Search Results for: American Air 1800-299-7264 Reservation Official Site Phone Number

Israeli Music Successful Draw for American Audiences

by Uriel Heilman courtesy of JTA.
Whether out of hunger for a connection to Israel or mere interest in the music,
increasing numbers of Jews in America — both Americans and Israelis — are tuning
into Israeli music performances.

Singing in unintelligible gibberish as her hands strike the
darbuka drum with frantic intensity, the short, pretty brunette at center stage
holds the audience transfixed as she reaches the song’s crescendo.
When she sounds her final note, the audience rises for a standing ovation.
Though it is her New York debut concert, Israeli singer-songwriter Din Din Aviv is
no stranger here. The performance hall at the Museum of Jewish Heritage is packed
with Israeli fans of Aviv who live in New York and American Jews clutching her CD.…
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White Christmas: The Story of an American Song

By Jody Rosen

Writing a popular book about a popular song should merit some attention, so it’s not surprising that no less than four items appeared in The New York Times about this book. It’s supposed to be a book about one song. But, of course, it isn’t really. It’s a book about acculturation, assimilation and cultural impact. For readers of the Jewish Music WebCenter, these issues raised by White Christmas, may ultimately deal out the moral: we have only ourselves to “blame” –or– “congratulate” –as the view may be.

Irving Berlin, born as Izzy Baline, was of the generation of Jewish immigrants who wanted nothing more than to be thoroughly assimilated and thoroughly American. Berlin was one of the most successful examples of this, both in his personal and professional life.…
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Announcements Archive 2003

Saturday 29 November 2003, 8.00pm
Budapest Klezmer Band (Hungary). Coming from the heart of Europe, where klezmer music originated, this ensemble sweeps you off your feet from the first moment with their raw
energy, soaring sounds and gypsy folk rhythms. With exuberant vitality and yet with extreme poignancy they conjure up a time when this music was an integral part of European Jewish life.

Presented by the Jewish Music Institute supported by Warner Music UK, The Spiro Ark, The Swiss Embassy, the Hungarian Cultural Centre and The Jewish Chronicle.

Doors open 7.30, bands on at 8.00
Tickets £17.50 Concessions £14.00 Pass for all 4 concerts £50. Concessions for seniors, students, children, unwaged, groups of 10 or more or if coming to more than 1 concert) .…
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Announcements Archive 2000

All archival announcements from 2000 listed below.

–Holland–
The Dutch duo, Mariejan van Oort and Jacques Verheijen, have just released their new CD “Benkshaft”. Visit their website at www.demaatschap.net for more details.
Load date 12.08.00

–Boston, MA–
“Klezperanto” CD Release. The band will have CD release event Thursday night Nov. 30 (that’s one week after Thanksgiving)at 9 p.m. at Johnny D’s Uptown Restaurant and Music Club* (17 Holland Street, Somerville, MA 617 776-2004)
to celebrate the long-awaited release of the CD, Klezperanto! on the Naxos World label. “With solid klezmer roots, spectacular technical virtuosity, and a wry sense of humor, Ilene Stahl, Evan Harlan, and Boston’s hottest musisicans from the klezmer scene re-groove Yiddish and Mediterranean melodies with zydeco, funk, cumbia, rockabilly, and Romanian surf music.”
Load date 11.27.00

–Trieste, Italy–
Vanja Cvelbar has a band, The Original Klezmer Ensemble, in Trieste, Italy, that has released two CD’s: Klezmatic Tantz and Halleluja.…
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Steve Reich Talks about his Jewish Music at JMF

Pulitzer Prize-winning Composer Steve Reich Talks about his Jewish Music
(with music examples from the composer’s collection) — a unique interview
by fellow Pulitzer Prize-winner David Lang.

On Sunday, November 8th at 3 PM
at the Center for Jewish History
15th West 16th Street, NYC

The Jewish Music Forum presents a unique interview
with Pulitzer Prize-Winning Composer Steve Reich about his Jewish Music, with
music examples from the composers own collection. Mr. Reich will be
interview by fellow Pulitzer Prize-winning composer, David Lang.
The Jewish Music Forum is free to the public. Reservations for the Steve
Reich Talk will be taken on a first-come first-served basis. Call
212-874-4513.

Irving Fine: An American Composer in His Time

By Phillip Ramey

This thoroughly researched biography, commissioned by Verna Fine, widow of the composer, is a highly readable entree not only to the life and works of Irving Fine, but to the history of the Brandeis University Department of Music. Irving Fine was a highly creative and innovative composer, and became the Walter W. Naumburg Professor of Music and Chairman of the School of Creative Arts at Brandeis. His inventive leadership of a newly formed Creative Arts Department would set the tone and course of study for the next 50 years. Fine had taught theory and music history at Harvard from 1939-50, when he joined the music faculty of Brandeis in Fall, 1950, as Lecturer in Music and Composer in Residence. Fine’s intellect led him to a style of “Stravinskian neoclassicism and romatically inflected serialism” that was to catch the imagination and close friendship of the American musical luminaries of the day, including Boston Symphony conductor Serge Koussevitzky, composers Aaron Copland and Leonard Bernstein, and his Brandeis colleagues Harold Shapero and Arthur Berger.…
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Jewish Music Forum Speaker Hasia Diner

The Jewish Music Forum
will host the next lecture in the 2008-2009 series:
December 12, 2008
10:30 am – 12:00 pm
“Engaging Ethnography and Institutionalization in Jewish Music.”
This event is sponsored by the American
Society for Jewish Music and the American Jewish Historical
Society. All events are free and open to the public.

“American Jews, Music and the Memory of the Holocaust: 1945-1962”

Professor Hasia Diner, New York University
Respondent: Cantor Bruce Ruben, Hebrew Union College-Jewish Institute of
Religion
Center for Jewish History / Kovno Room
15 W. 16th Street (between 5th and 6th Aves., north side of the street)
New York, NY 10011

Announcements Archive 1999

All archival announcements from 1999 listed below.

–New York, NY–
A Tribute to Cantor Moshe Koussevitsky the Holocaust Survivor.
100 YEARS OF THE LEGACY
A tribute to the Tlomitzka Synagogue of Warsaw
World renowned Cantors Ben Zion Miller, Joseph Malovany, Moshe Schulof, the
Yuval Cantors choir of Israel, and other world famous artists will present
their renditions of the music which Koussevitzky was highly acclaimed.
Music performed by a symphonic orchestra led by: Conductor Dr. Mordechai Sobel of Tel Aviv. Date: Sun. Evening- March 5, 2000. Location: Avery Fisher Hall- Manhattan For more information on how to set aside advance tickets for your organization contact: Jill Smulevitz. JEWISH STARS.(516) 292-0670. JS4Talent@aol.com
Tickets are available for fundraising purposes.
The concert committee will update you with the complete list of world famous
performers.…
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Funny, It Doesn’t Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood

By Jack Gottlieb

Jack Gottlieb’s mission is to set the record straight. He wishes to clearly demonstrate through musical examples and technical musical means, that in fact, Jewish music from Yiddish song to synagogue melos, influenced American popular culture. This book could be a coffee table book, but it’s more. It could be the written record of years of Gottlieb’s programmatic material, but it’s more than that. Or, it could be the text of a course on Jewish influences on popular song, but it’s not quite that. It can be used as a broad reference work, and also has many elements of that. The book defies a neat categorization in terms of style, format and content, but has elements of each: an extensive, fascinating browse book, a music record with technical references, and a reference book with listings of hundreds of musical composers, lyricists, and songs of Jewish origin.


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New Jewish Music Forum

The Jewish Music Forum, a new initiative of the American Society for Jewish
Music, an affiliate of the American Jewish Historical Society at the Center
for Jewish History, is pleased to announce its inaugural academic seminar
series. This ongoing seminar will feature leading scholars presenting new
research findings and theoretical contributions to the academic study of
Jewish music. All events are free and open to the public.

Jewish Music Forum
Spring 2005 Academic Seminar
“The Study of Music in Jewish Life”

January 28
Professor Kay Kaufman Shelemay, G. Gordon Watts Professor of Music at
Harvard University, Inaugural Lecture, “Memory and History in Jewish Music”

February 11
Professor Edwin Seroussi, Emanuel Alexandre Professor of Musicology at the
Hebrew University in Jerusalem, “Studying Jewish Music in Israel:
Achievements, Failures and Challenges for the Future”
Guest chair and respondent: Professor Stephen Blum, City University of New
York

March 11
Professor Judah M.…
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Klezmer Influences in American Jewish Music

TUESDAY, DECEMBER 2 | 7:00pm
SIDNEY KRUM YOUNG ARTISTS CONCERT SERIES
Admission: General $12 | YIVO Members $8
Box Office: smarttix.com | (212) 868-4444
Venue: YIVO Institute at the Center for Jewish History | 15 West 16th Street – NYC

For years, American Jewish composers have been integrating klezmer and Yiddish folk songs into new classical music, inventing a new form of artistic and cultural Jewish expression. In this unique lecture-demonstration, we present three of these outstanding and rarely performed pieces—Dreams and Prayers of Isaac the Blind by Osvaldo Golijov, Six Yiddish Scenes by Paul Alan Levi, and Café Music by Paul Schoenfield—and delve into the intricacies and challenges of performing American Jewish music today. Special guests include internationally-acclaimed clarinetist Todd Palmer, who will discuss the klezmer and mystical elements of Dreams and Prayers; pianist and composer Paul Alan
Levi, who will speak with Michael Leavitt, President of the American Society for Jewish Music about interpreting Yiddish Art Songs today; and Yuval Waldman, artistic director of the Sidney Krum Concert Series, who will introduce the hybrid klezmer-jazz elements in the closing piano trio Café Music…
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Musica Judaica: Journal of the American Society for Jewish Music

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

American Democracy Inspires Jewish Music

Meira Warshauer Look to the Light will be performed on November 12 at Princeton University as part of American Democracy Inspires Jewish Music and Poetry Program

Meira Warshauer’s Look to the Light for SATB and piano, with text by
Rabbi Dan Grossman will be performed by Sharim V’Sharot, central New
Jersey’s select Jewish choir, Elayne Robinson Grossman, Music Director,
as part of their “American Democracy Inspires Jewish Music and Poetry”
program on Sunday, November 12 – 1:00 PM in Frist Hall on the campus of
Princeton University, Princeton, New Jersey. Look to the Light portrays
Chanukah themes of light and freedom through the lens of American
experience, with references to George Washington and Billings, Montana.

This program is free and open to the public, however reservations are
required.…
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GREAT AMERICAN SONGWRITING TEAMS

MERKIN CONCERT HALL AT KAUFMAN CENTER AND
NEW YORK FESTIVAL OF SONG PRESENT
GREAT AMERICAN SONGWRITING TEAMS
NOVEMBER 17 AND 19 AT MERKIN CONCERT HALL
featured will be:
JASON GRAAE, SYLVIA McNAIR, MARY TESTA, STEVEN BLIER

NOVEMBER 13 AT THE KENNEDY CENTER
featuring:
JASON GRAAE, LIZA FORRESTER, MARY TESTA, STEVEN BLIER

MUSIC OF BOCK & HARNICK, BOLCOM & WEINSTEIN, DIETZ & SCHWARTZ, GEORGE & IRA
GERSHWIN, MALTBY & SHIRE, KANDER & EBB, LEIBER & STOLLER, LERNER & LOEWE,
RODGERS & HAMMERSTEIN, RODGERS & HART

NYFOS¹s Fats and Fields program caused Talkin¹ Broadway to say “What can
make you smile for two hours? New York Festival of Song”

Merkin Concert Hall at Kaufman Center and New York Festival of Song (NYFOS,
www.nyfos.org ) will present Great American
Songwriting Teams, an evening of famous and rarely-heard songs honoring the
genius of America¹s classic collaborators, on Tuesday and Thursday November
17 and 19 at 8 PM at Merkin Concert Hall at Kaufman Center.

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Kurt Weill in America

92nd Street “Y” Lyrics and Lyricists, opens the 2005-2006 season with “Kurt Weill in America”. Andrea Marcovicci, Artistic Director. Shelly markham, Music Director and Piano. Anna Bergamn, Klea Blackhurst, Barbara Brussell, Mark Coffin, Chuck Cooper, Jeff Harnar and Maude Maggart. Saturday Nov. 12, at 8pm. Seats $55 and $45. Sunday Nov. 13 at 3pm and at 8pm. Seats $55 and $45 and Monday, Nov. 14 at 3pm and 8pm, with seats $55 and $45. The tribute to Kurt Weill (1990-1950) and the American lyricists who collaborated with him. Suscription to the entire series are available. For tickets: www.92Y.org/Lyrics or 212-415-5500.

20th Annual North American Jewish Choral Festival

The Zamir Choral Foundation is proud to present its
20th Annual North American Jewish Choral Festival
July 12-16, 2009
Hudson Valley Resort & Spa
Kerhonkson, NY

Celebrate the joys of Jewish music with hundreds of singers, and the finest conductors
and clinicians from across North America (and beyond)
Enjoy daily “community singing” and participate in an “instant choir”
Join the Mailing List
Debbie Friedman joins the Zamir Chorale in performance. Nick Page in a ruach session

Composition Competition

American Recorder Society ▪ Amsterdam Loeki Stardust Quartet
Composition Competition

The American Recorder Society, in collaboration with the Amsterdam
Loeki Stardust Quartet (ALSQ), is pleased to announce its composition
competition for recorder music. The competition’s goal is to expand
the recorder quartet repertoire with new music for professional recorder
players by composers from the United States and Canada.

Further information on ALSQ is available
on their web site: http://www.loekistardust.nl/html_en/index.html

Beth Schafer Wins American Idol Underground Faith-Based Category

Beth Schafer, a contemporary American Jewish music singer-songwriter, won the Faith-based category in a contest sponsored by American Idol Underground (the online extension of the popular TV series American Idol) on July 15, 2006. Primarily a venue for Christian religious song, Beth may have had the only Jewish entry. Her English language songs, Still Small Voice and Love Multiples won an elimination round of 10 from a field of over 600 songs, and then went on to win by a popularity vote, with the public voting on their favorites. Both of these songs are from Beth’s newest CD “The Quest and the Question”, released in December, 2005. Beth is a cantorial singer with Temple Shir Shalom of Oviedo, FL. For more information on Beth and her work visit: www.bethschafer.com or call 407-342-2027.…
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Milken Archive Releases 50 CD set

Milken Archive Completes First Phase of Multi-Year Recording Project with Release of 49th and 50th CDs-
and Complete Box Set

The Milken Archive of American Jewish Music, the most comprehensive exploration of music related to Jewish life in America ever undertaken, has reached a major milestone with the release of the 49th and 50th CDs in its pioneering recording series on Naxos American Classics.

These discs illustrate two of the Archive’s primary goals: to reconstruct and preserve for current and future generations major musical manifestations of the American Jewish experience and to reveal the intersection of Jewish composers and Jewish subject matter with some of the major genres in Western classical music.
The Milken Archive has also released a deluxe box set of < http://www.milkenarchive.org/cds/cds.taf?cdid=51all 50 Milken Archive CDs.…
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American Society for Jewish Music Concert

American Society for Jewish Music
American Jewish Historical Society

Present
Contemporary American Composers

Works by
Bruce Adolphe
Victoria Bond
Tzipora Jochsberger
Steven L. Rosenhaus
Faye Ellen Silverman
Judith Lang Zaimont

In cooperation with the Mannes College of Music

April 10, 2005
12:30 PM
Center for Jewish History
15 West 16th Street, New York City
Concert to be preceded by a continental breakfast at 11:45 AM
For tickets call (917) 606-8200

USDAN CENTER STUDENTS TO PRESENT UNIQUE GALA PERFORMANCE OF ERNEST BLOCH’S SACRED SERVICE ON AUGUST 4TH.

CONCERT WILL HONOR BLOCH 50 YEARS AFTER HIS DEATH.
CONDUCTOR AND SOLOIST ARE LEADING YOUNG ARTISTS.

On Wednesday evening, August 4th, Usdan Center students will present a
historic performance of one of Ernest Bloch’s greatest works, his Sacred
Service (Avodath Hakodesh)
for orchestra, chorus, and baritone soloist.
Sacred Service has rarely been presented by young people, and its
performance on August 4th will be an artistic point of pride for Usdan, and
for its partner organization, UJA-Federation of New York.

Usdan’s senior orchestra and chorus will close the Center’s August 4th Gala
Concert with two parts of Sacred Service. The ensembles, composed of high
school-aged music students, will be conducted by Adam Glaser, a Usdan Center
alumnus, and the conductor of Juilliard’s top Pre-College orchestra.…
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Laura Wetzler – “A World of Jewish Music plus Great Classics of American Song”

Sunday, July 22nd – Concert
Laura Wetzler – “A World of Jewish Music plus Great Classics of American Song”

Singer, songwriter and folklorist Laura Wetzler performs with Robin Burdulis on percussion and Wes Brown on bass. Take a musical journey to Jewish communities in Uganda, Morocco, Tunisia, Poland, Ethiopia, Spain, Yemen, Greece, and Italy in a high-energy celebration of Jewish culture. “Laura is one of the very best,” says Pete Seeger.

at the National Yiddish Book Center
on the campus of Hampshire College, Route 116, Amherst, Massachusetts.
Reservations suggested.
2 P.M. Cost: $10
For additional information, an application or reservations, please phone us at 413-256-4900.

Kay Shelemay wins Jaap Kunst Prize

An article written by Dr. Kay Kaufman Shelemay won the Jaap Kunst Prize of the Society for
Ethnomusicology, which is given to: “The most significant article published by a member of the Society for
Ethnomusicology in the previous year.” The title of this article is “The Power of Silent Voices: Women in the Syrian Jewish Musical Tradition.” It is published in a volume in the SOAS
Musicology Series
, edited by Laudan Nooshin, titled Music and the Play of
Power in the Middle East, North Africa and Central Asia
, 2009.

Dr. Shelemay is the G. Gordon Watts Professor of Music, a Professor of African and African American Studies and Ethnomusicology at Harvard University . She is a member of the Editorial Board of Musica Judaica and was the inaugural speaker for the first session of the Jewish Music Forum in 2004.…
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Frederick Jacobi

American composer. Born San Francisco May 4, 1891. Died October 24, 1952. Parents were German Jews. His grandfather came to the US in 1850. Born in California, the family went to NY, but took trips to California by train to visit relatives. For religious studies, Jacobi attended the Ethical Culture School (founded by Felix Adler in 1876), from 1901 to 1905, and again in 1906. Jacobi studied piano with Paul Gallico and Rafael Joseffy, and harmony and counter-point with Rubin Goldmark (who later also taught Aaron Copland and was head of Julliard composition faculty). His father died in 1911 and his mother in 1915. Jacobi inherited most of the money from his parent’s wine and real estate holdings, and so was able to live fairly comfortably during his life.…
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Molly Picon: Yiddish Star, American Star

Molly Picon: Yiddish Star, American Star
From June 26, 2007 through September 22, 2007
Vincent Astor Gallery
The New York Public Library for the Performing Arts,
40 Lincoln Center Plaza, New York, NY 10023-7498
Hours: Tues, Wed, Fri & Sat: 12 to 6; Thurs: 12 to 8
Learn more:
http://www.nypl.org/research/calendar/exhib/lpa/lpaexhibdesc.cfm?id=446

Look at the NYPL brochure on Molly Picon (pdf)
http://www.nypl.org/research/calendar/imagesexhib/mollybro.pdf

Harvey Sheldon Jewish American Music Video Research Library at UPenn

If you haven’t already noticed, the Unviersity of Pennsylvania has a finding aid for its Harvey Sheldon Jewish American Music Video Research Library. This is “part of the University of Pennsylvania Library’s Judaica collections, which is one of the largest and most distinguished in the world. In particular, the Sheldon collection complements Penn’s reknown Robert and Molly Freedman Jewish Music Archive”. This has VHS and DVD formats which include works by renowned Jewish composers and performances by some of America’s outstanding singers. There is an entire section devoted to Broadway/Hollywood Musicals composed by Jewish Composers and lyricists , or performers and arrangers, ranging from such works as Annie Get Your Gun to Showboat.

http://www.library.upenn.edu/cajs/sheldon.html

Even if you can’t make it to UPenn, your local public library may have many of the same items.…
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It’s Official

It’s Official: I’m a Bubbe now.
I’m pleased to announce the birth of Isaac Solomon Fertig, my grandson, on Shabbat Shuvah, yesterday, September 11, 2010. All are well and fine. We are filled with Thankfulness for this new life at this New Year.

CELEBRATE A JUDEO-SPANISH HANUKKAH

VOICE OF THE TURTLE 27th ANNUAL HANUKKAH CONCERT
El Mez de Hanukkah,The Month of Hanukkah!
WHEN:
Sunday Afternoon. NOVEMBER 21 at 3 PM
WHERE:
TEMPLE SHALOM, NEWTON
175 Temple Street, West Newton, Massachusetts
Directions: (http://templeshalom.org/directions.html)
TICKETS:
$18.00 in advance by phone or email reservations
$25.00 at the door on day of concert

WorldCat.org Now Available

OCLC, the central catalog organization of most major college, university and public libraries, announces
the release of the new WorldCat.org Web site.

This site—and a downloadable WorldCat search box you can easily add to
your Web site—opens the complete WorldCat database to the public, not
just the smaller data subsets utilized by Open WorldCat partner sites such
as Google, Yahoo! Search and others. WorldCat.org builds on the success of
OCLC’s Open WorldCat Program that has elevated the visibility of library
materials on the open Web since the summer of 2003.

The main attraction of the new site is the WorldCat search box. Web users
can now search the entire WorldCat database with the method most familiar
to them: simple keywords. As in Open WorldCat, each linked result leads to
a “Find in a Library” information page.…
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Jack Gottlieb on LOC site

Jack Gottlieb wrote the book, “Funny, It Doesn?t Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway, and Hollywood.? At http://www.loc.gov/locvideo/gottlieb/, you can see and hear a talk he gave on September 20 at the Library of Congress. He plays and sings examples of American music, Hebrew prayer melodies, and music from the Jewish theater, to illustrate his thesis that they are not coincidentally similar.

The American Seminary for Contemporary Judaism

New Cantorial school which has finished its first year of teaching the art of Chazzanut. Located at the Baldwin Jewish Center in Baldwin, New York. The Seminary is new,having opened in October, 2004, but it is affiliated with the Jewish Ministers Cantors Association of America (JMCA) which was foundin 1896 as the Hazanim Farband iand is the oldest cantorial association in the United Sttes. The JMCA will serve all denominations of Jewish cantors. One of the main advocacies of the group will be the preservation of nusach. The program of study is based on the “nuts and bolts” of what cantors need to know. The perspective is essentially Orthodox, although the Conservative and Reform perspective are also explained to students. The Seminary is at 885 East Seaman Avenue, Baldwin, NY 11510.…
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Shatin, Judith

American. composer. Recent CD of orchestral music called Piping the Earth, just released on Capstone Records (CPS 8727). Her Shapirit, Yefehfiah (Beautiful Dragonfly) was performed in January, 2005 by the New York Treble Singers in New York. Currently, Judith Shatin is William R. Kenan, Jr. Professor of Music and Director of the Virginia Center for Computer Music of the McIntire Department of Music at the University of Virginia. She founded the VCCM in 1988. Prof. Shatin received a AB from Douglass College, 1971, a MM from Julliard in 1974 and the MFA 1976 and PhD from Princeton in 1979. She started teaching at the University of Virginia in 1979 and has been there since. Her awards, commissions and prizes are numerous, spanning over 25 years of accomplishment and are listed on her website at the University of Virginia.…
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Rabbi Jeffrey Summit’s “Singing God’s Words” at Jewish Music Forum

On Monday, February 13, 2017 at 7pm, Rabbi Jeffrey A. Summit, Ph.D. will speak about his new book, Singing God’s Words: The Performance of Biblical Chant in Contemporary Judaism (Oxford University Press, 2016).

This book is the first in-depth study of the meaning and experience of chanting Torah among contemporary American Jews, describing how this ritual is shaped by such forces as digital technology, feminism and contemporary views of spirituality.

Rabbi Summit will be joined by discussants Dr. Mark Slobin, Winslow-Kaplan Professor of Music Emeritus at Weleyan University and Cantor Richard Cohn, Director, Debbie Friedman School of Sacred Music, Hebrew Union College-Jewish Institute of Religion.

Center for Jewish History | 15 West 16th Street | New York, NY 10011

This program is co-sponsored by the American Jewish Historical Society.


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American Society for Jewish Music

ASJM is a non-profit organization for all interested in Jewish music. Members include cantors, composers, educators, musicologists, ethnomusicologists, historians, performers, librarians and others interested in the field. Organizational memberships include libraries, universities, and synagogues. The Society presents a series of musical programs covering a wide range of Jewish music: sacred, secular, folk, concert and theater, often held at the Center for Jewish History in New York City. The Society also arranges and presents lectures on Jewish music by experts in their field. The American Society for Jewish Music publishes Musica Judaica, a scholarly journal in Jewish music. A quarterly Newsletter is also distributed to members. To encourage new compositions and performances, the Society established the Cantor Aaron J. Caplow Composition Competition which awards prizes for new Jewish works and assures their performance in the Society’s Annual Contemporary Composers’ Concert.…
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20th Annual North American Jewish Choral Festival

20th Annual North American Jewish Choral Festival
July 12-16, 2009
Hudson Valley Resort & Spa
Kerhonkson, NY

* Celebrate the joys of Jewish music with hundreds of singers, and the finest conductors and clinicians from across North America (and beyond)

* Enjoy daily “community singing” and participate in an “instant choir”

* Hear outstanding ensembles in nightly evening concerts featuring the best in Jewish choral music

* Attend daily workshops focusing on a wide array of musical topics with outstanding clinicians

* Jewish Hallelujah Chorus Festival Tradition – Singing the “Jewish Hallelujah Chorus” (Lewandowski’s Psalm 150)

NAJCF Brochure

MILKEN ARCHIVE OF AMERICAN JEWISH MUSIC

DAVE BRUBECK: Jazz icon, pianist and composer Dave Brubeck wrote this cantata in an attempt to heal the rift between the Jewish people and American blacks that emerged in the late 1960s, especially after the assassination of Martin Luther King, Jr. in 1968…DAVE BRUBECK, BRUCE ADOLPHE, and more…

ILLUMINATIONS: JEWISH MYSTICISM TO AMERICAN ROOTS

ANDY STATMAN
SATURDAY, NOVEMBER 6, 2004 8:30 PM
Jack H. Skirball Center for the Performing Arts @ NYU
566 LaGuardia Place at Washington Square South, NYC

$30; students $15
Box office (212) 992-8484
Online tickets: skirballcenter.nyu.edu
Info/charge (212) 545-7536 worldmusicinstitute.org
…”a master of two idioms linked by their demands for virtuosity and
their down-home origins” –THE NEW YORK TIMES

THE NORTH AMERICAN JEWISH CHORAL FESTIVAL

The Premiere Jewish Choral Event

* Daily Community Sings conducted by some of the
greatest talents on the Jewish musical scene
* One-, two-, and three-day workshops with
leading clinicians
* Outstanding evening concerts
* Special presentations for listeners
* Instant ensembles for all singing participants
* Fun, friendship and learning

The 2005 Hallel V’Zimrah Award will be given
to GIL ALDEMA, noted Israeli arranger & composer and
winner of the 2000 Israel Prize, on Wednesday night,
July 13th.

LOCATION: Hudson Valley Resort & Spa
Kerhonkson, NY

Register Now!
http://rs6.net/tn.jsp?t=akkqjjbab.0.exvbcabab.thn9h4aab.619&p=http%3A%2F%2Fwww.zamirfdn.org

Irving Fine – An American Composer in His Time

A new book about Irving Fine, by Phillip Ramey was published a few months ago by Pendragon Press. Fine was the Brandeis University composer who founded the Music Department and began the landmark performing arts festival at Brandeis. Pulitzer Prize-winning composer Richard Wernick, who studied under Fine at Brandeis, wrote the Forward. This book is being published by Pendragon Press in association with The Library of Congress.
ISBN: 978-1-57647-116-0 It’s part of the Lives in Music Series No. 8 called Irving Fine – An American Composer in His Time

Milken Archive of American Jewish Music

The Milken Archive of American Jewish Music, under the artistic direction of Neil Levin, has been working on producing a CD set of 50-80 CDs that will be a comprehensive examination of a diverse body of Jewish music. There will be over 700 titles of pieces of music in the collection when completed. The recording project is only the first of several ambitious projects planned, including a comprehensive history of Jewish music in the United States, and a working archive including audio recordings, videotaped oral histories, and composer interviews and other materials. The Archive is preparing to comission curricula for study at high school and college levels. Other notables involved with the project, which includes several composers and musicologists, are: Samuel Adler, Ofer Ben-Amots, Martin Bookspan, Charles Davidson, Henry Fogel, Lukas Foss, Morton Leifman, Gerard Schwarz, Paul Schwendener, Barry Serota, and Edwin Seroussi.…
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NEW YORK FESTIVAL OF SONG 2008-2009, 21st SEASON

Leonard Bernstein, Voices of the Jewish Diaspora and
Fugitives (composers who left Germany during the 1930’s), will all
be themes of the acclaimed New York Festival Of Song (NYFOS, www.nyfos.org)presentations for
2008-9. A guest artist will be the rising Israeli mezzo-soprano
Rinat Shaham, already an acclaimed Carmen in Europe.

Opens September 23, 2008 in NYC with a Bernstein/Bolcom Celebration

Also: Fugitives on NOVEMBER 18 AND 20, 2008 and Voices of the Jewish Diaspora on February 10 and 12, 2009.

Below is a description of the season:

New Muslim Cool

Thursday, December 10, 2009
7:30 p.m.
Hebrew College, Berenson Hall
$10 advance registration; $15 general admission, free for students with valid ID
The School of Jewish Music presents
A Jewish Music Forum
Music of a Nation, Music of a People:
Is Israeli Art-Music Jewish?
Ronit Seter
Respondant: Klára Móricz
Co-sponsored by the Jewish Music Forum of the American Society for Jewish Music

For information, please contact Renée Tepper, rtepper@hebrewcollege.edu This e-mail address is being protected from spambots. You need JavaScript enabled to view it ; 617-559-8622.

What defines a particular genre of music as the voice of a people? of a nation? And what if the two are intrinsically intertwined? For the founders of Israeli art music—Paul Ben-Haim, Alexander Boskovich, Oedoen Partos, Mordecai Seter and Josef Tal—the goal was to separate people and nation, to create a national “style” of music that was unique to Israel, rather than identified with Jewish music of the Diaspora.…
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North American Jewish Choral Festival 2015

The 26th annual North American Jewish Choral Festival has something for everyone: amateur singers, professional soloists, cantors, conductors and lovers of Jewish music of all ages. Whether you’re a novice or a pro, you’ll leave revived and renewed with new skills, new music and new friends to cherish. Be there at the start of our second quarter-century!

The Zamir Choral Foundation is proud to announce that registration for this year’s Festival is now open.
http://www.wizevents.com/register/landing.php?id=3192
Join NAJCF in the Catskills this Summer, July 12 – 16, 2015 for a fun and inspirational week of the very best of Jewish Choral Music.

Wolpe Lectures from Jewish Music Forum

March 26, 2010
10:30 A.M.
Center for Jewish History 
15 West 16th Street

New York, NY

All events are FREE and open to the public.

Friday, March 26, 2010, at the Center for Jewish History,
Dr. Brigid Cohen will present a lecture entitled “‘In a Land
Large as an Apple Tree’: Wolpe’s Avant-Garde Music, Pedagogy, and
Pacifist Zionism in 1930’s Palestine” and Prof. Michael Beckerman
of NYU will contribute a written response.

The Jewish Music Forum, now in its sixth season, is a project of
The American Society for Jewish Music, with support from The
American Jewish Historical Society. Please visit our
website at www.jewishmusicforum.org.

Musica Judaica Online Reviews (MJOR)

The American Society of Jewish Music announces official release of MUSICA JUDAICA ONLINE REVIEWS, which has been operating under the Editorship of Dr. Judah M. Cohen of Indiana University
since the beginning of the year.

Designed as an offshoot of Musica Judaica, the Society’s journal which is
published once a year, Musica Judaica Online Reviews (MJOR) not only allows
us to publish reviews much closer to the publication date of the book or
recording in question, but also guarantees a much wider circulation and
distribution of the reviews, to all who are interested what is being written
about in Jewish music. Moreover, at the same time, our goal is not only to
share the reviews but to engage in discussion, with readers able to submit
their comments (of course, moderated by our editor).…
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Celebrate Freedoom with Music For Passover from URJ

Soundswrite newsletter: Volume 10, Number 7 • April, 2011 • Adar II/Nisan, 5771

Purim is over, which means Passover is just around the corner! Arguably the most widely observed of all Jewish holidays, Passover (Pesach) is a celebration of freedom–a remembrance of our people’s Exodus from slavery in Egypt over 3,000 years ago. Today, there’s an amazing array of terrific music for Pesach, both traditional and contemporary, to enliven your holiday and brighten your home, your car, your classroom, or anywhere else you listen to music. Check out these amazing recordings by clicking on any cover image below. Chag Pesach Sameach!

Musica Judaica Issues: 1986-87, Volume IX

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume IX. Number 1. 5748/1986-87

Editor:
Israel J. Katz

Associate/Review Editor, Neil W. Levin

CONTENTS  
Chant and Cantillation Johanna Spector p.1
Folk Music in the Urban German-Jewish Community 1890-1919Philip V. Bohlman p.22
Fumio Koizumi of Japan: An Asian's Use of the Concepts of Melody Found in the Works of Abraham Z. Idelsohn, Robert Lachmann, and Curt SachsJames Siddons p.35
Ami Maayani and the Yiddish Art Song (Part II)Laya Harbater Silber p.47
Hebrew as an Elucidator of Concepts in Western MusicVered Cohen p.65
In Memoriam: Reuven Kosakoff (1898-1987)Sharon Kosakoff p.68
Book Reviews: Letter to the EditorBernard Beer p.76
Book Reviews: A Reply to Cantor BeerNeil Levin p.77
p.77
Book Reviews: Adaqi, Yehiel, and Uri Sharvit.

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Musica Judaica Issues: 1989-90, Volume XI

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XI. Number 1. 5750/1989-90

Editor:
Neil W. Levin

Assistant Editor, Alexander V. Knapp

CONTENTS
  
Written Evidence and Oral tradition: The Singing of Hayom Harat Olam in Sephardi SynagoguesEdwin Seroussi p.1
Neglected Sources for the Historical Study of Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah u'T'Fillah and Todah W'simrah--Annotated TranslationsGeoffrey Goldbergp.27
A Guide to the Unpublished Works of Gershon Ephros (1890-1978): An Annotated BibliographyMarsha Bryan Edelmanp.58
Lord Byron's Hebrew Melodies: A Curious Episode Reconsidered-- A Review EssayCarole Rosenp.86
Reviews: Philip V. Bohlman, The Land Where Two Streams Flow: Music in the German-Jewish Community of Israel (Urbana and Chicago, 1989)Samuel Adlerp.93
Akiva Zimmermann, B'ron Yahad: Essays, Research and Notes on Hazzanut and Jewish Music (Tel Aviv, 1988)Joseph A.

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Musica Judaica Issues: 1993-94, Volume XIII

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XIII. Number 1. 5755/1993-94

Editor:
Neil W. Levin

Assistant Editor, Alexander V. Knapp

Founder, Albert Weisser (1918-1982)

CONTENTS
  
From the EditorNeil W. Levin p.iv
An Unanticipated Consequence of Political/Racial Persecution: the Contribution of Jewish Musicians to the Cultural Transfer of European Art Music to JapanIrene Suchy p.1
Mordecai Sandberg (1897-1973): A Catalogue of the MusicAustin Clarkson, with Karen Pegley and Jay Rahnp.18
An International Conference on Jewish Music at City University, LondonMalcolm Miller p.82
Award of the Degree of Doctor of Humane Letters, Honoris Causa, to Israel Adler p.90
Hanoch Avenary: In MemoriamEdwin Seroussi p.93
Reviews: Walter Salmen, "...denn die Fiedel macht das Fest." Jüdische Musikanten und TÄnzer vom 13.

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Musica Judaica Issues: 1987-88, Volume X

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume X. Number 1. 5749/1987-88

Editor:
Israel J. Katz

Review Editor, Neil W. Levin

Dedicated to the Memory of Eric Werner (1901-1988)

CONTENTS  
Eric Werner (1901-1988): A Bibliography of His Collected Writings Israel J. Katz p.1
Eric Werner: A Personal Memoir Judith K. Eisenstein p.37
The Hazzanic Recitative Max Wohlbergp.40
A Possible Influence of Traditional Chant on a Synagogue Motet of Salomone RossiJoshua R. Jacobsonp.52
Revival and Renewal: Can Jewish Ethnic Tradition Survive the Melting Pot?Amnon Shiloahp.59
Jewish Music Published in Palestine: An IntroductionJames J. Fuld p.70
Mordecai Sandberg (1897-1973)Joel Mandelbaump.81
In Memoriam: Shalom Altman (1911-1986) Marsha Bryan Edelmanp.92
Reviews: Darryl Lyman.

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Musica Judaica Issues: 1984-85, Volume VII, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume VII. Number 1. 5745/1984-85

Editors:

Israel J. Katz

CONTENTS
  
Yemenite and Babylonian Elements in the Musical Heritage of the Jews of Cochin, IndiaJohanna Spectorp.1
Songs of the Jews on the Island of Djerba. A Comparison between Two Surveys: Hara Sghira (1929) and Hara Kebira (1976)Ruth Francis Davisp.23
The Resurgence of Jewish Musical Life in an Urban German Community: Mannheim on the Eve of World War IIPhilip V. Bohlmanp.34
Felix Mendelssohn's Commissioned Composition for the Hamburg Temple: The 100th Psalm (1844)Eric Wernerp.54
Another Anthology of Sephardic Folksongs (A Review Essay)Samuel G. Armistead, Israel J.

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Musica Judaica Issues: 1985-86, Volume VIII, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume VIII. Number 1. 5747/1985-86

Editor:
Israel J. Katz

Associate/Review Editor, Neil W. Levin

CONTENTS  
A Family of Jewish Musicians in Mid-Eighteenth Century Paris Alexander L. Ringer p.1
Reminiscences of Guido Adler (1855-1941)Carl A. Rosenthal p.13
Salomon Sulzer's Schir Zion, Volume One: A Survey of Its Contributors and Its ContentsAbraham Lubinp.23
A Perception of the Prayer Modes as Reflected in Musical and Rabbinical SourcesMacy Nulmanp.45
They Made Me a Jewish ComposerDavid Finkop.59
Ami Maayani and the Yiddish Art Song (Part I)Laya Harbater Silberp.75
Book Reviews: Eric Werner, The Sacred Bridge: The Interdependence of Liturgy and Music in Synagogue and Church during the First Millenium, Volume Two (New York, 1984)Theodore C.

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Musica Judaica Issues: 1983-84, Volume VI, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume VI. Number 1. 5744/1983-84

Editors:
Israel J. Katz

CONTENTS
  
Lazare Saminsky's Early Years in New York City (1920-1928): Excerpts from an Unpublished AutobiographyEdited by Israel J. Katz p.1
Sephardic Folkliterature and Eastern Mediterranean Oral TraditionSamuel G. Armistead and Joseph H. Silvermanp.38
A Trascription of the Judeo-Spanish Ballad La vuelta del maridoIsrael J. Katzp.55
The "Prologue" to Jewish Music in Twentieth-Century America: Four Representative Figures: [Bloch, Saminsky, Copland, and Weisgall]Albert Weisserp.60
Max Helfman: The Man and His Musical LegacyPhilip Moddel and Richard J. Neumann (Including a listing of Helfman's compositions compiled by Judith Tischler)p.67
Last Chants for the Cantorate?

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Musica Judaica Issues: 1982-83, Volume V, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume V. Number 1. 5743/1982-83

Editors:
Israel J. Katz
Laura Leon-Cohen, Associate Editor

CONTENTS  
Hugo Weisgall's The Golden Peacock: A Stylistic and Interpretive Analysis of Two SongsLaura Leon-Cohen p.1
Frederick Emil Kitziger of New Orleans: A Nineteenth-Century Composer of Synagogue MusicJohn H. Baronp.21
The Biblical Trope System in Ashkenazic Phrophetic ReadingJoseph A. Levinep.35
Modulation as an Integral Part of the Modal System in Jewish Music Judit Laki Frigyesip.53
The Development of the Hallel Chant as Reflected in Rabbinic Literature Macy Nulmanp.72
Antisemitism and Music in Nineteenth-Century France James H. Johnsonp.79
Record Reviews: The Art of Moshe Rudinow.

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Musica Judaica Issues: 1981-82, Volume IV, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume IV. Number 1. 5742/1981-82

Editors:
Israel J. Katz
Albert Weisser
Laura Leon-Cohen, Associate Editor

Dedicated to the Memory of Albert Weisser (1918-1982)

CONTENTS  
The Music Division of the Jewish-Ethnographic Expedition in the Name of BaronHorace Guinzbourg (1911-1914)Albert Weisser p.1
Curt Sachs and the Library Museum of the Performing ArtsCarleton Sprague Smithp.9
The Role of Ethnomusicology in the Study of Jewish MusicJohanna Spector p.20
The Enigma of the Antonio Bustelo Judeo-Spanish Ballad tunes in Manuel L. Ortega's Los hebreos en marreucosIsrael J. Katzp.33
On the Melody of David Edelstadts's "Vacht Oyfl" Robert A. Rothsteinp.69
Book and Music Reviews: Neil Levin, ed.

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Musica Judaica Issues: 1980-81, Volume III, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume III. Number 1. 5741/1980-81

Editors:
Israel J. Katz
Albert Weisser

CONTENTS  
Friedrich Gernsheim (1839-1916) and the Lost GenerationAlexander L. Ringer p.1
Toward Defining the Jewish Prayer Modes: With Particular Emphasis on the Adonay Malakh ModeJoseph A. Levinep.13
Seged: A Falasha Pilgrimage FestivalKay Kaufman Shelemayp.43
The Jew in German Musical Thought before the Nineteenth CenturyJacob Hohenemserp.63
Letters to the Editors: An Encyclopedist's Ailments--Reviewing Reviews of the Encyclopaedia Judaica on Jewish MusicHanoch Avenaryp.74
Letters to the Editors: A reply to Dr. AvenaryEric Wernerp.76
Book and Music Reviews: Robert Strassburg, Ernest Bloch: Voice in the Wilderness (Los Angeles, 1977)Byron Cantrellp.77
Book and Music Reviews: Miriam Gideon: Shirat Miriam L'Shabbat: A Sabbath Evening Service (London, 1978)Hugo Weisgallp.80
Book and Music Reviews: Hugo Weisgall, The Golden Peacock: Seven Popular Songs from the Yiddish (Bryn Mawr, 1980)Bruce Saylorp.82
Contributors of Articlesp.86
In Memoriam: Marvin Duchow (1914-1979)Israel J.

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Musica Judaica Issues: 1977-78, Volume II, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume II. Number 1. 5738/1977-78

Editors:
Israel J. Katz
Albert Weisser

CONTENTS
  
Lazare Saminsky's Years in Russia and Palestine: Excerpts from an Unpublished Autobiography/Edited and annotated by Albert Weisser p.1
The Music of the Synagogue as a Source of the Yiddish FolksongMax Wohlbergp.21
Cross-Cultural Dynamics in Musical Traditions: The Music of the Jews of Cochin/Israel J. Rossp.51
Soviet-Yiddish Folklore Scholarship/Eleanor Gordon Mlotek p.73
Book Reviews: The Articles "Music, Masoretic Accents, and Hazzan" in the Encyclopaedia Judaica (Jerusalem, 1971)Eric Wernerp.91
Book Reviews: Chanah Milner and Paul Storm, eds. Sefardische Liederen en Balladen (romanzas) (The Hague, 1974)Samuel G.

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Musica Judaica Issues: 1975-76, Volume I, No. 1

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume I. Number 1. 5736/1975-76

Editors:
Israel J. Katz
Albert Weisser

CONTENTS
  
Abraham Zvi Idelsohn (1882-1938): A Bibliography of His Collected Writings/Israel J. Katz p.1
Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain/Judith K. Eisensteinp.33
Giacomo Meyerbeer: The Jew and His Relationship with Richard Wagner/Joan L. Thomsonp.55
Review Essay: The Music of Europe and the Americas (nineteenth and twentieth centuries) in the Encyclopaedia Judaica (Jerusalem, 1971)/Albert Weisserp.87
Facsimile of Two Fragments of Joseph Achron's Kiddush HasemAlmanach of the Yiddish Art Theatrep.104
Contributors of Articlesp.105
Alfred Sendrey (1884-1976): In Memoriam/Israel J.

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Announcements Archive 2001

All archival announcements from 2001 listed below.

**********************************************

AMJ: L’Association Amis de la Musique Juive
L’Association AMJ: Les Amis de la Musique Juive –Friends of Jewish Music in Geneva, Switzerland sponsors exhibits, concerts, lectures, debates and music workshops. The first CD produced by AMJ has segments that can be listened online. It’s the digital “live” recording from the “Psalm” concert organized on March 11th 2001. To hear a presentation:
http://www.club-association.ch/amj/WCD001-presE.htm

Voices: Continuity and Community

Gala opening concert of the Peretz Centre for Secular Jewish Culture

Saturday, Oct. 6 at 8 p.m., Peretz Centre, 6184 Ash Street (at 45th
Avenue), Vancouver

The Peretz Centre will celebrate the offical opening of its new
facilities with a concert featuring vocalists Claire Klein Osipov,
Grace Chan, Marcus Mosely and Stephen Aberle.…
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Musica Judaica Issues: 2003-2004, Volume XVII

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XVII. 2003-2004

Editors:
Israel J. Katz
Arbie Orenstein

CONTENTS
  
President's Greetings p. iv
From the Editors p. vii
Marriage and Music as Metaphor: The Wedding Odes of Leon Modena and Salamone RossiDon Harranp. 1
Don Harran p. 1
The Cantorial Fantasia Revisited: New Perspectives on an AShkenazic Musical Genre
Geoffrey Goldbergp. 33
Where Musical Realms Meet: Hermann Zivi--An Exemplar of the German-Jewish CantorateTina Fruhaufp. 87
A Conversation with Miriam Gideon (1906-1996)Judith Shira Pinnolisp. 107
Problems Concerning the History of Jewish MusicBence Szabolsci Translaed by
Stephen Erdely
p. 143
A Conference on The St. Petersburg Society for Jewish Folk Music (1908-1938) held at the University of Potsdam, Germany (May, 2004)Malcolm Miller p.

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Musica Judaica Issues: 1991-92, Volume XII

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume XII. 5754/1991-92

Editor:
Neil W. Levin

Assistant Editor, Alexander V. Knapp

Founder, Albert Weisser (1918-1982)

CONTENTS  
A Song to Heal Your Wounds: Traditional Lullabies in the Repertoire of the Jews of IraqSara Manasseh p.1
A Golden Age for Jewish Composers in Paris: 1820-1865John H. Baron p.30
The Message of Moses and Aaron as Reflection of Arnold Schoenberg's spiritual QuestBoaz Tarsip.52
An Historic Israeli-American Musical Dialogue in New York: The Counter-Harmonies ConferenceMalcolm Millerp.65
Edith Gerson-Kiwi: In MemoriamEdwin Seroussip.75
Reviews: Susana Weich-Shahak, ed., Judeo-Spanish Moroccan Songs for the Life Cycle (Jerusalem, 1989)Laurence D. Loebp.

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Starting Research in Jewish Music

Introduction

This is a guide to library research in the field of Jewish music. It contains a selective list of resources that may be helpful for getting started. For additional assistance with research, consult your local librarian or write to me on email.


Analyzing your research question

For help narrowing your subject for research or with help in formulating your questions to make
them appropriate for online research, read this brief guide.


Research the vocabulary:

In looking for resources in Jewish music, the student should start not only with traditional Library of Congress Subject Headings such as “Jews–music” or “Synagogue music”, but keyword searching. Keyword searching is an important component of any search today and especially on Internet sources. Here are some samples of additional ways to access unknown materials and focus searching in catalogs, databases and online sources:

Using variations: Jews, Jewish, Judaic, Judaism, Jewry

Synonyms and/or related terms: Israeli, Yiddish, Ladino, Hebrew, Yemenite, Sephardic, Ashkenazic, Palestinian, Middle Eastern

Narrower or specific terms: nusach, masoretic chants, chazan, synagogue, avodat hakodesh, klezmer, kol nidrei, Koenigsberg tradition

Word variations or language transliterations: cantor, chazan, hazan, hazon, kanter

Corporate authors or institutions in note fields: Hebrew Union College, Ktav, Transcontinental, Bloch Publishing, Rubin Academy, Hebrew University

Societies or organizations: American Society of Jewish Music, Renanot Institute, Yeshiva University, YIVO, National Yiddish Book Center

Publication medium: sound recordings, videocassette, score, manuscript

Performance groups: Western Wind, Zamir Chorale, Poogy, Arbel

Names: Andy Statman, Debbie Friedman, Hankus Netsky, Srul Glick, Simon Sargon, Ben Steinberg, Nathan Lam, Shlomo Carlbach, Max Janowsky

Broader/and or Related Subject Headings: liturgical music, synagogues; Yiddish theater; Jewish culture; cantillation; manuscripts, Hebrew art song; chants (Jewish); folk song (Jewish); klezmer; Jewish musicians; zemirot; passover songs; Songs, Hebrew; Songs, Yiddish; Music in the Bible; Music in Synagogues; Psalms;

Foreign terms: schir; shirim; megillah; Hebraische Musik; Yehudiym; yidishe; Jiddische lieder; z’mirot; zemirot; nigun; lider; lieder


Encyclopedias and Dictionaries

TITLES
LOCATIONS
Nulman, Macy.

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“The Media and the Messenger: Transforming the Cantor’s Art in the Age of Mechanical Reproduction”

Jeffrey Shandler
March 9th
“The Media and the Messenger: Transforming the Cantor’s Art In the Age of Mechanical Reproduction ”
Location: The Center for Jewish History
15 W. 16th St. New York City
Date: Friday, March 9, 2007
Time: 10:30 AM to Noon

Admission: This event is free and open to the public.
Sponsored by the American Jewish Historical Society
and the American Society for Jewish Music
The Jewish Music Forum lecture series continues, with an
investigation of the cantor’s life, art, and spirituality as narrated
through various modes of communication:
“The Media and the Messenger: Transforming the Cantor’s
Art in the Age of Mechanical Reproduction”

Presented by:
Dr. Jeffrey Shandler, Rutgers University
Respondents: Dr. Barbara Kirshenblatt-Gimblett, New York
University, and Dr. Mark Slobin, Wesleyan University
Co-sponsor: Working Group on Jews/Media/Religion
at the Center for Religion and Media, New York University…
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Dubrow Talk on Lazar Weiner at Milstein Conference in NYC

MILSTEIN CONFERENCE ON NEW YORK AND THE AMERICAN JEWISH EXPERIENCE
MONDAY, NOVEMBER 2, 2009, 9:30 AM – 7:30 PM. ADVANCE REGISTRATION
REQUIRED:
MILSTEINCONFERENCE@YIVO.CJH.ORG or 212-294-6157

One day public conference celebrating history of Jewish life in New
York, achievements of Jewish communal organizations, treasures of Jewish
archives. Conference marks culmination of 3 years of work on the
Milstein Family Jewish Communal Archive Project. Morning Sessions
feature presentation on Jewish organizational archives and a roundtable
discussion by Jewish agency leaders, Afternoon focuses on papers by
scholars on a wide range of political, social and cultural issues and
the evening session features a discussion by New York area archivists
to discuss the rich resources found in New York and how to preserve them
for the future. Funded by the Milstein Family Foundation and the
Howard and Abby Milstein Foundation.…
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JMF Presents “Robert Lachmann’s Oriental Music Archive in Mandatory Palestine”

The next event of The Jewish Music Forum 2010-2011 Season will be
Wednesday, Feb. 16, 2011
at Center for Jewish History, New York, NY,
Dr. Ruth Davis will present a lecture
entitled “Robert Lachmann’s Oriental Music Archive in Mandatory Palestine.”
The Jewish Music Forum, now in its seventh season, is a project of
The American Society for Jewish Music, with support from The
American Jewish Historical Society.
Please visit our
website at www.jewishmusicforum.org.

Event details are as follows:

Wednesday, February 16th, 2011
4:00 P.M.
Center for Jewish History
15 West 16th Street, New York, NY 10011
Chapel

All events are FREE and open to the public.

“Jewish Identities and the Quest for Purity in Twentieth-Century Art Music” by Dr. Klara Moricz

the Jewish Music Forum invites you to join us this Friday at the Center for Jewish History, 9 December 2011, for the next event of the 2011-2012 Jewish Music Forum season. JMF presents a talk entitled, “Jewish Identities and the Quest for Purity in Twentieth-Century Art Music” by Dr. Klara Moricz.

Friday December 9, 2011, 10:30 a.m.-12:00 p.m.
Center for Jewish History

15 West 16th Street, New York, New York 10011

Reisenberg, Nadia

Born 14 July 1904, in Vilna, Lithuania, Nadia Reisenberg moved with her family to St. Petersburg in 1915 where she studied piano at the Conservatory under Leonid Nikolaiev. After the Russian revolution, the family moved, going from Vilna, where Nadia played in the Gelios Theatre accompanying movies, to Poland where she concertized with the Warsaw Philharmonic, to Germany. The Reisenberg s came to America in 1922. Under the helpful largesse of Isaac Sherman, Nadia gave private recitals and began to build a reputation.

With less than one year of study with Alexander Lambert in New York, she gave her American debut on 17 December 1922, playing the Polish Fantasy by Ignace Paderewski, with the composer at the performance in the Century Theatre. With sterling reviews by the press, the young Miss Reisenberg began to receive invitations for more recitals.…
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