ASJM is a non-profit organization for all interested in Jewish music. Members include cantors, composers, educators, musicologists, ethnomusicologists, historians, performers, librarians and others interested in the field. Organizational memberships include libraries, universities, and synagogues. The Society presents a series of musical programs covering a wide range of Jewish music: sacred, secular, folk, concert and theater, often held at the Center for Jewish History in New York City. The Society also arranges and presents lectures on Jewish music by experts in their field. The American Society for Jewish Music publishes Musica Judaica, a scholarly journal in Jewish music. A quarterly Newsletter is also distributed to members. To encourage new compositions and performances, the Society established the Cantor Aaron J. Caplow Composition Competition which awards prizes for new Jewish works and assures their performance in the Society’s Annual Contemporary Composers’ Concert.…
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Led by Matthew Lazar, Founding Director and Conductor, and Beth Robin, Pianist/Accompanist, the chorus performs sacred and secular music in Hebrew, English, Yiddish and Ladino. SHIRAH was formed in January, 1995 as a regional chorus specializing in the performance of the full spectrum of Jewish music. Its roster includes a multigenerational blend of amateur and professiional singers from the northern New Jersey/New York metropolitan area. SHIRAH performs regularly at the JCC on the Palisades and has been featured in many concerts in the United States and Israel, including Avery Fisher Hall, the New Jersey and Bergen Performing Arts Centers in Newark and Englewood and the Colden Center, featuring the World Premiere of “The Scroll” by Dov Selzer with the Queens Symphony. SHIRAH also performs annually at the North American Jewish Choral Festival and was featured in the Opening Ceremonies of the JCC Maccabi Games in East Rutherford at the Continental Airlines Arena.…
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VOICE OF THE TURTLE 27th ANNUAL HANUKKAH CONCERT
El Mez de Hanukkah,The Month of Hanukkah!
WHEN:
Sunday Afternoon. NOVEMBER 21 at 3 PM
WHERE:
TEMPLE SHALOM, NEWTON
175 Temple Street, West Newton, Massachusetts
Directions: (http://templeshalom.org/directions.html)
TICKETS:
$18.00 in advance by phone or email reservations
$25.00 at the door on day of concert
Join us for Yidstock 2013: the festival of new Yiddish music!
Thursday, July 18th through Sunday, July 21 Live at the Yiddish Book Center
DON’T MISS OUT ON WHAT PROMISES TO BE AN AMAZING FESTIVAL!
Purchase your tickets today.
To purchase tickets for individual events or to purchase a Festival Pass:
http://support.yiddishbookcenter.org/site/R?i=OUxhv-zFlGQX0WJsFs28rg
A limited number of Festival Passes are available.*
*Festival Pass includes access to all concerts, lectures, and workshops
Back by popular demand, Yosi’s Kosher Falafel Tent will be serving an assortment of
great food.
Concert Schedule
– Thursday, July 18 –
*7pm | Klezmer Conservatory Band
– Saturday, July 20 –
*7pm | Margot Leverett & the Klezmer Mountain Boys and Klezperanto
– Sunday, July 21 –
*12pm | Wholesale Klezmer Band – Family Concert
*2pm | Brass Khazones: Steven Bernstein and Frank London play Cantorial Music
*4pm | Golem
*7pm | Yidstock All-Stars
Workshop · Lecture Schedule
– Friday, July 20 –
*1pm | Lecture: Hebrew National Salvage: Rediscovering Lost Musical treasures with
Hankus Netsky
*2pm | Lecture: Rockin’ the Shtetl: The Essential Klezmer with Seth Rogovoy
*3:30pm | Workshop: Yiddish Folk Dance with instructor Steve Weintraub
*5pm | Workshop: Instrumental Klezmer with instructor Brian Bender
– Saturday, July 21 –
*4pm | Talk: New Riffs: Improvising a Contemporary Yiddish Culture with Aaron Lansky
and Seth Rogovoy
For more information and to purchase tickets:
Website – www.yiddishbookcenter.org/yidstock
Phone – 413-256-4900
**PLEASE NOTE: Lineup is subject to change.…
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Soundswrite newsletter: Volume 10, Number 7 • April, 2011 • Adar II/Nisan, 5771
Purim is over, which means Passover is just around the corner! Arguably the most widely observed of all Jewish holidays, Passover (Pesach) is a celebration of freedom–a remembrance of our people’s Exodus from slavery in Egypt over 3,000 years ago. Today, there’s an amazing array of terrific music for Pesach, both traditional and contemporary, to enliven your holiday and brighten your home, your car, your classroom, or anywhere else you listen to music. Check out these amazing recordings by clicking on any cover image below. Chag Pesach Sameach!
Beyond Boundaries: Klezmer Music in the 21st Century
Looks at the State of the Art of Klezmer through Discussion and Performance
On December 16, the Center for Jewish Studies and the Martin E. Segal Theatre Center of the CUNY Graduate Center will present Beyond Boundaries: Klezmer Music in the 21st Century. Featuring distinguished klezmer performers, scholars, cultural commentators, and composers, the program includes an afternoon symposium with music (at 3:00 p.m.) and an evening concert (at 7:00 p.m.). This event is part of the Beyond Boundaries Series in Jewish Music, launched by the Center for Jewish Studies in Spring 2008. The series explores aspects of Jewish music from multiple perspectives—geographical, cultural, and musical. The Graduate Center is located at 365 Fifth Avenue between 34th and 35th Streets.…
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Beyond Boundaries: Klezmer Music in the 21st Century
Looks at the State of the Art of Klezmer through Discussion and Performance
On December 16, the Center for Jewish Studies and the Martin E. Segal Theatre Center of the CUNY Graduate Center will present Beyond Boundaries: Klezmer Music in the 21st Century. Featuring distinguished klezmer performers, scholars, cultural commentators, and composers, the program includes an afternoon symposium with music (at 3:00 p.m.) and an evening concert (at 7:00 p.m.). This event is part of the Beyond Boundaries Series in Jewish Music, launched by the Center for Jewish Studies in Spring 2008. The series explores aspects of Jewish music from multiple perspectives—geographical, cultural, and musical. The Graduate Center is located at 365 Fifth Avenue between 34th and 35th Streets.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume VII. Number 1. 5745/1984-85
Editors:
Israel J. Katz
CONTENTS
| | |
Yemenite and Babylonian Elements in the Musical Heritage of the Jews of Cochin, India | Johanna Spector | p.1 |
Songs of the Jews on the Island of Djerba. A Comparison between Two Surveys: Hara Sghira (1929) and Hara Kebira (1976) | Ruth Francis Davis | p.23 |
The Resurgence of Jewish Musical Life in an Urban German Community: Mannheim on the Eve of World War II | Philip V. Bohlman | p.34 |
Felix Mendelssohn's Commissioned Composition for the Hamburg Temple: The 100th Psalm (1844) | Eric Werner | p.54 |
Another Anthology of Sephardic Folksongs (A Review Essay) | Samuel G. Armistead, Israel J. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume I. Number 1. 5736/1975-76
Editors:
Israel J. Katz
Albert Weisser
CONTENTS
| | |
Abraham Zvi Idelsohn (1882-1938): A Bibliography of His Collected Writings/ | Israel J. Katz | p.1 |
Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain/ | Judith K. Eisenstein | p.33 |
Giacomo Meyerbeer: The Jew and His Relationship with Richard Wagner/ | Joan L. Thomson | p.55 |
Review Essay: The Music of Europe and the Americas (nineteenth and twentieth centuries) in the Encyclopaedia Judaica (Jerusalem, 1971)/ | Albert Weisser | p.87 |
Facsimile of Two Fragments of Joseph Achron's Kiddush Hasem | Almanach of the Yiddish Art Theatre | p.104 |
Contributors of Articles | | p.105 |
Alfred Sendrey (1884-1976): In Memoriam/ | Israel J. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume V. Number 1. 5743/1982-83
Editors:
Israel J. Katz
Laura Leon-Cohen, Associate Editor
CONTENTS | | |
Hugo Weisgall's The Golden Peacock: A Stylistic and Interpretive Analysis of Two Songs | Laura Leon-Cohen | p.1 |
Frederick Emil Kitziger of New Orleans: A Nineteenth-Century Composer of Synagogue Music | John H. Baron | p.21 |
The Biblical Trope System in Ashkenazic Phrophetic Reading | Joseph A. Levine | p.35 |
Modulation as an Integral Part of the Modal System in Jewish Music | Judit Laki Frigyesi | p.53 |
The Development of the Hallel Chant as Reflected in Rabbinic Literature | Macy Nulman | p.72 |
Antisemitism and Music in Nineteenth-Century France | James H. Johnson | p.79 |
Record Reviews: The Art of Moshe Rudinow. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume VI. Number 1. 5744/1983-84
Editors:
Israel J. Katz
CONTENTS
| | |
Lazare Saminsky's Early Years in New York City (1920-1928): Excerpts from an Unpublished Autobiography | Edited by Israel J. Katz | p.1 |
Sephardic Folkliterature and Eastern Mediterranean Oral Tradition | Samuel G. Armistead and Joseph H. Silverman | p.38 |
A Trascription of the Judeo-Spanish Ballad La vuelta del marido | Israel J. Katz | p.55 |
The "Prologue" to Jewish Music in Twentieth-Century America: Four Representative Figures: [Bloch, Saminsky, Copland, and Weisgall] | Albert Weisser | p.60 |
Max Helfman: The Man and His Musical Legacy | Philip Moddel and Richard J. Neumann (Including a listing of Helfman's compositions compiled by Judith Tischler) | p.67 |
Last Chants for the Cantorate? |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume X. Number 1. 5749/1987-88
Editor:
Israel J. Katz
Review Editor, Neil W. Levin
Dedicated to the Memory of Eric Werner (1901-1988)
CONTENTS | | |
Eric Werner (1901-1988): A Bibliography of His Collected Writings | Israel J. Katz | p.1 |
Eric Werner: A Personal Memoir | Judith K. Eisenstein | p.37 |
The Hazzanic Recitative | Max Wohlberg | p.40 |
A Possible Influence of Traditional Chant on a Synagogue Motet of Salomone Rossi | Joshua R. Jacobson | p.52 |
Revival and Renewal: Can Jewish Ethnic Tradition Survive the Melting Pot? | Amnon Shiloah | p.59 |
Jewish Music Published in Palestine: An Introduction | James J. Fuld | p.70 |
Mordecai Sandberg (1897-1973) | Joel Mandelbaum | p.81 |
In Memoriam: Shalom Altman (1911-1986) | Marsha Bryan Edelman | p.92 |
Reviews: Darryl Lyman. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XI. Number 1. 5750/1989-90
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
CONTENTS
| | |
Written Evidence and Oral tradition: The Singing of Hayom Harat Olam in Sephardi Synagogues | Edwin Seroussi | p.1 |
Neglected Sources for the Historical Study of Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah u'T'Fillah and Todah W'simrah--Annotated Translations | Geoffrey Goldberg | p.27 |
A Guide to the Unpublished Works of Gershon Ephros (1890-1978): An Annotated Bibliography | Marsha Bryan Edelman | p.58 |
Lord Byron's Hebrew Melodies: A Curious Episode Reconsidered-- A Review Essay | Carole Rosen | p.86 |
Reviews: Philip V. Bohlman, The Land Where Two Streams Flow: Music in the German-Jewish Community of Israel (Urbana and Chicago, 1989) | Samuel Adler | p.93 |
Akiva Zimmermann, B'ron Yahad: Essays, Research and Notes on Hazzanut and Jewish Music (Tel Aviv, 1988) | Joseph A. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XIII. Number 1. 5755/1993-94
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
Founder, Albert Weisser (1918-1982)
CONTENTS
| | |
From the Editor | Neil W. Levin | p.iv |
An Unanticipated Consequence of Political/Racial Persecution: the Contribution of Jewish Musicians to the Cultural Transfer of European Art Music to Japan | Irene Suchy | p.1 |
Mordecai Sandberg (1897-1973): A Catalogue of the Music | Austin Clarkson, with Karen Pegley and Jay Rahn | p.18 |
An International Conference on Jewish Music at City University, London | Malcolm Miller | p.82 |
Award of the Degree of Doctor of Humane Letters, Honoris Causa, to Israel Adler | | p.90 |
Hanoch Avenary: In Memoriam | Edwin Seroussi | p.93 |
Reviews: Walter Salmen, "...denn die Fiedel macht das Fest." Jüdische Musikanten und TÄnzer vom 13. |
…
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The Jewish Workman’s Circle continues to publish not only books, but music, cassettes, and videos for children and adults. They publish in Yiddish and English.
http://www.circle.org:80/public/wcjbc.htm
How can I get listed?
If you would like your announcement listed on the JMWC, please send complete information. This is not a news gathering service, so to be considered for a listing, you’ll have to inform the JMWC by sending an email. Please do not send attachments. Restrict your suggestions to Jewish musical events.— Best wishes! Judy
Mailing Address:
All Review materials and other documents should be sent to my work address:
Judith Pinnolis
Goldfarb Library MS045
Brandeis University
PO Box 549110
Waltham, MA 02454-9110
Need more HELP with JMWC?
Below are some frequently asked questions. I hope they can help you find some answers. Take a moment to look these over.
Here are some basic areas that are covered below:
- Reference questions
- Famous tunes
- Music collecting info for beginners
- Music for your kids
- Catalogs of instrumental music
Q:Do you answer questions?…
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Chicago, Ill.: A Cappella Books, 2002.
MAX STERN, a composer living in Israel, has many materials that can be found through online sites. For those interested in finding some interesting music, you can follow the links below:
First, A composer’s biography about Max is available through the Israel Music Institute:
http://www.imi.org.il/Composer.aspx?id=b59f294d-4621-4944-b553-37d653e84834&Lang=E
Works List at IMI
Max Stern Works
Works Availablefor performance through IMI.
CD recordings at CD Baby (16 CDs):
http://www.cdbaby.com/Artist/MaxStern
Books (published by KTAV and available through Amazon.com:
Bible & Music: Influences of the Old Testament on Western Music. This book lists works based on Biblical themes and verses.
Bible & Music
Psalms & Music: Influences of the Psalms on Western Music. This book lists musical settings based on the Psalms. “Psalms have been set to music more than any other biblical texts.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVII. 2003-2004
Editors:
Israel J. Katz
Arbie Orenstein
CONTENTS
| | |
President's Greetings | | p. iv |
From the Editors | | p. vii |
Marriage and Music as Metaphor: The Wedding Odes of Leon Modena and Salamone Rossi | Don Harran | p. 1 |
Don Harran p. 1
The Cantorial Fantasia Revisited: New Perspectives on an AShkenazic Musical Genre | Geoffrey Goldberg | p. 33 |
Where Musical Realms Meet: Hermann Zivi--An Exemplar of the German-Jewish Cantorate | Tina Fruhauf | p. 87 |
A Conversation with Miriam Gideon (1906-1996) | Judith Shira Pinnolis | p. 107 |
Problems Concerning the History of Jewish Music | Bence Szabolsci Translaed by
Stephen Erdely | p. 143 |
A Conference on The St. Petersburg Society for Jewish Folk Music (1908-1938) held at the University of Potsdam, Germany (May, 2004) | Malcolm Miller | p. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XII. 5754/1991-92
Editor:
Neil W. Levin
Assistant Editor, Alexander V. Knapp
Founder, Albert Weisser (1918-1982)
CONTENTS | | |
A Song to Heal Your Wounds: Traditional Lullabies in the Repertoire of the Jews of Iraq | Sara Manasseh | p.1 |
A Golden Age for Jewish Composers in Paris: 1820-1865 | John H. Baron | p.30 |
The Message of Moses and Aaron as Reflection of Arnold Schoenberg's spiritual Quest | Boaz Tarsi | p.52 |
An Historic Israeli-American Musical Dialogue in New York: The Counter-Harmonies Conference | Malcolm Miller | p.65 |
Edith Gerson-Kiwi: In Memoriam | Edwin Seroussi | p.75 |
Reviews: Susana Weich-Shahak, ed., Judeo-Spanish Moroccan Songs for the Life Cycle (Jerusalem, 1989) | Laurence D. Loeb | p. |
…
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JEWISH MUSIC FORUM EVENT
Jewish Music Forum 2015–16 Season Opener In conjunction with The Barry S. Brook Center for Music Research and Documentation and the Leo Back Institute
“Jews, Music, and Postwar German Culture”
Book Talk and Conversation with Dr. Tina Frühauf (RILM, CUNY), Dr. William H. Weitzer (Executive Director, Leo Baeck Institute), and Dr. Mark Slobin (Winslow-Kaplan Professor of Music, Wesleyan University)
Dislocated Memories: Jews, Music, and Postwar German Culture (Oxford University Press, 2014), editors Tina Frühauf and Lily Hirsch
Monday, November 30, 6:00 p.m.
The Graduate Center, CUNY
365 Fifth Avenue, The Skylight Conference Room: 9100
The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust.…
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The Jewish Music Forum is offering a program being given at the Center for Jewish History
on Monday, March 2nd at 7 PM.
Celebrating the release of an important new book by Dr. Evan Rapport, Greeted with Smiles: Bukharian Jewish Music and Musicians in New York (Oxford University Press), with live music examples by some of New York’s most respected Bukharian musicians led by master singer Ezro Malakov, this promises to be a wonderfully informative and entertaining evening.
Center for Jewish History
15 West 16th Street
New York, NY
Please RSVP at: info@jewishmusicforum.org
Reception to follow.
Additional information about the program, Dr. Rapport and the performers is below.
I hope you will be able to join us on Monday, March 2nd. Admission is free.
Please RSVP to info@jewishmusicforum.org.…
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American. composer. Recent CD of orchestral music called Piping the Earth, just released on Capstone Records (CPS 8727). Her Shapirit, Yefehfiah (Beautiful Dragonfly) was performed in January, 2005 by the New York Treble Singers in New York. Currently, Judith Shatin is William R. Kenan, Jr. Professor of Music and Director of the Virginia Center for Computer Music of the McIntire Department of Music at the University of Virginia. She founded the VCCM in 1988. Prof. Shatin received a AB from Douglass College, 1971, a MM from Julliard in 1974 and the MFA 1976 and PhD from Princeton in 1979. She started teaching at the University of Virginia in 1979 and has been there since. Her awards, commissions and prizes are numerous, spanning over 25 years of accomplishment and are listed on her website at the University of Virginia.…
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Use the search function and type “klezmer” for a chronological listing of several upcoming events. Gives dates, time, place and links to band websites. Includes links to venue locations with local contact information, which is very helpful for those wishing to attend the concerts.
http://concerts.calendar.com/
New Releases from Naxos:
HERMAN BERLINSKI’S AVODAT SHABBAT (CD #8.559443)
and
MARVIN DAVID LEVY’S MASADA (CD #8.559427)
The Forward had an interesting article about a recent event held at the Kane Street Synagogue in Brooklyn this past week. Jewish contemporary classical composers had some of their works performed, with composers Samuel Adler and Ursula Mamlok speaking at the event.
http://www.forward.com/articles/7830
This website gives bio information about Mickey Katz, has a couple of photos, and provides a discography with a the list of plays with LP labels and numbers. The webmaster is Murray L. Pfeffer.
http://64.33.34.112/.WWW/k1.html
American Recorder Society ▪ Amsterdam Loeki Stardust Quartet ▪
Composition Competition
The American Recorder Society, in collaboration with the Amsterdam
Loeki Stardust Quartet (ALSQ), is pleased to announce its composition
competition for recorder music. The competition’s goal is to expand
the recorder quartet repertoire with new music for professional recorder
players by composers from the United States and Canada.
Further information on ALSQ is available
on their web site: http://www.loekistardust.nl/html_en/index.html
Jeffrey Shandler
March 9th
“The Media and the Messenger: Transforming the Cantor’s Art In the Age of Mechanical Reproduction ”
Location: The Center for Jewish History
15 W. 16th St. New York City
Date: Friday, March 9, 2007
Time: 10:30 AM to Noon
Admission: This event is free and open to the public.
Sponsored by the American Jewish Historical Society
and the American Society for Jewish Music
The Jewish Music Forum lecture series continues, with an
investigation of the cantor’s life, art, and spirituality as narrated
through various modes of communication:
“The Media and the Messenger: Transforming the Cantor’s
Art in the Age of Mechanical Reproduction”
Presented by:
Dr. Jeffrey Shandler, Rutgers University
Respondents: Dr. Barbara Kirshenblatt-Gimblett, New York
University, and Dr. Mark Slobin, Wesleyan University
Co-sponsor: Working Group on Jews/Media/Religion
at the Center for Religion and Media, New York University…
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Wednesday, April 26, 2017, 7:30 p.m.
JTS will host a performance of excerpts and discussion of two important new operas: As One (music by Laura Kaminsky, libretto by Mark Campbell and Kimberly Reed), following a transgender woman’s journey to self-acceptance. The other is Steal a Pencil for Me (music by H. L. Miller Cantorial School Assistant Professor Gerald Cohen, libretto by Deborah Brevoort), the story of a real-life couple who fell in love while imprisoned in Nazi concentration camps. Following the performance, the two composers, Laura Kaminsky and Gerald Cohen, will discuss their operas’ creation. Cantor Nancy Abramson, director of H. L. Miller Cantorial School, will moderate the discussion.
Tickets: $10
For Tickets: https://www.wizevents.com/register/register_add.php?sessid=8244&id=5114
JTS is located at 3080 Broadway, New York, NY 10027
All students with ID—as well as JTS alumni, faculty, students, and staff—may request up to two free tickets each.…
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MILSTEIN CONFERENCE ON NEW YORK AND THE AMERICAN JEWISH EXPERIENCE
MONDAY, NOVEMBER 2, 2009, 9:30 AM – 7:30 PM. ADVANCE REGISTRATION
REQUIRED:
MILSTEINCONFERENCE@YIVO.CJH.ORG or 212-294-6157
One day public conference celebrating history of Jewish life in New
York, achievements of Jewish communal organizations, treasures of Jewish
archives. Conference marks culmination of 3 years of work on the
Milstein Family Jewish Communal Archive Project. Morning Sessions
feature presentation on Jewish organizational archives and a roundtable
discussion by Jewish agency leaders, Afternoon focuses on papers by
scholars on a wide range of political, social and cultural issues and
the evening session features a discussion by New York area archivists
to discuss the rich resources found in New York and how to preserve them
for the future. Funded by the Milstein Family Foundation and the
Howard and Abby Milstein Foundation.…
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Koleinu, the Jewish Community Chorus of Boston is having a concert on Thursday, June 10 at 8pm at Temple Emeth in Chestnut Hill, MA. Cantor Gaston Bogomolni and Cantor Lousie Treitman will be the soloists. Carol Marton will direct.
Tickets are $12 in advance and $15 at the door. go to www.koleinu.org or call 617-559-8649 to get more information or order tickets.
Hanover: University Press of New England, 2002.
Urbana: University of Illinois Press, 2002.
Berkeley: University of California Press, 2002.
New York: Jay Street Publishers, 2002.
Born 14 July 1904, in Vilna, Lithuania, Nadia Reisenberg moved with her family to St. Petersburg in 1915 where she studied piano at the Conservatory under Leonid Nikolaiev. After the Russian revolution, the family moved, going from Vilna, where Nadia played in the Gelios Theatre accompanying movies, to Poland where she concertized with the Warsaw Philharmonic, to Germany. The Reisenberg s came to America in 1922. Under the helpful largesse of Isaac Sherman, Nadia gave private recitals and began to build a reputation.
With less than one year of study with Alexander Lambert in New York, she gave her American debut on 17 December 1922, playing the Polish Fantasy by Ignace Paderewski, with the composer at the performance in the Century Theatre. With sterling reviews by the press, the young Miss Reisenberg began to receive invitations for more recitals.…
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New Cantorial school which has finished its first year of teaching the art of Chazzanut. Located at the Baldwin Jewish Center in Baldwin, New York.
http://www.theascj.org
Cambridge, Mass.: Harvard University Press, 1999.
Kultur Festival 2009: Keynote Tradition & Transformation, 1 Mar 2009
FAU Libraries & Klezmer Company Orchestra Present
Kultur Festival 2009
A Celebration of Jewish Music & Arts
February 25-March 1, 2009 @ Florida Atlantic University
Boca Raton, FL
Keynote Address
“Tradition and Transformation” Rabbi Irwin Kula
Sunday March 1, 2009 @ 1 p.m.
Friedberg Lifelong Learning Center (FAU)
Tickets $5
http://www.library.fau.edu/news/Kultur_Slide_Show/index.htm
Kaplan & Rushefsky, Amherst, MA, Nov 21
On the Paths: Yiddish Songs with Tsimbl (Oyf di vegelekh)
National Yiddish Book Center
on the campus of Hampshire College, Route 116, Amherst, Massachusetts.
Sunday, November 21, 2004 2:00 PM
Donation: $6
Acclaimed Yiddish music artists Rebecca Kaplan (vocals, piano, drum) and Pete Rushefsky (tsimbl, the harp-like traditional klezmer hammered dulcimer) bring to life rarely heard gems of Yiddish music from collections by Moshe Beregovski, Joseph Moskowitz, Ruth Rubin, and others.
At the National Yiddish Book Center, on the campus of Hampshire College, Route 116, Amherst, Massachusetts. You don’t need to know Yiddish to enjoy our programs! Space is limited, and all programs are filled on a strictly first-come, first-served basis. For additional information, an application or reservations, please phone us at 413-256-4900.…
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Released this past week: “The Pianos I Have Known: The Autobiography Of Irving Fields”
Collaboratively written between 94 year old Irving Fields and Huffington Post
music columnist Tony Sachs
(http://www.huffingtonpost.com/tony-sachs/) and edited and released by music critic
Aaron Joy through his indie book publishing and music label Roman Midnight Music
(http://www.romanmidnightmusic.org).
The book is currently available only in paperback via Lulu, and on Amazon.
“He’s [Fields] the composer of chart-topping songs performed by the likes of Dean Martin, Louis Armstrong, Sarah Vaughan and Xavier Cugat… one of the original Manhattan “society” cocktail
pianists whose career stretches back to the days of Prohibition… whose sister
Peppy was known as the Sophie Tucker of Miami Beach due to her long running radio
show… the originator of one of the first piano-drum-bass trios, with a later trio
lasting nearly 40 years… the man who first fused Jewish and Latin music with the
classic 1959 album “Bagels & Bongos”… a headliner at Carnegie Hall, top draw on
round-the-world cruises, star of radio and TV, and writer/performer of a hit song on
YouTube… and he’s still playing six nights a week as he approaches his 100th
birthday… This is the life of a Jewish kid from the Lower East Side who hated
practicing piano.” He’s also the inspiration behind the writing of
the book ‘And You Shall Know Us By The Trail Of Our Vinyl’ about Jewish music
history and the first release by the ReBoot Stereophonic jazz reissue label.…
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Ellen S. Whitaker, a guitar teacher in North Carolina, has created an excellent book of guitar arrangements of Jewish favorite melodies. The book is intended for intermediate to advanced guitar players, with a few easier pieces. It includes a key to the guitar notation used in the work, the texts to the songs in transliteration, occasionally in Hebrew text, with English and an annotation about the meaning of the song along with performance notes about each piece. The guitar music, both solos and duets are presented in a separate section, which is an excellent arrangement of the book for learning and performance. The end of the collection includes an appendix explaining the Jewish modes, a second appendix linking each piece with the mode used, a glossary of each of the musical terms, a bibliography and discography.…
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From Yale Strom comes a series of klezmer music books (WORLD
MUSIC: KLEZMER – MUSIC MINUS ONE) that will help the budding klezmer musician to learn to play klezmer.
Ellen S. Whitaker, a guitar teacher in North Carolina, has created an excellent book of guitar arrangements of Jewish favorite melodies. The book is intended for intermediate to advanced guitar players, with a few easier pieces. It includes a key to the guitar notation used in the work, the texts to the songs in transliteration, occasionally in Hebrew text, with English and an annotation about the meaning of the song along with performance notes about each piece. The guitar music, both solos and duets are presented in a separate section, which is an excellent arrangement of the book for learning and performance. The end of the collection includes an appendix explaining the Jewish modes, a second appendix linking each piece with the mode used, a glossary of each of the musical terms, a bibliography and discography.…
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Herman Berlinski: From the World of My Father [8.559446]
The Milken Archive of American Jewish Music has released a CD of four works for the synagogue and the concert hall by German-born, American composer and organist Herman Berlinski. These works reflect his rich, post-Romantic musical language, eclectic musical style, and depth of Jewish inspiration. This new disc complements the Milken Archive’s 2004 release of the composer’s Avodat Shabbat, a large-scale setting of the Sabbath evening liturgy according to the American Reform prayerbook. It brings to 45 the number of recordings released since the Milken Archive CD series was launched in September 2003.
This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XIV. 1999
Editor:
Irene Heskes
Production Editor, Doris B. Gold
A Publication Devoted to All Aspects of Jewish Music
This issue of Musica Judaica is dedicated to the late Cantor Aaron J. Caplow
“Sweet Singer of Prayers”
CONTENTS
| | |
Greetings from the President of the Society | Hadassah B. Markson | p.6 |
Editor's Commentary | Irene Heskes | p.7 |
Medieval Elements in the Liturgical Music of the Jews of Southern France and Northern Spain. [Vol. I, 1975/76]. | Judith Kaplan Eisenstein | p.9 |
Postscript: Remembering Some of Our Pioneers | Marsha Bryan Edelman | p.31 |
The Music of the Synagogue as a Source of the Yiddish Folksong. [Vol. II. 1977/78] | Max Wohlberg. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XV. 2000-2001
Editors:
Israel J. Katz
Arbie Orenstein
CONTENTS | | |
Greetings from Hadassah B. Markson | | p. iv |
From the Editors | | p. iv |
Nationalism and the Creation of Jewish Music: The Politicization of Music and Language in the German-Jewish Press Prior to the Second World War | Esther Schmidt | p.1 |
Heinrich Schalit and Weimar Jewish Music | Eliott Kahn | p.33 |
The Song of Israel: An Eastern Viewpoint | Amnon Shiloah | p.69 |
Yemenite Women's Songs at the Habani Jews' Wedding Celebrations | Yael Shai | p. 83 |
The Third London International Conference on Jewish Music (2000) | Malcolm Miller | p.97 |
A Musical Banquet: the Tenth London International Jewish Music Festival (11 June-13 July 2000) | Malcolm Miller | p.111 |
IN MEMORIAM: Irene Heskes (1923-1999) | Jon Newsom | p.119 |
IN MEMORIAM: Byron Cantrell (1919-1997) | Israel J. |
…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVI. 2001-2002
Editors:
Israel J. Katz
Arbie Orenstein
CONTENTS
| | |
President's Greetings | | p. iv |
From the Editors | | p. vi |
The Metaphor of Light in Joseph Haydn's Oratorio, The Creation (1798): A New Jewish Textual Source | Adena Portowitz | p.1 |
The Music of David Nowakowsky (1848-1921): A New Voice from Old Odessa | Emanuel Rubin | p.21 |
Toward a Clearer Definition of the Mogen Avot Mode | Boaz Tarsi | p.53 |
Synagogal Chanting of the Bible: A Linking of Linguistics and Etnomusicology | Rachel Mashiah and Uri Sharvit | p.81 |
In Memoriam: Alexander L. Ringer (1921-2002) | Amnon Shiloah | p.99 |
Two Significant Musicological Events: Commemorating Salamone Rossi (ca.1570 - ca. 1628) and Eric Werner (1901-1988) | Mark Kligman | p.109
|
The Turn of the Millennium in Jewish Music: A Bibliography of Selected Items (1999-2002) | Compiled by
Judith Shira Pinnolis | p.118 |
Conributors of articles to this issue | | p.151 |
ASJM Membership | | p.153 |
Updated 25 March, 2005 | | |
All content © 2001-2002 American Society for Jewish Music.…
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This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.
Volume XVIII. 2005-2006
Editors:
Israel J. Katz
Arbie Orenstein
CONTENTS
| | |
President's Greetings | | p. iv |
From the Editors | | p. vii |
p. vii
The History of the Jewish Music Publishing House Jibne and Yuwal
Translated from the German by Eliott Kahn and Verena Bopp | Jascha Nemtsov | p. 1 |
The Augmented Second, Chagall's Silhouettes, and the Six-Pointed Star | Marina Ritzarev | p. 43 |
The Female Sozanda Art from the Viewpoint of Professionalism in the Musical Tradition: A Preliminary Survey | Elena Reikher (Temin) | p. 71 |
Arab Music and Aesthetics as Basis for the Liturgical Structure of the Sabbath Morning Service of the Syrian Jews in Brooklyn, New York | Mark Kligman | p. |
…
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Josh Kun-
And You Shall Know Us by The Trail of Our Vinyl:
Music, Memory, and the Politics of Jewish American History
Wednesday, May 20, 7:30 pm
ADMISSION: $10 General; $8 Members; $5 Full-Time Students
For more than eight years, cultural critic and USC professor Josh Kun,
along with co-author Roger Bennett, scoured the nation’s thrift stores
and garage sales for forgotten Jewish musical treasures. Their book
about the quest features the covers of more than 500 albums by a range
of artists, from Yosele Rosenblatt to Barbra Streisand and everyone in
between. Join Kun for a lively multimedia lecture about some of his
favorite finds and the album cover’s role in the way Jewish American
history gets told. A book signing follows the program.…
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June 20-27
D. Dan & Betty Kahn Building on the Eugene & Marcia Applebaum Jewish Community Campus in West Bloomfield.
http://www.jccdet.org/musicfest/
Tickets on sale May 10, 2004
Highlighting the musical heritage of the Jewish people through a variety of programs that educate and entertain our community, while encouraging affiliation with the Jewish Community Center.
For more information or to volunteer, contact Katie Marcus at
kmarcus@jccdet.org
Friday March 5 2010
9:30 A.M. to noon.
We invite you to join us at our next Jewish Music Forum event, which will
be held on March 5, 2010, at Center for Jewish History. Prof. Mark Slobin of
Wesleyan University and Dr. Mark Kligman of Hebrew Union College-Jewish
Institute of Religion will present a lecture entitled “Sacred and Secular Music
Texts in Modern Times.” We wish to extend a special thank you to our
co-sponsors for this event, the Working Group on the Jewish Book at Center for
Jewish History. The entire 2009-2010 Jewish Music Forum is a project of the
American Society for Jewish Music, an affiliate of the the American Jewish
Historical Society at the Center for Jewish History.
“Sacred and Secular Music Texts in Modern Times”
With Professor Mark Slobin, Wesleyan University and Dr.…
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The American Society of Jewish Music announces official release of MUSICA JUDAICA ONLINE REVIEWS, which has been operating under the Editorship of Dr. Judah M. Cohen of Indiana University
since the beginning of the year.
Designed as an offshoot of Musica Judaica, the Society’s journal which is
published once a year, Musica Judaica Online Reviews (MJOR) not only allows
us to publish reviews much closer to the publication date of the book or
recording in question, but also guarantees a much wider circulation and
distribution of the reviews, to all who are interested what is being written
about in Jewish music. Moreover, at the same time, our goal is not only to
share the reviews but to engage in discussion, with readers able to submit
their comments (of course, moderated by our editor).…
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The Melodia Women’s Choir will present an all female performance of Vivaldi’s Gloria in D Major and contemporary works, including the world premiere of Becca Schack‘s new commissioned piece “In My end is My Beginning” based on a text by T. S. Eliot.
The concert is being held
Saturday November 17 at 8 PM, and
Sunday, November 18 at 3 PM at
St. Peter’s Church,
346 West 20th Street, New York City, New York.
Melodia will be joined by an all-women
instrumental chamber ensemble.
Tickets are $20 in advance and $25 at the door.
For information, call (212) 252-4134, or visit
www.melodiawomenschoir.org.
VOX: Showcasing American Composers 2006
Produced by New York City Opera
Presented by the Skirball Center for the Performing Arts, New York University
566 LaGuardia Place (Washington Square Park South)
May 6 – 7, 2006
FREE
Sunday, MAY 7, 4:30 – 5:30 pm
Stephen Andrew Taylor, Paradises Lost, libretto by Kate Gale
Max Stern, Messer Marco Polo
Directions to Skirball Center:
The Skirball Center is located at 566 LaGuardia Place at Washington Square Park South, within a few blocks of most subway lines, including West 4th St. (A, C, E, F, V, and S), 8th Street (N, R, W), Astor Place (6) and Christopher Street (1).
Wednesday, May 25 · 6:00pm – 9:30pm
Central Square Theater
450 Massachussettes Avenue
Cambridge, MA
More Info
Join Miles Rapoport, Lisa Danetz, Lew Finfer, Renee Loth, Jeff Malachowsky, Arnie Miller, Josh Posner, Paul Summit, Ben Taylor, Brenda Wright, Robert Zevin, and Silver Spoon Co-Creators Amy Merrill and Si Kahn for an evening of musical theater, meeting friends, and mulling the future to benefit Demos and The American Prospect.
6:00 – 7:15: Reception and conversation with American Prospect Editor Kit Rachlis, Demos and American Prospect President Miles Rapoport, Si Kahn, and Amy Merrill.
7:30 – 9:30: Reserved tickets to evening performance of Silver Spoon.
Ticket Prices:
$100 – Participant
$250 – Picket Captain (2 tickets)
$1,000 – Movement Builder (4 tickets)
Proceeds shared by Demos and The American Prospect.…
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Music in Our Time: 2015
Concert May 31 2015 3pm
Music from Golijov’s The Dreams and Prayers of Isaac the Blind; Yulzari‘s Le Grand Méchant, l’Oud and Il était une Fois; Kaminsky‘s Duo for Cello and Piano; Cohen‘s Steal a Pencil for Me; Fine‘s A Short Alleluia; and Ladino songs by Neumann. Performed by Charles Neidich, Rémy Yulzari, Ilana Davidson, Laura Leon, Donna Breitzer, Nadav Lev, and artists from Mannes College The New School of Music.
Ticket Info: $18 general; $12 American Society for Jewish Music/American Jewish Historical Society/Center for Jewish History members; $9 students, seniors
Purchase Tickets
presented by American Jewish Historical Society and American Society for Jewish Music
Sunday, June 7th at the Center for Jewish History
Celebrating the Siegmeister Centenary
“Music in Our Time,” the annual concert of Jewish music by contemporary composers, presented by the American Society for Jewish Music in association with the American Jewish Historical Society, will be given on Sunday, June 7th at 3 PM at the Center for Jewish History (15 West 16th Street, NYC).
For tickets $18 ($12 members); $6 for Students and Seniors, call 212-868-4444 or
www.smarttix.com or
contact the Box Office: (917) 606-8200 /
href=”mailto:boxoffice@cjh.org”boxoffice@cjh.org.
CNN reported that one of the victims of Continental Airlines Flight 3407 that crashed in Buffalo last Thursday was Cantor Susan Wehle. Brooklyn native Cantor Wehle was a cantor at Temple Beth Am in Williamsville, New York since November of 2002. She had also sung as a cantorial soloist at Temple Sinai in Amherst, New York. The cantor received her Cantorial Smicha from Aleph – the Movement for Jewish Renewal. Additionally she earned a Bachelor of Arts Degree in Theatre and in Judaic Studies, and a Bachelor of Fine Arts Degree in Acting. She performed with theatre companies in Buffalo, Chicago and New York City. Her parents were Holocaust survivors. Cantor Wehle was 55. She had released a CD called “Songs of Hope and Healing.” Temple Beth Am synagogue has established at guest book for those who wish to remember the cantor.…
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Master Klezmer Class with Clarinetist David Krakauer
Monday, November 14, 7:00-10:00pm
Jewish Community Center of the East Bay
1414 Walnut Street, Berkeley.
7:00-8:00pm: Lecture/demo by internationally-acclaimed klezmer and classical clarinetist David Krakauer, who will demonstrate klezmer technique and share personal stories and insights prior to the hands-on portion of the workshop.
8:00-10:00pm: Master class for “high intermediate to professional level” musicians. Participants will play (alone or with a pre-formed group) and will receive constructive feedback and coaching.
Registration fee:
* Individuals who play for Mr. Krakauer: $50/person
* Groups that play: $35/person
* Listeners (“auditors”): $20/person.
A limited number of reduced price scholarships will be available. Inquire at info[at]klezcalifornia.org.
Registration process:
Please reserve your space via phone (415.789.7679) or email (info[at]klezcalifornia.org). Tell us your name, email, and telephone and whether you will listen only OR play a solo OR play with a group of a specific number of people.…
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All archival announcements from 2002 listed below.
–Syracuse, NY–
Klezfest photos from Klezfest 2001 and 2002.Next Festival on June 8, 2003.
http://www.sjfed.org/klezfest/gallery.html
********************************
–New York–TOUR with MUSIC–
LOWER EAST SIDE SERENADE
Musical Walking Tour Sings the Stories of the Lower East Side
SUNDAY, OCTOBER 27, 2002, 11 AM
Lower East Side, New York . . . On Sunday, October 27, 2002, from 11:00 AM to 1:00 PM, the Eldridge Street Project will host the Lower East Side Serenade, a musical walking tour of the historic sites and sounds of the Lower East Side. As they meander along the streets, tour-goers will be treated to live performances of Yiddish and English songs which reference turn-of-the-century immigrant life in the neighborhood. World-renowned “minstrelâ€, Jeff Warschauer, will sing his heart out as architectural historian Lucien Sonder points out nineteenth- and early-twentieth-century landmarks in the neighborhood.…
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Regina Resnik presents Colors of the Diaspora. It’s a DVD collection with 3 distinct programs included, conceived and written by Michael Philip Davis. Ms. Resnik introduces and narrates the three concerts. Each is a distinct classical music art program, with the common thread of Jewish art music or music on Jewish themes.
The DVD will make the perfect Hannukah present for someone who loves both classical music and Jewish music. The DVD can be obtained through Amazon.com VAI DVD 4540, but also can be ordered directly through Video Artists International, 109 Wheeler Ave., Pleasantville, NY 10570. Toll free number is 800-477-7146.
The DVD includes some surprising repertoire and will introduce even aficionados of Jewish music to new selections.The narration is well written and informative. The selections are thoughtful, artistic, and knowledgeable about the breadth of Jewish music.…
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Craig Taubman announced the seventh release in the award winning “Celebrate” Series. The CD features 14 songs that celebrate hope and healing. Comes with a companion book of 50 essays. Essays from writers including, Theodore Bikel, Sherri Mandell, Leonard Fein, Jacob Pressman, Harold Schulweiss, Kirk Douglas, William Cutter, Rachel Remen, Rodger Kamenetz, Naomi Levy, Amy Eilberg, Joel Ben Izzy, Wendy Mogel, Amichai Lau-Lavie, Balfour Brickner, Shira Milgrom, David Wolpe, and Jack Reimer. For a limited time, both the book and CD The World is a Narrow Bridge will be
available at the special pre-release price of $30 (plus shipping). To place
your order send an e-mail including your name, address, credit card number
and expiration date to Debbie@craignco.com . This special offer ends August 1, 2004.
Congratulations to flautist Michael Lukin on the completion of the Song Index to the Dov Noy Collection in the Jewish National University Library (JNUL) in Jerusalem. This event will be of world wide interest to those who love Yiddish and Hebrew songs. The project involved meticulous cataloging that allows a searcher to find individual songs within a large number of Yiddish and Hebrew song anthologies and other works in this collection. Each song is searchable in the vernacular including keyword, title and author (composer and lyricist) searching. In addition, the incipit of the song, that is, the opening lines, or in some cases, some line of the refrain which may be more identifying to the song, are included in the record. Searchers may try typing in their title or even just a word of the title (keyword) to find which volumes this song may be in.…
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“Beyond Boundaries: Music and Israel @ 60” looks at the Present-Day Complexities of Israeli Music
View Beyond Boundaries Brochure
On Friday, March 28, “Beyond Boundaries: Music and Israel @ 60,” a symposium of the Center for Jewish Studies at the CUNY Graduate Center, will explore the complex diversity of musical styles, cultures, religions and ethnicities that is Israel today. The daylong event will present papers, discussions, and musical performances from 9:30 AM to 3:30 PM in the Baisley Powell Elebash Recital Hall on the first floor of the Graduate Center, 365 Fifth Avenue (at 34th Street).
In the morning, three speakers will present papers on a variety of topics significant to our understanding of the present-day climate for music in Israel. In the afternoon, from 1 to 3 P.M., there will be a concert by two performance groups: the renowned contemporary New York-based chamber ensemble Continuum, with a program of Israeli art music with pieces by Tzvi Avni, Betty Olivero, and Benjamin Yusupov; and Galeet Dardashti’s all-woman band Divahn, with a program of ethnic and popular Mizrahi music.…
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Hadassah Magazine January 2004 issue has a great article this month called “Jewish fusion is Here” by Samantha Shapiro…. The lead reads “Imagine Molly Picon in a catsuit, Hallel with a bolero beat.”
Songs Celebrating Jewish Communities Worldwide: Gershwin, Ravel,
Sephardic Melodies, many more
Featuring Dina Kuznetsova, Rinat Shaham, Steven Goldstein, Steven Blier
and Michael Barrett
FEBRUARY 18 AND 20 2009
AT MERKIN CONCERT HALL, Kaufman Center
at 8 PM
Kaufman Center and New York Festival of Song (NYFOS, www.nyfos.org),
will present Voices of the Jewish Diaspora on Tuesday and
Thursday, February 18 and 20, 2009 at 8 PM at Merkin Concert Hall at Kaufman
Center. It is the third subscription concert of the New York Festival of
Song, whose CD, Spanish Love Songs, (Bridge
Records, 2008) featuring Lorraine Hunt
Lieberson, Joseph Kaiser, Steven Blier and Michael Barrett was named one of the “Best of the year” by Opera News.
The program features songs in many languages celebrating the culturally
diverse Jewish communities that flourished as the tribes of Israel spread
out across the globe: Sephardic melodies arranged by Roberto Sierra;
Second Avenue specialties by Irving Berlin and Abraham Ellstein; art
songs by Ravel and Mahler; plus music by Gershwin, Bernstein, and Harold
Rome.…
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The Center for Jewish History, the American Society for Jewish Music
and the American Jewish Historical Society present:
Thursday, November 6 at 8:00p.m.
Bernstein: A Jewish Legacy
An encore performance of the recently sold-out program at The Jewish Museum and
part of the city-wide festival Bernstein: The Best of all Possible Worlds.
The concert of mostly unknown Bernstein works on Jewish themes, narrated by Jack
Gottlieb, Bernstein’s longtime editor, sheds new light on some of the composer’s
more celebrated pieces. A number cut from West Side Story, lyrics by Stephen Sondheim,
combined with another piece from an abandoned project with lyrics by Betty Comden
and Adolph Green, reveals a surprising transformation as a choral setting in Hebrew.
Among the other works are world premieres of “A Choral Quilt” (arranged by Gottlieb)
and a song Bernstein wrote in reaction to anti-Semitism.…
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The American Society for Jewish Music sends out this sad announcement about the passing of Jack Gottlieb.
Dear Members and Friends:
It is with sadness that I share with you the news of Jack Gottlieb’s passing.
A prolific composer, especially of sacred songs and choral music for the synagogue, Jack worked actively on behalf of Jewish music and served as President of the ASJM for a number of years. Also a scholar and noted author, his acclaimed books, Funny, It Doesn’t Sound Jewish: How Yiddish Songs and Synagogue Melodies Influenced Tin Pan Alley, Broadway and Hollywood, and, most recently, his memoire Working with Bernstein, about his years as assistant to Leonard Bernstein, received rave reviews. A biography of Jack Gottlieb’s distinguished career is appended below.
As Jack wished for no public funeral, those in the New York area wishing to mark his passing are invited to attend the services at Congregation Emanu-El on March 11 and 12, 2011, which will be devoted to his music.…
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The Center for Jewish Studies at Queens College
Is proud to announce their 6th Annual Benefit Concert
Monday, June 11th, 2007
Starring the world famous Sydenham Choir
from Johannesburg South Africa
The return of Cantor Oshy Tugendhaft & the Sydenham Shul Choir marks
their 6th North American tour performing their hit musical CELEBRATION!
Both Oshy Tugendhaft, and the Choir are internationally acclaimed having
sung with many leading Cantors, most recently with Yitzchak Meir
Helfgot.
All seats are reserved. General admission: $50 $32 & $20
25 % discount for orders by May 28, 2007 $40 $24 & $15
Priority seating $100 $75. No discount, includes after show party with
choir.
Order tickets on line at www.boxofficetickets.com/sydenhamchoir.
or call 800-494-8497.
Their CELEBRATION musical depicts many aspects of traditional and
contemporary Jewish life and liturgy and takes place to live music,
provided by a jazzy orchestra.…
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A real festival…the
2006 GREATER CHICAGO JEWISH FESTIVAL
WHEN: Sunday, June 11
WHERE: the Forest Preserve at Oakton (8000 N) and Lehigh
(6300 W) in Morton Grove
TIME: 11:00am 6:00 pm
PARKING: free parking next to the Festival grounds
WEBSITE: www.jewishfestival.org
PHONE: 847.933.3000
RAIN LOCATION: Niles West High School, 5701 Oakton, Skokie
Ada Holtzman has begun a wonderful webpage dedicated to Jewish musicians from Poland before World War II.
London –The Great East End Treasure Hunt: A quest for a long lost past Sunday 6th April
from 2pm
Stumble around the East End and watch the Jewish history of this area unfurl with
musicians, treasure clues, actors and bagels. Sign up in groups to discover some
stories, fall upon soup kitchens, bump into klezmer players and search for
disappearing
synagogues.
We’ll scatter signposts, clues, artists including performer Judy Batalion, live
musicians and hidden items along the roads of the East End, taking you on a two
hour tour around a Jewish world that has all but vanished.
The afternoon will finish at Corbett Place for tea, drinks and live music from
She’koyach.
Produced by YaD Arts for the JCC for London
http://rs6.net/tn.jsp?e=0014BJAjTfE60KTtJbPSYCfY_GMqxm07iO29DiSxkd_yYG5p-XOn69GMvWAuK1Q6VseU-d7QR5cqui_IQslUMqUKbUp3N17bBqGcL5acLCZLwImzLQT5Jp6HPAdenEu1BXl96tAmMKcVKU=
Meet at the Cable Street Mural, painted on the side of St.…
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Alicia Svigals’ Klezmer Fiddle Express, with Patrick Farrell and
Marty Confurius
TODAY!! On Sunday, September 9, the National Yiddish Book Center presents
internationally renowned klezmer violinist Alicia Svigals, with
klezmer luminaries Patrick Farrell on accordion and Marty Confurius
on bass.
Where:
The National Yiddish Book Center
Applebaum Driker Theater
Amherst, MA
For directions, mapquest Hampshire College, and then look for signs
for the Book Center.
When:
Sunday, September 9, 2 PM
Tickets and info:
http://klezmerbyalicia.c.topica.com/maapSAHab92HPbIFEx6eafpQav/
GOLDEN MOLTEN STREAM: A Celebration of Contemporary Hebrew Poetry & Song
Thursday, March 28, 2013
Time: 7:30pm
Book launch for Mystical Vertigo by Aubrey L. Glazer with performances by Jaffa Road, Cantor Aaron Bensoussan & Ernie Tollar, Aviva Chernick, Aaron Lightstone, Waleed Abdulhamid, jeff Wilson and Sundaar Viswantathan.
Featuring a closing set from JAFFA ROAD who have put these lively poems to music on their two Juno-nominated albums.
Amanda Miryem-Khaye Seigel will be singing with Beyle Schaechter-Gottesman
in Long Island City on Wednesday, July 17, and with
Dr. Hankus Netsky in Boston on Monday, August 5.
See details:
London Klezmer Quartet concerts and courses coming up
12 June, Camden, London. Music starts at 8.30pm
London Klezmer Quartet in concert at the Green Note, also featuring
gorgeous Romanian melodies from the Brasov String Band – Francesca
Ter-Berg (cello) and Flora Curzon (violin).
Read more (
http://www.greennote.co.uk/index.php?option=com_content&task=view&id=2499
)
Book tickets ( http://www.wegottickets.com/event/270180 )
Née Beyle Schaechter. Poet, artist and songwriter. Born 7 August 1920 in Vienna. Her mother, Lifshe Gottesman, and father, Benjamin Schaechter, moved to Cernauti, Romania (also called Czernowitz, now part of the Ukraine) when Beyle was eighteen months old. Beyle attended general school in Romanian, also learning French and Latin, spoke Yiddish at home, and German or Ukrainian around town. She studied violin briefly, but her fascination lay in art, singing and Yiddish poetry. Home was full of song as her mother knew a large folk song repertoire and had a wonderful voice. Years later, Lifshe Schaechter-Widman recorded songs in the United States, and wrote a memoir,Durkhgelebt a Velt: Zikhroynes (1973).
In 1938, Beyle’s two-year study at the Vienna art school was cut short when Hitler invaded Austria.…
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