American born singer. Aroeste’s family roots are Greece and Macedonia– her family came from Salonika, Greece before going to the US. Sarah trained in classical opera at Westminster Choir College and Yale University. She later studied with Nico Castel in Tel Aviv and in the US. Aroeste sings primarily in Ladino, in a musical genre originating from Spain. The Aroeste’s sound combines and updates aspects from her ‘unique family background with influx of Latin-based music in America over the past few years.’ To date, Sarah Aroeste has released four recordings, A la Una: In the Beginning (2003), Puertas (2007), Gracia (2012) and most recently, Ora de Despertar (2016),
http://www.saraharoeste.com

Rahel Musleah was born in Calcutta, India, the seventh generation of a Calcutta Jewish family that traces its roots to 17th-century Baghdad. Through her multi-media song, story and slide programs, she shares her rare and intimate knowledge of this ancient community s history, customs and melodies. Ms Musleah is a graduate of Columbia University and the Jewish Theological Seminary of America. She is a member of the Authors Guild; the Society of Professional Journalists and the American Jewish Press Association. She sings with the Zamir Chorale and Shirah, the Jewish Community Chorus of the JCC on the Palisades, in Tenafly, NJ, both under the direction of Matthew Lazar. She has received awards for her writing from the American Jewish Press Association, the Society of Professional Journalists, the National Sephardi Literary Contest, the Society of National Association Publications, and the General Federation of Women s Clubs.…
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Born 1896 in Proskurov, Russia. Died, May 27, 1984 in New York City. Casman came to US in early 1900s. She began in the Yiddish theater as a child star. She performed in Yiddish theater in South America, Europe and throughout the US playing comic Yiddish roles. Nahama Sandrow, in her bookVagabond Stars, refers to Casman as “one of the rare female kuplétists, tiny and round…” The kuplét was a comedic patter song that had little to do with the action of a show. In some shows Casman combined this with the “red hot mama” style where she “starts to shake her bosom, which makes one cozy curve from shoulder to waist. She vibrates all over, till even the absurd red flower sticking up on top of her head jiggles, too and she looks down at her own chest with such childlike surprise and satisfaction that the audience roars with delight.” She performed in shows such as “The Girl from Argentina” and “The Drunkard”.…
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Information from the recording by CRI on the composer’s works. For additional information on Miriam Gideon, see the article by Judith Pinnolis in Women and Music in America Since 1900 vol. I, (Greenwood Press, 2002). Gideon’s compositions with Jewish materials include: The Hound of Heaven (1945), How Goodly Are Thy Tents (1947), Adon Olam (1954) , Psalm 84, Three Biblical Masques (1958), Sacred Service (1970), Shirat Miriam L’Shabbat (1974), The Resounding Lyre (1979), and A Woman of Valor(1981).
http://www.composersrecordings.com/cd/782.html

Professional Singer/Recording Artist/Educator.She majored in Vocal Performance from the Indiana University School of Music. Ginsburgh “presents over 100 concerts a year in schools, libraries, community centers, museums and festivals throughout North America.” She has been a Louisiana State Roster Artist since 1988 and was named the Louisiana Professional Artist of the Year in 1999. “Judy is a three time Parents Choice Foundation Award winner and she has received a Seal of Approval from the National Parenting Center.” Ginsburgh created a new Jewish Early Childhood Music curriculum with CD called “My Jewish World” for the Union of Reform Judaism and Transcontinental Music.
http://www.judymusic.com/

American. Born January 1, 1936 in New York City. Conductor, pianist. First woman appointed conductor to a metropolitan orchestra and first woman to conduct at Lincoln Center’s Philharmonic Hall. Also the first woman to conduct on a commercially recorded opera. (Massenet’s Le Cid, 1976) Ms. Rabin grew up in an Orthodox Jewish home. A child prodigy, she received a scholarship by age 5. She attended New York City High School of Music and Art. Later she studied at CCNY and conducting at Mannes College of Music. She also studied at the Hebrew Union College School of Sacred Music. Started vocal coaching and rehearsal accompanist at New York City Opera in 1957-(8). Then, in graduate school, studied conducting with Carl Bamberger and later with Joseph Rosenstock at the Metropolitan Opera.…
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A lyric soprano whose voice was often described as  ravishing, Judith Raskin stressed purity of sound, clear diction, and the musical line. Born 21 June 1928, in New York, Judith grew up as an only child of teachers Harry A. Raskin and Lillian Mendelson Raskin. She studied both violin and piano as a child, but discovered singing, and sang in the glee club of Roosevelt High School in Yonkers. She studied voice with Anna Hamlin and acting with Ludwig Donath at Smith College, graduating 1949 with a BA, and along the way winning various scholarships and awards including the Harriet D. Barnum Award. Smith College later also awarded her an honorary MA in 1963. She won the Marian Anderson Scholarship for two years 1952 and 1953, and in 1956 won an award by the Musician s Club of New York.…
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Born 14 July 1904, in Vilna, Lithuania, Nadia Reisenberg moved with her family to St. Petersburg in 1915 where she studied piano at the Conservatory under Leonid Nikolaiev. After the Russian revolution, the family moved, going from Vilna, where Nadia played in the Gelios Theatre accompanying movies, to Poland where she concertized with the Warsaw Philharmonic, to Germany. The Reisenberg s came to America in 1922. Under the helpful largesse of Isaac Sherman, Nadia gave private recitals and began to build a reputation.

With less than one year of study with Alexander Lambert in New York, she gave her American debut on 17 December 1922, playing the Polish Fantasy by Ignace Paderewski, with the composer at the performance in the Century Theatre. With sterling reviews by the press, the young Miss Reisenberg began to receive invitations for more recitals.…
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Israeli. Horn player. Born, Rehovot, Israel, 1970. Studied with Jacob Kling and Yaacov Mishori. Member of Young Israel Philharmonic Orchestra. Won America-Israel Cultural Foundation scholarships. Serve in education corp in Israeli army. Joined Jerusalem Symphony and then Israel Philharmonic 1992. Attended Julliard and studied with Ranier DeIntinis. Currently assistant principal hornist with Israel Philharmonic Orchestra.

Highly regarded klezmer violinist. Also accordionist and vocalist. Studied at violin, Rutgers University. Ethnomusicology, University of Chicago. Member, Klezmer Conservatory Band. Strauss/Warschauer Duo. Leads workshops and classes in the United States and Canada as well as Europe. Faculty, KlezKamp and KlezKanada. Amsterdam International Yiddish Festival and other major Jewish music festivals in Europe and and North America. Discography includes: Josh Waletzky’s Crossing the Shadows, (2002); Sweet Home Bukovina Oriente Musik, (RIEN CD 13, 1998); Klezmer Music A Marriage of Heaven and Earth Ellipsis Arts (CD4090, 1996); Kapelye On the Air Shanachie(LC 5762, 1995); The Singing Waltz (Omega OCD 3027, 1996); Deborah also appears on two Klezmer Conservatory Band CDs: Dance Me to the End of Love (Rounder 11661-3169-2, 2000) and A Taste of Paradise(Rounder 11661-3189-2, 2003).…
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