new commissioned piece “In My end is My Beginning” based on a text by T. S. Eliot.
The concert is being held
Saturday November 17 at 8 PM, and
Sunday, November 18 at 3 PM at
St. Peter’s Church,
346 West 20th Street, New York City, New York.
Melodia will be joined by an all-women
instrumental chamber ensemble.
Tickets are $20 in advance and $25 at the door.
For information, call (212) 252-4134, or visit
www.melodiawomenschoir.org.
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVII. 2003-2004
Editors:
Israel J. Katz
Arbie Orenstein
| CONTENTS | ||
|---|---|---|
| President's Greetings | p. iv | |
| From the Editors | p. vii | |
| Marriage and Music as Metaphor: The Wedding Odes of Leon Modena and Salamone Rossi | Don Harran | p. 1 |
| Don Harran p. 1 The Cantorial Fantasia Revisited: New Perspectives on an AShkenazic Musical Genre | Geoffrey Goldberg | p. 33 |
| Where Musical Realms Meet: Hermann Zivi--An Exemplar of the German-Jewish Cantorate | Tina Fruhauf | p. 87 |
| A Conversation with Miriam Gideon (1906-1996) | Judith Shira Pinnolis | p. 107 |
| Problems Concerning the History of Jewish Music | Bence Szabolsci Translaed by Stephen Erdely | p. 143 |
| A Conference on The St. Petersburg Society for Jewish Folk Music (1908-1938) held at the University of Potsdam, Germany (May, 2004) | Malcolm Miller | p. |
VOX: Showcasing American Composers 2006
Produced by New York City Opera
Presented by the Skirball Center for the Performing Arts, New York University
566 LaGuardia Place (Washington Square Park South)
May 6 – 7, 2006
FREE
Sunday, MAY 7, 4:30 – 5:30 pm
Stephen Andrew Taylor, Paradises Lost, libretto by Kate Gale
Max Stern, Messer Marco Polo
Directions to Skirball Center:
The Skirball Center is located at 566 LaGuardia Place at Washington Square Park South, within a few blocks of most subway lines, including West 4th St. (A, C, E, F, V, and S), 8th Street (N, R, W), Astor Place (6) and Christopher Street (1).
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XII. 5754/1991-92
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
Founder, Albert Weisser (1918-1982)
| CONTENTS | ||
|---|---|---|
| A Song to Heal Your Wounds: Traditional Lullabies in the Repertoire of the Jews of Iraq | Sara Manasseh | p.1 |
| A Golden Age for Jewish Composers in Paris: 1820-1865 | John H. Baron | p.30 |
| The Message of Moses and Aaron as Reflection of Arnold Schoenberg's spiritual Quest | Boaz Tarsi | p.52 |
| An Historic Israeli-American Musical Dialogue in New York: The Counter-Harmonies Conference | Malcolm Miller | p.65 |
| Edith Gerson-Kiwi: In Memoriam | Edwin Seroussi | p.75 |
| Reviews: Susana Weich-Shahak, ed., Judeo-Spanish Moroccan Songs for the Life Cycle (Jerusalem, 1989) | Laurence D. Loeb | p. |
Saturday 29 November 2003, 8.00pm
Budapest Klezmer Band (Hungary). Coming from the heart of Europe, where klezmer music originated, this ensemble sweeps you off your feet from the first moment with their raw
energy, soaring sounds and gypsy folk rhythms. With exuberant vitality and yet with extreme poignancy they conjure up a time when this music was an integral part of European Jewish life.
Presented by the Jewish Music Institute supported by Warner Music UK, The Spiro Ark, The Swiss Embassy, the Hungarian Cultural Centre and The Jewish Chronicle.
Doors open 7.30, bands on at 8.00
Tickets £17.50 Concessions £14.00 Pass for all 4 concerts £50. Concessions for seniors, students, children, unwaged, groups of 10 or more or if coming to more than 1 concert) .…
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Regina Resnik presents Colors of the Diaspora. It’s a DVD collection with 3 distinct programs included, conceived and written by Michael Philip Davis. Ms. Resnik introduces and narrates the three concerts. Each is a distinct classical music art program, with the common thread of Jewish art music or music on Jewish themes.
The DVD will make the perfect Hannukah present for someone who loves both classical music and Jewish music. The DVD can be obtained through Amazon.com VAI DVD 4540, but also can be ordered directly through Video Artists International, 109 Wheeler Ave., Pleasantville, NY 10570. Toll free number is 800-477-7146.
The DVD includes some surprising repertoire and will introduce even aficionados of Jewish music to new selections.The narration is well written and informative. The selections are thoughtful, artistic, and knowledgeable about the breadth of Jewish music.…
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American. Born, Knoxville, Tennessee. Rabbi. Singer-songwriter. Geela-Rayzel Raphael is the co-creator of Shabbat Unplugged– a musical, rockin’ Shabbat service; sings with MIRAJ, an a cappella trio; and New Shalom, which offers lively interactive Shabbat services for synagogues and street performance. She has been writing songs for over 20 years. Her debut CD was Bible Babes a’ Beltin -strong songs of biblical women. In addition, she has recorded two CDs with MIRAJ. Her songs tend to be lifecycle ritual songs, ballads of Jewish women, and Hebrew/English liturgy. Rabbi Raphael is the daughter of Mitchell and Natalie Robinson. She received a BA from Indiana University in religious studies, and a Masters in Contemporary Jewish Studies from Brandeis University. Rayzel studied at Machon Pardes and the Melton Center for Jewish Education at the Hebrew University of Jerusalem.…
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The Milken Archive of American Jewish music is looking for good art that meets the ear. The Milken Archive of Jewish Music in collaboration with the Foundation for Jewish Culture is launching Eye Meets Ear: Visual Arts Competition for Emerging Artists to select 20 works as cover art for 20 themed volumes of music in the Milken Archive’s new virtual museum.
The competition runs from September 1 to November 1, with winners to be announced in late December 2010. Each work selected will earn the artist a $2,000 cash prize. Artists, who must be ages 18 to 39, may submit works of art in any visual mediums that express and/or relate to the theme of individual virtual museum volumes, each of which explores a particular historical, cultural or musical theme.…
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The Center for Jewish Studies at Queens College
Is proud to announce their 6th Annual Benefit Concert
Monday, June 11th, 2007
Starring the world famous Sydenham Choir
from Johannesburg South Africa
The return of Cantor Oshy Tugendhaft & the Sydenham Shul Choir marks
their 6th North American tour performing their hit musical CELEBRATION!
Both Oshy Tugendhaft, and the Choir are internationally acclaimed having
sung with many leading Cantors, most recently with Yitzchak Meir
Helfgot.
All seats are reserved. General admission: $50 $32 & $20
25 % discount for orders by May 28, 2007 $40 $24 & $15
Priority seating $100 $75. No discount, includes after show party with
choir.
Order tickets on line at www.boxofficetickets.com/sydenhamchoir.
or call 800-494-8497.
Their CELEBRATION musical depicts many aspects of traditional and
contemporary Jewish life and liturgy and takes place to live music,
provided by a jazzy orchestra.…
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Meridian Gallery: Composers in Performance Series Presents
VENUE: Meridian Gallery
535 Powell St, San Francisco, California 94108
Telephone: (415) 398-7229
TICKETS: $10 general, $5 students/seniors. No one
turned away for lack of funds.
BOX OFFICE: Tickets are available at the door.
The Jack Curtis Dubowsky Ensemble, a groundbreaking new
music ensemble led by classical and film composer Jack Curtis
Dubowsky, combines acoustic instruments, electronic hardware,
composed material and structured improvisation. The Ensemble
treats analog synth as a rare and unpredictable performance
instrument. The Ensemble s contemporary electroacoustic
music, abstract, calm, spacious, free form, and transcendental,
is performed and recorded live with no overdubs or sequencing.
www.myspace.com/jcdensemble
www.cdbaby.com/jackcurtisdubowsky
The Guild of Temple Musicians is an educational and networking organization for synagogue musicians, affiliated with the American Conference of Cantors. It publishes a newsletter and offers workshops for members, as well as an annual convention. The Guild sponsors the Young Composer’s Award for the creation of serious works of Jewish music suitable for worship and/or the concert stage. In addtion, with the American Conference of Cantors, the Guild also runs the Generation to Generation Award to encourage High School musicians to create new works of music. The president for the 2010-2011 term is Aryell Cohen. He is the contact person at the address and phone below.
The Guild of Temple Musicians
5301 Balboa Blvd.
Encino, CA 91316
818-981-5052
http://thegtm.org
From ShoreFire Media:
When you think of New York City’s Harlem, you may think of James Brown at the
Apollo, Duke Ellington at the Savoy or Bill Clinton’s offices on 125th Street. But
did you know that Harlem was also home to large numbers of Eastern European Jews in
the early 20th century? Some of the grandest brownstones in the Mount Morris Park
neighborhood were Jewish family homes.
Grammy-winning producer Aaron Levinson pays homage to the vibrant history of Harlem
in ‘The Harlem Experiment’, to be released by Ropeadope Records October 30th.
Featuring musicians such as clarinetist Don Byron of the Grammy-awarded Klezmatics,
trombonist Steve Bernstein and many other notable jazz musicians, it showcases
Harlem as melting pot and offers a unique version of the Yiddish folk song “Bei Mir
Bist Du Schoen,” with a soaring solo by Byron.…
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Thursday Nights are SUMMERNIGHTS at The Jewish Museum
The William Petschek Family Music Program
Tix: www.thejewishmuseum.org/SummerNights or call 212.423.3337
SummerNights 2011 is the 14th annual summer concert series featuring live music and
great art. Concerts begin at 7:30 pm in the Museum’s Scheuer Auditorium. Seating is
general admission.
Tickets: Members $10; General $15; and Students/Seniors (65+) $12
Slavic Soul Party! – Thursday, July 21
Brash and strong as slivovitz, these musicians forge virtuoso brass band music
melding Balkan and Gypsy sounds with American jazz and soul.
Michael Winograd Trio – Thursday, July 28
This ensemble offers a fresh approach to klezmer music that blends traditional
Yiddish songs with new compositions.
The Michael Winograd Trio will be performing on Thursday, July 28 at 7:30 pm as part
of The Jewish Museum’s popular SummerNights concert series.…
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The Center for Jewish History, located in the heart of New York City, is pleased to announce that they have improved access to the collections of partners by extending the operating hours of the Lillian Goldman Reading Room and the Ackman & Ziff Family Genealogy Institute to five days a week!
Scholars, students and the general public now have the opportunity to conduct onsite research on Mondays from 9:30am – 7:30pm, Tuesdays – Thursdays from 9:30am – 5:30pm, and Fridays from 9:30am – 1:30pm.
In addition to offering extended hours, the Center provides access to our partners’ collections through its Online Public Access Catalog (www.collections.cjh.org), a unique tool that offers seamless searching of library, archival and museum holdings through a single portal.
Researchers can also view more than 1,200 electronic archival finding aids and two annotated bibliographies offered by the Center, Women in Daily Life: An Online Bibliography and Holocaust Resources: An Annotated Bibliography of Archival Holdings at the Center for Jewish History.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XIV. 1999
Editor:
Irene Heskes
Production Editor, Doris B. Gold
A Publication Devoted to All Aspects of Jewish Music
This issue of Musica Judaica is dedicated to the late Cantor Aaron J. Caplow
“Sweet Singer of Prayers”
| CONTENTS | ||
|---|---|---|
| Greetings from the President of the Society | Hadassah B. Markson | p.6 |
| Editor's Commentary | Irene Heskes | p.7 |
| Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain. [Vol. I, 1975/76]. | Judith Kaplan Eisenstein | p.9 |
| Postscript: Remembering Some of Our Pioneers | Marsha Bryan Edelman | p.31 |
| The Music of the Synagogue as a Source of the Yiddish Folksong. [Vol. II. 1977/78] | Max Wohlberg. |
Soundswrite newsletter: Volume 10, Number 7 • April, 2011 • Adar II/Nisan, 5771
Purim is over, which means Passover is just around the corner! Arguably the most widely observed of all Jewish holidays, Passover (Pesach) is a celebration of freedom–a remembrance of our people’s Exodus from slavery in Egypt over 3,000 years ago. Today, there’s an amazing array of terrific music for Pesach, both traditional and contemporary, to enliven your holiday and brighten your home, your car, your classroom, or anywhere else you listen to music. Check out these amazing recordings by clicking on any cover image below. Chag Pesach Sameach!
On Sunday, March 11th at 3 PM the Society will present The Leo Kraft 90th
Birthday Concert at the Center for Jewish History. This performance will
feature some of New York’s finest chamber music players, including flutist
Patricia Spencer, clarinetists Charles Neidich and Ayako Oshima, violinist
Renne Jolles, violist Mark Halloway, and cellist Marcy Rosen, as well pianist
Morey Ritt, who will premiere Testimonium, a new work Kraft has written
for her.
Among other works on the program are New Songs from Old, a fantasy for
solo clarinet based on traditional Jewish motifs and Seven Hebrew Songs to
poems by medieval Hebrew poets, sung by the American baritone Thomas
Meglioranza, with David Jolley, horn and Konstantza Chernov, piano. Hailed by The
Boston Globe for his “vocal distinction and expressive warmth,” Meglioranza
is one of this country’s most sought-after and unique young singers.…
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Thursday, May 12th. 7pm
As part of the Young Artists Concert Series, Hebrew College School of Jewish Music students
Richard Lawrence and Kate Judd will be performing in
a concert highlighting the works of Lazar Weiner and Joseph Achron at the YIVO
Institute for Jewish Research, New York City,
at the Center for Jewish History | 15 West 16th Street – NYC
For more information on the concert and to purchase tickets, please go to:
http://www.yivo.org/events/index.php?tid=181&aid=822
American. Born in 1912 in New York. Died in Boston on October 7, 2003. Avant-garde composer. Studied at NYU and Harvard University. Focused in chamber and solo piano music. New York Music Critics Circle Citation, 1962. Won awards from Guggenheim, Fromm, Coolidge, Naumburg and Fulbright Foundations. Fellow of the American Academy & Institute of Arts and Letters. Fellow of the American Academy of Arts & Sciences. Taught at Mills College, 1939–1943. Taught at Brandeis University 1953-1980 as Irving Fine Professor of Music. Helped establish the graduate program at Brandeis. 2003 ASCAP-Deems Taylor Award.
The American Society of Jewish Music announces official release of MUSICA JUDAICA ONLINE REVIEWS, which has been operating under the Editorship of Dr. Judah M. Cohen of Indiana University
since the beginning of the year.
Designed as an offshoot of Musica Judaica, the Society’s journal which is
published once a year, Musica Judaica Online Reviews (MJOR) not only allows
us to publish reviews much closer to the publication date of the book or
recording in question, but also guarantees a much wider circulation and
distribution of the reviews, to all who are interested what is being written
about in Jewish music. Moreover, at the same time, our goal is not only to
share the reviews but to engage in discussion, with readers able to submit
their comments (of course, moderated by our editor).…
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http://roulette.org/events/judith-berkson/ . The Vienna Rite is a new chamber opera by Judith Berkson that will be premiering for two nights in November at the Roulette. There are only two performances, November 2nd and 3rd 2012. “The Vienna Rite” is the story of a new service composed in 1828 by Viennese Cantor Salomon Sulzer in collaboration with Franz Schubert and other Viennese composers which sought to merge European music with synagogue chant.
It is being performed by the new music ensemble Yarn/Wire along with guests Brian Chase and Chi-Chi Glass and features the amazing baritone Ian Greenlaw as Salomon Sulzer along with singers Lana Cencic, Allyssa Lamb, Bo Chang, Judith Berkson, Aram Tchobanian and Gavriel Savit. It is set in the historic Stadttempel with costumes and set design by Audrey Robinson.…
CONTINUE READING >
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XIII. Number 1. 5755/1993-94
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
Founder, Albert Weisser (1918-1982)
| CONTENTS | ||
|---|---|---|
| From the Editor | Neil W. Levin | p.iv |
| An Unanticipated Consequence of Political/Racial Persecution: the Contribution of Jewish Musicians to the Cultural Transfer of European Art Music to Japan | Irene Suchy | p.1 |
| Mordecai Sandberg (1897-1973): A Catalogue of the Music | Austin Clarkson, with Karen Pegley and Jay Rahn | p.18 |
| An International Conference on Jewish Music at City University, London | Malcolm Miller | p.82 |
| Award of the Degree of Doctor of Humane Letters, Honoris Causa, to Israel Adler | p.90 | |
| Hanoch Avenary: In Memoriam | Edwin Seroussi | p.93 |
| Reviews: Walter Salmen, "...denn die Fiedel macht das Fest." Jüdische Musikanten und TÄnzer vom 13. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XI. Number 1. 5750/1989-90
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
…
CONTENTS
Written Evidence and Oral tradition: The Singing of Hayom Harat Olam in Sephardi Synagogues Edwin Seroussi p.1
Neglected Sources for the Historical Study of Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah u'T'Fillah and Todah W'simrah--Annotated Translations Geoffrey Goldberg p.27
A Guide to the Unpublished Works of Gershon Ephros (1890-1978): An Annotated Bibliography Marsha Bryan Edelman p.58
Lord Byron's Hebrew Melodies: A Curious Episode Reconsidered-- A Review Essay Carole Rosen p.86
Reviews: Philip V. Bohlman, The Land Where Two Streams Flow: Music in the German-Jewish Community of Israel (Urbana and Chicago, 1989) Samuel Adler p.93
Akiva Zimmermann, B'ron Yahad: Essays, Research and Notes on Hazzanut and Jewish Music (Tel Aviv, 1988) Joseph A.
CONTINUE READING >
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume X. Number 1. 5749/1987-88
Editor:
Israel J. Katz
Review Editor, Neil W. Levin
Dedicated to the Memory of Eric Werner (1901-1988)
| CONTENTS | ||
|---|---|---|
| Eric Werner (1901-1988): A Bibliography of His Collected Writings | Israel J. Katz | p.1 |
| Eric Werner: A Personal Memoir | Judith K. Eisenstein | p.37 |
| The Hazzanic Recitative | Max Wohlberg | p.40 |
| A Possible Influence of Traditional Chant on a Synagogue Motet of Salomone Rossi | Joshua R. Jacobson | p.52 |
| Revival and Renewal: Can Jewish Ethnic Tradition Survive the Melting Pot? | Amnon Shiloah | p.59 |
| Jewish Music Published in Palestine: An Introduction | James J. Fuld | p.70 |
| Mordecai Sandberg (1897-1973) | Joel Mandelbaum | p.81 |
| In Memoriam: Shalom Altman (1911-1986) | Marsha Bryan Edelman | p.92 |
| Reviews: Darryl Lyman. |
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume IX. Number 1. 5748/1986-87
Editor:
Israel J. Katz
Associate/Review Editor, Neil W. Levin
| CONTENTS | ||
|---|---|---|
| Chant and Cantillation | Johanna Spector | p.1 |
| Folk Music in the Urban German-Jewish Community 1890-1919 | Philip V. Bohlman | p.22 |
| Fumio Koizumi of Japan: An Asian's Use of the Concepts of Melody Found in the Works of Abraham Z. Idelsohn, Robert Lachmann, and Curt Sachs | James Siddons | p.35 |
| Ami Maayani and the Yiddish Art Song (Part II) | Laya Harbater Silber | p.47 |
| Hebrew as an Elucidator of Concepts in Western Music | Vered Cohen | p.65 |
| In Memoriam: Reuven Kosakoff (1898-1987) | Sharon Kosakoff | p.68 |
| Book Reviews: Letter to the Editor | Bernard Beer | p.76 |
| Book Reviews: A Reply to Cantor Beer | Neil Levin | p.77 |
| p.77 Book Reviews: Adaqi, Yehiel, and Uri Sharvit. |
All archival announcements from 2001 listed below.
**********************************************
AMJ: L’Association Amis de la Musique Juive
L’Association AMJ: Les Amis de la Musique Juive –Friends of Jewish Music in Geneva, Switzerland sponsors exhibits, concerts, lectures, debates and music workshops. The first CD produced by AMJ has segments that can be listened online. It’s the digital “live” recording from the “Psalm” concert organized on March 11th 2001. To hear a presentation:
http://www.club-association.ch/amj/WCD001-presE.htm
Voices: Continuity and Community
Gala opening concert of the Peretz Centre for Secular Jewish Culture
Saturday, Oct. 6 at 8 p.m., Peretz Centre, 6184 Ash Street (at 45th
Avenue), Vancouver
The Peretz Centre will celebrate the offical opening of its new
facilities with a concert featuring vocalists Claire Klein Osipov,
Grace Chan, Marcus Mosely and Stephen Aberle.…
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HAZAMIR TEEN CHOIR CELEBRATES 20 YEARS IN GALA CONCERTS AT JAZZ AT LINCOLN CENTER ON MARCH 17
300 SINGERS FROM ACROSS U.S. AND ISRAEL TO PERFORM. NEW KINOR DAVID AWARD TO BE INAUGURATED
300 singers from 22 cities across the U.S. and Israel take part in the 20th anniversary concerts of HaZamir: The International Jewish High School Choir at Jazz at Lincoln Center on Sunday March 17. The back-to-back concerts, at 3pm and at 6:30pm, are the annual culmination of a year-long teen program sponsored by the Zamir Choral Foundation in New York. Zamir is the only organization of its kind to use Jewish choral singing as a vehicle to foster Jewish identity, community and continuity.
The concerts span a wide range of classical and contemporary musical selections, with mostly Hebrew texts.…
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Et Dodim Kalah_ (It’s the Time of Courting, O Bride!)
Come hear The New York Andalus Ensemble
Thursday, October 30, 2014
7:30 PM
Elebash Recital Hall, CUNY Graduate Center, 365 5th Ave. (at 34th St.)
The New York Andalus Ensemble will present _Et Dodim Kalah_ (It’s the Time of Courting, O Bride!), an
evening of music and song from al-Andalus and North Africa.
TIckets: $13 adults/$10 students, available at the door or at
www.newyorkandalusensemble.comor
(http://www.asefamusic.com/NYAndalusWEB/performances.html).
In al-Andalus (Southern Spain), peoples of the three Abrahamic faiths—Islam,
Judaism, and Christianity—shared their arts and sciences for more than five hundred
years, creating a multicultural canon of music and poetry. Since 1492, Jews and
Muslims in North Africa have carried the musical traditions forward from al-Andalus.
Today, the musical expansion from over five centuries ago to the present day
flourishes in New York City with the New York Andalus Ensemble.…
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The New York Andalus Ensemble will perform Oct. 30 2014 at 7;30
at the CUNY Graduate Center
Elebash Recital Hall
365 Fifth Ave (corner of 34th) NY, NY
$13 Adults, $10 students
The_New York Andalus Ensemble presents Et Dodim Kalah (It’s the Time of
Courting, O Bride!), an evening of music and song from al-Andalus and North Africa.
Reflecting the cultural pluralism that characterizes this music, the 20 members of
the ensemble perform repertoire in Arabic, Hebrew, and Judeo-Spanish Ladino, emphasizing the
region’s shared tradition while cherishing the individual cultures that comprise it.
American. Cantor. Opera singer. She served as the first cantor of the Stephen Wise Free Synagogue of New York City and held the post for 21 years. Cantor Stettner is on the faculty of Hebrew Union College-Jewish Institute of Religion, School of Sacred Music, and currently is a member of the Joint Cantorial Placement Commission and Vice President of the American Conference of Cantors. Cantor Stettner has performed extensively throughout the country with the Santa Fe Opera, the New York Opera Ensemble, the New England Chamber Opera and the Princeton Opera. She won the prestigious National Arts and Letters Vocal Competition in Carnegie Hall and, as a result, was the featured soloist in a performance of Mozart arias with the American Symphony Orchestra. In addition, she was in documentaries produced by the BBC and the French National Television.…
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JEWISH MUSIC FORUM EVENT
Jewish Music Forum 2015–16 Season Opener In conjunction with The Barry S. Brook Center for Music Research and Documentation and the Leo Back Institute
“Jews, Music, and Postwar German Culture”
Book Talk and Conversation with Dr. Tina Frühauf (RILM, CUNY), Dr. William H. Weitzer (Executive Director, Leo Baeck Institute), and Dr. Mark Slobin (Winslow-Kaplan Professor of Music, Wesleyan University)
Dislocated Memories: Jews, Music, and Postwar German Culture (Oxford University Press, 2014), editors Tina Frühauf and Lily Hirsch
Monday, November 30, 6:00 p.m.
The Graduate Center, CUNY
365 Fifth Avenue, The Skylight Conference Room: 9100
The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust.…
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NEW CD RELEASES from the MILKEN ARCHIVE OF AMERICAN JEWISH MUSIC
and NAXOS AMERICAN CLASSICS: DAVID DIAMOND and OFER BEN-AMOTS
For details about Diamond CD, go to
http://www.milkenarchive.org/cds/cds.taf?cdid=17
To read an article about David Diamond’s AHAVA-Brotherhood, go to http://www.milkenarchive.org/articles/articles.taf?function=detail&ID=48
To read an interview with narrator Theodore Bikel, go to http://www.milkenarchive.org/articles/articles.taf?function=detail&ID=46
For details about Amots CD, go to http://www.milkenarchive.org/cds/cds.taf?cdid=18
American. B. 1955 in Washington, D.C. Studied composition at the University of Pennsylvania with George Crumb, George Rochberg, and Richard Wernick. Also at the Conservatoire de Musique in Geneva, Switzerland. Since 1999, he is Mary D.B.T. and James H. Semans Professor of Music at Duke University, where he taught since 1981. Jaffe co-directs Duke’s contemporary music concert series Encounters: with the Music of Our Time, and works with a inventive and gifted group of young composers. Jaffe won a Rome Prize from the American Academy in Rome, the American Academy of Arts and Letters Prize, and fellowships from the National Endowment for the Arts, Tanglewood, and the Guggenheim Foundation. Brandeis University awarded him its Creative Arts Citation (1989), Kennedy Center Friedheim Award for First Quartet(1991.…
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American born. Sings in Ladino, music orginally from Spain, and her family later settling in Salonika, Greece. The Aroeste sound combines and updates aspects from her ‘unique family background with influx of Latin-based music in America over the past few years.’ Sarah wrote: “I have a Ladino fusion band–you can check it out at www.saraharoeste.com I began this project because there are so few young people working in Ladino. I grew up on the traditional music (my family is from Salonika, Greece), but I am also influenced by other musicial styles. Not only am I a proud Sephardic Jew, but I am also a young, modern American woman! I wanted to find a musical style that could really incorporate my various identities. So I started a band a few years ago taking traditional sephardic songs from across the Mediterranean and combining them with American rock, blues and jazz.…
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“Joel Rubin is Assistant Professor of Music in the Performance Program at the University of Virginia. He attended the California Institute of the Arts and received a BFA in clarinet performance from the State University of New York at Purchase (1978). His principal teachers were Richard Stoltzman and Kalmen Opperman. Rubin holds a Ph.D. in ethnomusicology from City University of London (2001). Rubin is an internationally acclaimed performer of Jewish instrumental klezmer music and hasidic music. In addition to performances with traditional musicians such as the Epstein Brothers (USA) and Moshe Berlin (Israel), he was the founder and clarinetist of some of the most internationally respected klezmer ensembles, including the Joel Rubin Jewish Music Ensemble and Brave Old World. Rubin’s fifth solo album, “Midnight Prayer”, came out in 2007 on Traditional Crossroads.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVIII. 2005-2006
Editors:
Israel J. Katz
Arbie Orenstein
| CONTENTS | ||
|---|---|---|
| President's Greetings | p. iv | |
| From the Editors | p. vii | |
| p. vii The History of the Jewish Music Publishing House Jibne and Yuwal Translated from the German by Eliott Kahn and Verena Bopp | Jascha Nemtsov | p. 1 |
| The Augmented Second, Chagall's Silhouettes, and the Six-Pointed Star | Marina Ritzarev | p. 43 |
| The Female Sozanda Art from the Viewpoint of Professionalism in the Musical Tradition: A Preliminary Survey | Elena Reikher (Temin) | p. 71 |
| Arab Music and Aesthetics as Basis for the Liturgical Structure of the Sabbath Morning Service of the Syrian Jews in Brooklyn, New York | Mark Kligman | p. |
American. Cantor. Born December 24, 1952, St. Louis, MO. She is the first woman invested as a cantor. Graduated 1975, Hebrew Union College-Jewish Institute of Religion-School of Sacred Music (HUC-SSM). Received the honorary DSM from HUC in 2000. From 1976 through 1988, served Temple Beth-El of Great Neck. From 1990 through 2002, served Temple Beth Am of Buffalo, NY. From 1996 to 1998, chaired the Joint Cantorial Placement Commission. In 2002, appointed as Placement Director of the American Conference of Cantors (ACC). She also served the American Conference of Cantors (ACC) as Secretary, Vice-President, as a Northeast regional representative, and several terms on the board of directors. Cantor Ostfeld edited the CAA newsletter, Shalshelet: The Chain, for two years.
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVI. 2001-2002
Editors:
Israel J. Katz
Arbie Orenstein
| CONTENTS | ||
|---|---|---|
| President's Greetings | p. iv | |
| From the Editors | p. vi | |
| The Metaphor of Light in Joseph Haydn's Oratorio, The Creation (1798): A New Jewish Textual Source | Adena Portowitz | p.1 |
| The Music of David Nowakowsky (1848-1921): A New Voice from Old Odessa | Emanuel Rubin | p.21 |
| Toward a Clearer Definition of the Mogen Avot Mode | Boaz Tarsi | p.53 |
| Synagogal Chanting of the Bible: A Linking of Linguistics and Etnomusicology | Rachel Mashiah and Uri Sharvit | p.81 |
| In Memoriam: Alexander L. Ringer (1921-2002) | Amnon Shiloah | p.99 |
| Two Significant Musicological Events: Commemorating Salamone Rossi (ca.1570 - ca. 1628) and Eric Werner (1901-1988) | Mark Kligman | p.109 |
| The Turn of the Millennium in Jewish Music: A Bibliography of Selected Items (1999-2002) | Compiled by Judith Shira Pinnolis | p.118 |
| Conributors of articles to this issue | p.151 | |
| ASJM Membership | p.153 | |
| Updated 25 March, 2005 |
All content © 2001-2002 American Society for Jewish Music.…
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Emil Skobeloff and Or Chadash have released an album of all new tunes to liturgical music called “And Sarah Danced.: The album is thoroughly American in concept, and takes the listener on a walk through fifty-plus years of American popular styles, attached to Jewish liturgical texts. Skobeloff succeeds in creating some good tunes and some are quite catchy. So for those fond of American style music for Jewish worship, check out this album. Several of the successful songs are the “Magen Avot”, “Ma Tovu” and “Ashrei”. Skobeloff has a myspace page at: www.myspace.com/emilskobeloff
Herman Berlinski: From the World of My Father [8.559446]
The Milken Archive of American Jewish Music has released a CD of four works for the synagogue and the concert hall by German-born, American composer and organist Herman Berlinski. These works reflect his rich, post-Romantic musical language, eclectic musical style, and depth of Jewish inspiration. This new disc complements the Milken Archive’s 2004 release of the composer’s Avodat Shabbat, a large-scale setting of the Sabbath evening liturgy according to the American Reform prayerbook. It brings to 45 the number of recordings released since the Milken Archive CD series was launched in September 2003.
Inaugural volume in book series on Jewish Cultural Studies, edited by Simon J. Bronner, Distinguished University Professor, The Pennsylvania State University, USA
Publisher: Littman Library of Jewish Civilization, Oxford, UK
Format and Guidelines: 8,000-word essays in English, prepared electronically
in Word, following Oxford Guide to Style (humanistic style with endnotes)
Deadline: May 1, 2006
Contact: Professor Simon J. Bronner, School of Humanities, The Pennsylvania
State University, 777 West Harrisburg Pike, Middletown, PA 17057-4898, USA,
sbronner@psu.edu
The Jewish Music Forum and The Center for Jewish History
are pleased to present
Professor Mark Kligman
(Hebrew Union College-Jewish Institute of Religion)
Friday, April 8, 10 AM
Center for Jewish History
15 West 16th Street
“Beyond Yiddishland: New Studies from the Jewish Musical Mediterranean”
The music of Sephardi Jewish communities is a diverse and complex
cultural phenomenon. Spanning the Mediterranean from the Western
Sephardic communities of Spain and Portugal to North Africa, the Ottoman
Empire and the Levant, the Sephardi world encompasses a vast geographic,
cultural and linguistic space. This presentation will offer a broad
overview of the development of academic scholarship on Western and
Middle Eastern Sephardi musical traditions. Using extensive audio
examples, Professor Kligman will demonstrate the stylistic and cultural
diversity across Mediterranean Jewish communities, past and present.…
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Anne Dvinge, University of Copenhagen
It seems an impossibility: in Nazi-occupied Denmark in the 1940s, one of the hottest jazz orchestras around was the interracial Harlem Kiddies, with two white and three black band members – and a Jewish singer in front. The story of how the band came to be so popular is one that uncovers the great role that jazz and race played in the occupied territories during the Second World War.
Several factors contributed to the social and political atmosphere that enabled their success. In the occupied territories in the Second World War, Denmark was known as the Sahnefront – the cream front – due to the co-operative government and the relative leniency of the occupying forces.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XV. 2000-2001
Editors:
Israel J. Katz
Arbie Orenstein
| CONTENTS | ||
|---|---|---|
| Greetings from Hadassah B. Markson | p. iv | |
| From the Editors | p. iv | |
| Nationalism and the Creation of Jewish Music: The Politicization of Music and Language in the German-Jewish Press Prior to the Second World War | Esther Schmidt | p.1 |
| Heinrich Schalit and Weimar Jewish Music | Eliott Kahn | p.33 |
| The Song of Israel: An Eastern Viewpoint | Amnon Shiloah | p.69 |
| Yemenite Women's Songs at the Habani Jews' Wedding Celebrations | Yael Shai | p. 83 |
| The Third London International Conference on Jewish Music (2000) | Malcolm Miller | p.97 |
| A Musical Banquet: the Tenth London International Jewish Music Festival (11 June-13 July 2000) | Malcolm Miller | p.111 |
| IN MEMORIAM: Irene Heskes (1923-1999) | Jon Newsom | p.119 |
| IN MEMORIAM: Byron Cantrell (1919-1997) | Israel J. |
Cantor Benjie Ellen Schiller is both the first woman to be a full time faculty member at the School of Sacred Music at Hebrew Union College-Jewish Institute of Religion in New York and a composer of sacred music. Born in New York on April 14, 1958 to Miriam and Nathan Schiller, Cantor Schiller studied voice and composition, and received a B. M. in Theory and Composition at Boston University in 1980. She continued graduate studies there in voice and choral conducting, and shortly thereafter, married Rabbi Lester Bronstein in June, 1981.
She attended the School of Sacred Music of Hebrew Union College in New York and was invested in 1987. Her Master Thesis composition was “Life Song Cycle.” Cantor Schiller also became a full time faculty member and taught courses in cantillation, basic nusach (prayer modes) and the in-depth study of repertoire for Shabbat.…
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By David M. Schiller
For Jews, the terms “assimilating” or “assimilation” are charged. Many unpleasant associations arise with thoughts of Jews “assimilating into” or disappearing altogether into, general society; becoming like others. As Jonathan Sarna says in the introduction to his new book, American Judaism,: “Through the years, ‘assimilation’ has become so freighted with different meanings, modifiers, and cultural associations that for analytical purposes it has become virtually meaningless. In some Jewish circles, indeed, the term is regularly employed as an epithet.” But “assimilating” is a term that the dictionary states, also means, “absorbing”, or “to take in and appropriate.” It can mean a “healthy appropriation of new forms and ideas.” In this book, David Schiller bravely makes distinctions with something that “happened in a more or less remote past or that is happening now.” Using the term in the title is not only eyecatching, but essential to his thesis about the nature of Jewish art music.…
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With stores in Brooklyn and Queens, this online website gives only the 800 number to call for ordering. They list Israeli CD’s, books, videos, games and software. 1-800-737-8853. Also try 718-382-9128 for local phone calls. There is a parallel Hebrew site, and some pages are only in Hebrew.
http://www.sifrutake.com/main_e.html
The website states: “The Musicology Department, part of the Faculty of Humanities at the Hebrew University of Jerusalem, was founded in 1965 by the late Professor Alexander Ringer from the University of Illinois at Urbana-Champagne. It was the first such department to be founded in Israel, and already in its first decade of existence it boasted such distinguished faculty members as Israel Alder, the late Bathja Bayer, Jehoash Hirshberg, Don Harrán, Josef Tal, Dalia Cohen, Ruth Katz, and Amnon Shiloah. Then as in nowadays, the Department seeks to advance knowledge and research of music as a multifaceted phenomenon having varied manifestations, in conjunction with both local and global contexts, and with an emphasis on interdisciplinary approaches. The Department offers courses in three major areas: historical musicology, ethnomusicology, and theory.…
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The Department of Music at SOAS University of London offers Undergraduate and postgraduate degrees in Jewish music.
Joe Loss Lecturer in Jewish Music, SOAS, University of London: Alexander Knapp
Regular Courses include: Aspects of Jewish Music (BA – undergraduate)
The Music of the Jews (MMus – postgraduate)
The aims and objectives of these courses are to explore a musical culture which began in the Levant some 3,000 years ago and which has been diffused throughout the world, constantly adapting to new conditions and yet retaining its identity in many widely differing ethnic and geographical environments. Scholarly investigations combine broadly ethnomusicological and intercultural approaches with elements of musicology. The music of the Jews is one of the fundamental factors in the understanding of Near Eastern and European traditions, first having influenced, and then having been influenced by, the musics of Christianity and Islam.…
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Tel Aviv, Israel
July 3 – 28, 2006
A vibrant new Summer Program in Yiddish language and culture is now available at Tel Aviv University. Under the auspices of Beth Shalom Aleichem, The Goldreich Family Institute for Yiddish Language, Literature, and Culture at Tel Aviv University and the Abraham Lerner Fund, this four-week program during the month of July 2006, offers intensive Yiddish instruction on campus at the beginners, intermediate, and advanced levels, and a rich afternoon program of lectures, tours, theatre, concerts, museums, films, and cultural events organized by YUNG YiDiSH in conjunction with Beth Shalom Aleichem. As students of the Lowy School for Overseas Students at Tel Aviv University whose credentials are recognized by universities world-wide, participants will receive 80 hours of language instruction (four credits) with highly qualified and experienced teachers in small classes and will be housed in dormitories adjacent to the campus.…
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SATURDAY, MARCH 9, 2013
8:00 pm Charming Hostess
VENUE: Barbes
DETAILS: Charming Hostess performs music from The Bowls Project. The Bowls Project offers a visceral, personal connection to daily life 1500 years ago in the region now known as Iraq. For this show, Charming Hostess is Jewlia Eisenberg, Marika Hughes and Brandon Seabrook.
http://www.charminghostess.us/
The JEWISH MUSIC SCHOOL in Amsterdam is looking for funds, sponsors and other financial sources and/or support.
The Jewish Music School
c/o Muziekschool Amsterdam
Bachstraat 5, Amsterdam-zuid
is the first music school in the Netherlands/Europe, to concentrate uniquely on Jewish musical education and training. The music school offers a wide variety of classes and courses, both practical and/or theoretical. In addition it offers facilities for studying and practicing Jewish music under expert guidance. Besides providing the necessary facilities for our present teaching needs, this location will also enable us to expand and cooperate with other Jewish (cultural) organizations, which will also be able to make use of the premises.
For more information:
Jewish Music School
P.o.b. 15894 ~ 1001 NJ
Amsterdam, The Netherlands
E-mail: school@jewishmusic.nl
Phone/Fax: +31 (0)20 771 58 81…
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Held at ELAT CHAYYIM in 99 Mill Hook Road, Accord, New York, starting August 2-8, 2004…
If you are one of the many people who have been moved and transformed by Rabbi Shefa Gold’s chanting practice and if you are a healer, teacher, artist or spiritual leader in your community, here is your chance to cultivate the inner qualities and learn the practical techniques that will enable you to bring that joy and meaning to others…not to mention the abundant blessings it will bring to your own spiritual life. Please feel free to pass this information on to others
who might benefit from it.
Force of Nature: Celebrating the Earth performed by Melodia Women’s Choir
Melodia Women s Choir/Cynthia Powell, Artistic Director, now celebrating their fifth
season and acclaimed by WNYC for their elegance and ringing tones, has scheduled
several spring performances: on Saturday and Sunday, May 3 and 4, 2008, they will
present Force of Nature: Celebrating the Earth, music about the natural world, at
St. Luke in the Fields Church in New York City.
487 Hudson Street
New York, NY
212-924-0562
Saturday May 3 at 8 PM
Sunday May 4 at 4 PM.
Tickets are $20 in advance, $25 at the door, discounts for students
and seniors: $20 in advance, $15 at the door.
Call 212-252-4135, or visit www.melodiawomenschoir.org.
The program will feature Samuel
Barber‘s Sure On This Shining Night; Hungarian composer Zoltán Kodály s Mountain Nights Songs Without Words For Women s Voices; Ronald Perera‘s Earthsongs; Zhou
Long‘s Four Seasons, a setting of ancient Chinese poetry; A Goodly Heritage by
British composer Gordon Jacob; Spring Song by Israeli composer Yehezkel Braun;
Hotaru Koi (Firefly) by Japanese composer Ro Ogura; and Wellsprings (New York
Premiere) and Contemplations (U.S.…
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Kultur Festival 2009: Keynote Tradition & Transformation, 1 Mar 2009
FAU Libraries & Klezmer Company Orchestra Present
Kultur Festival 2009
A Celebration of Jewish Music & Arts
February 25-March 1, 2009 @ Florida Atlantic University
Boca Raton, FL
Keynote Address
“Tradition and Transformation” Rabbi Irwin Kula
Sunday March 1, 2009 @ 1 p.m.
Friedberg Lifelong Learning Center (FAU)
Tickets $5
http://www.library.fau.edu/news/Kultur_Slide_Show/index.htm
Charles and Robyn Krauthammer proudly present:
An Evening of Baroque Jewish music at the Kennedy Center
Apollo Ensemble
An evening of Baroque Jewish music:
The Apollo Ensemble presented by Pro Musica Hebraica
Making its U.S. debut, Amsterdam’s Apollo Ensemble performs a concert of Baroque Jewish musical treasures, one night only, at the Kennedy Center. A highlight is the American premiere of Dio, Clemenza e Rigore, an anonymously composed oratorio for an eighteenth-century Italian Jewish holiday synagogue service. Don’t miss this rarely performed work. This concert is presented by Pro Musica Hebraica, devoted to presenting Jewish classical music, much of it believed lost, forgotten, or rarely performed, in a concert hall setting.
Apollo Ensemble
Thu., Nov. 5 at 7:30 | Kennedy Center Terrace Theater | Seats $38
Program:
CACERES – Le-el elim, Cantata for two voices and basso continuo (1738)
MARCELLO – Salmo 15/Ma’oz Tzur (1724-1727)
For alto, violincello, bassoon, harpsichord, and baritone
De ROSSI – Trio sonatas for two violins and basso continuo (ca.…
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JTS Presents: The Israeli Chamber Project with Samuel Rhodes, an Evening of Chamber Music from The Juilliard School featuring Tibi Cziger (clarinet), Michal Korman (cello), Assaff Weisman (piano), Carmit Zori (violin), with special guest artist Samuel Rhodes (viola) will take place on Wednesday, October 22, 2014, at 7:30 p.m. at The Jewish Theological Seminary (JTS), located at 3080 Broadway (corner 122nd Street) in New York City. The Israeli Chamber Project (ICP) will perform a wide-ranging program of favorite classics and recent works influenced by Jewish culture, including music of Mozart, Schulhoff, Brahms, and the New York premiere of music by Israeli composer Jonathan Keren.
Admission to the concert is by ticket only. Tickets are $10 each; students with a valid school ID—as well as JTS alumni, faculty, students, and staff—may request up to two free tickets each.…
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Winter Jewish Music Concert presents its first solo concert
For details: http://www.jewishconcert.org
For five years the Winter Jewish Music Concert has presented large-scale concerts of
Jewish music, with twenty or more singers at each concert.
On Sunday, June 9th, at 4:00 p.m., we will for the first time present a concert
featuring only one singer. The performer at this very special event will be Anthony
Mordechai Tzvi Russell, who over the past year has gained attention as the new voice
of Yiddish song. He will be singing from the songbook of Sidor Belarsky, one of the
20th Century’s greatest singers of Jewish song.
Mr. Russell’s personal story is compelling. He is a classically-trained
African-American singer who converted to Judaism and whose partner is a rabbi.…
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Jewish Music MUSC333.
Tulane University Music Department. Dr. John Baron offers a survey of “Jewish sacred and secular music from Biblical times to the present. Considers music of the Ashkenazi, Sephardi, Yemenite, Israeli, Falasha, and American traditions.”
http://www.Tulane.edu
USDAN CENTER RECEIVES GRANT FROM THE
LINDA AND ISAAC STERN CHARITABLE FOUNDATION
TO ESTABLISH
THE 2012 ISAAC STERN STRING SCHOLARSHIP
A scholarship in the name of Isaac Stern, the violinist, educator,
humanitarian, and savior of Carnegie Hall, will soon be presented to a
violin student at Usdan Center for the Creative and Performing Arts
(www.usdan.com). The scholarship has been funded by a generous grant from
the Linda and Isaac Stern Charitable Foundation. Usdan¹s faculty will hold
auditions this spring in order to identify the winning student.
Kol Rinah, Westchester’s Jewish Chorale’s Spring Concert
Date: Sunday, May 3, 2015 at 4 PM
Address: *Yorktown Jewish Center*,2966 Crompond Rd, Yorktown Heights, NY
10598
Admission: GA $22; Students/Seniors $18. Group Rates, Advanced Sale
Discounts
Other Information visit: www.kolrinahchorale.org
or call (914) 243-9059
Music genre: Kol Rinah, led by Benjamin Gruder, offers an eclectic concert of songs from a rich Jewish
heritage, ranging from liturgical to contemporary, in English, Yiddish, Russian and Hebrew.
Kol Rinah performed by invitation within the last year at the North American
Jewish Choral Festival
and at the Westchester Jewish Heritage Festival, as well as at other
venues.
More…
Beyond Boundaries: Klezmer Music in the 21st Century
Looks at the State of the Art of Klezmer through Discussion and Performance
On December 16, the Center for Jewish Studies and the Martin E. Segal Theatre Center of the CUNY Graduate Center will present Beyond Boundaries: Klezmer Music in the 21st Century. Featuring distinguished klezmer performers, scholars, cultural commentators, and composers, the program includes an afternoon symposium with music (at 3:00 p.m.) and an evening concert (at 7:00 p.m.). This event is part of the Beyond Boundaries Series in Jewish Music, launched by the Center for Jewish Studies in Spring 2008. The series explores aspects of Jewish music from multiple perspectives—geographical, cultural, and musical. The Graduate Center is located at 365 Fifth Avenue between 34th and 35th Streets.…
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WEDNESDAY, JULY 25 AT 7 P.M.
SECOND ANNUAL NEW YORK’S BEST EMERGING JEWISH ARTISTS
TO BE HOSTED BY COMEDIAN SETH HERZOG
at the Museum of Jewish Heritage-A Living Memorial to the Holocaust
.WHAT: Second Annual New York’s Best Emerging Jewish Artists
WHERE: Museum of Jewish Heritage-A Living Memorial to the Holocaust
36 Battery Place, New York, NY 10280
WHEN: Wednesday, July 25 at 7p.m.
COST: $25 members, $30 non-members
NEW YORK, NY – After last year’s sold-out show which the Downtown Express called
“authentic, funny – and yes, subversive…,” the Museum welcomes a new line-up of
the best local Jewish talent. Established performers will introduce emerging Jewish
artists for a dynamic evening of cutting-edge comedy, music, and film at the Museum
of Jewish Heritage-A Living Memorial to the Holocaust on July 25 at 7 p.m.…
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Be at the JEWISH MUSEUM
The final two concerts of The Jewish Museum’s popular
SummerNights series are on Thursday evenings, July 16 and 23. On July
16, SLAVIC SOUL PARTY! performs virtuosic new brass band music
incorporating diverse influences, and on July 23, Ljova and the
Kontraband offer a mix of Eastern-European melodies, Latin rhythms and
jazz-inspired improvisations. Concerts begin at 7:30 pm. The Jewish
Museum is located at Fifth Avenue at 92nd Street, Manhattan.
Tickets for each concert are $15 for the general public; $12
for students and seniors; and $10 for Jewish Museum members. For
further information regarding programs at The Jewish Museum, the public
may call 212.423.3337 or visit www.thejewishmuseum.org
.
WHAT: “Different Trains” Featuring the Israeli Contemporary String Quartet
WHERE: Edmond J. Safra Hall at the Museum of Jewish Heritage – A Living Memorial to the Holocaust
36 Battery Place, Lower Manhattan
WHEN: Sunday, May 4, 2008, 7 p.m.
COST: $15 for adults, $12 for students and seniors, $10 for members
Join the internationally acclaimed Israeli Contemporary String Quartet
(ICSQ) for a moving performance of “Different Trains,” distinguished American
composer Steve Reich’s commemorative Holocaust work, in honor of Yom HaShoah, at the
Museum of Jewish Heritage-A Living Memorial to the Holocaust. “Different Trains,”
which The New York Times calls a “work of such astonishing originality that
breakthrough seems the only possible description,” will take place in Edmond J.
Safra Hall at the Museum on Sunday, May 4 at 7 p.m.…
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DON’T MISS A STAR-STUDDED PERFORMANCE OF
THE CRITICALY ACCLAIMED MIDRASH MISH MOSH AT MAKOR ON NEW YEAR’S EVE!
“A project with newly composed music of expansive scope, Alexander has
produced a screaming celebration of the multicultural American Jewish
identity.”
Elliott Simon, AllAboutJazz – NY
New York, NY: Makor (25 West 67th street) Celebrate the 365th day of
the year and the 7th night of Hanukkah – all in one; enjoy three floors
of entertainment and mingling! Beginning at 9pm the party will include
Aaron Alexander’s Midrash Mish Mosh, Frank London’s Klezmer Brass
All-stars, a Klezmer Jam Session and The Boys of Balagan Boogaloo. Also
offered as part of the evening is a two-hour open beer and wine bar
(from 10 to 12) followed by a champagne toast at midnight.…
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All archival announcements from 2002 listed below.
–Syracuse, NY–
Klezfest photos from Klezfest 2001 and 2002.Next Festival on June 8, 2003.
http://www.sjfed.org/klezfest/gallery.html
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–New York–TOUR with MUSIC–
LOWER EAST SIDE SERENADE
Musical Walking Tour Sings the Stories of the Lower East Side
SUNDAY, OCTOBER 27, 2002, 11 AM
Lower East Side, New York . . . On Sunday, October 27, 2002, from 11:00 AM to 1:00 PM, the Eldridge Street Project will host the Lower East Side Serenade, a musical walking tour of the historic sites and sounds of the Lower East Side. As they meander along the streets, tour-goers will be treated to live performances of Yiddish and English songs which reference turn-of-the-century immigrant life in the neighborhood. World-renowned “minstrelâ€, Jeff Warschauer, will sing his heart out as architectural historian Lucien Sonder points out nineteenth- and early-twentieth-century landmarks in the neighborhood.…
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