Kay Shelemay wins Jaap Kunst Prize

An article written by Dr. Kay Kaufman Shelemay won the Jaap Kunst Prize of the Society for
Ethnomusicology, which is given to: “The most significant article published by a member of the Society for
Ethnomusicology in the previous year.” The title of this article is “The Power of Silent Voices: Women in the Syrian Jewish Musical Tradition.” It is published in a volume in the SOAS
Musicology Series
, edited by Laudan Nooshin, titled Music and the Play of
Power in the Middle East, North Africa and Central Asia
, 2009.

Dr. Shelemay is the G. Gordon Watts Professor of Music, a Professor of African and African American Studies and Ethnomusicology at Harvard University . She is a member of the Editorial Board of Musica Judaica and was the inaugural speaker for the first session of the Jewish Music Forum in 2004.

According to the Harvard University site, Dr. Shelemay earned her degrees:
“B.M. (1970), M.A. (1972), and Ph.D. (1977), University of Michigan. She taught at Columbia University (1977-1982), New York University (1982-1990), and Wesleyan University (1990-1992), before joining the Harvard faculty in 1992. At Harvard, Shelemay has served as Chair of the Department of Music (1994-1999; acting chair, spring 2002; chair, spring 2005) and is active in interdisciplinary studies across several domains. A Fellow of the American Academy of Arts and Sciences and the American Academy for Jewish Research, she is a Past President of the Society for Ethnomusicology. A Congressional appointee to the Board of Trustees of the American Folklife Center at the Library of Congress since 2000, she was Chair of that Board from 2002-2004. She has received fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, the American Council of Learned Societies, and the Radcliffe Institute. Shelemay was named the Chair in Modern Culture at the John W. Kluge Center of the Library of Congress during August and September, 2007 and June, 2008.”

In addition to longtime interests in musical ethnography and music and memory, Shelemay’s current research is on Ethiopian music and musicians in their North American diaspora. Her monograph Music, Ritual, and Falasha History (1986, 1989) won the ASCAP-Deems Taylor Award and the Prize of the International Musicological Society. In addition to the seven-volume collection Garland Readings in Ethnomusicology (1990) and A Song of Longing. An Ethiopian Journey (1991), Shelemay edited the three-volume Ethiopian Christian Liturgical Chant. An Anthology (1994, 1995, 1997, with Peter Jeffery). Other recent publications include Let Jasmine Rain Down. Song and Remembrance Among Syrian Jews (1998, finalist for the National Jewish Book Award) and Soundscapes. Exploring Music in a Changing World (2001, second edition 2006). She has co-edited Pain and Its Transformations. The Interface of Biology and Culture (with Sarah Coakley), published by Harvard University Press in 2007. Shelemay received an Award for Distinguished Teaching from the Columbia University School of General Studies in 1982, and in 2006 at Harvard, the Joseph R. Levenson Memorial Teaching Prize and the Phi Beta Kappa Teaching Prize.