A terrific picture by Jean Fruth of Cookie Segelstein, klezmer violinist, graces the front cover of Hadassah Magazine this month with a feature article on traditional klezmer music, written by George Robinson. There are lots of photos including Cookie, Josh Horowitz, Stu Brotman, Andy Statman, Alicia Svigals, Pete Rushefsky, Joel Rubin, Michael Winograd, Yale Strom, and others. George does a good job of explaining the branch of klezmer that focuses on traditional folk and how it differs from other groups. Cookie, Josh and Stu have a group called Veretzki Pass, which is an amazing group, especially to hear in person. It might be noted, as his article touches on the topic of sources, that we owe a debt of gratitude to klezmer musicians such as Josh Horowitz and Bob Cohen for years and years of dedicated research in Europe on recovering as much authentic music as possible.… 
An early-bird Chanukah album reached JMWC even before Rosh Hashonah! The Maxwell Street Klezmer Band teamed up with Rabbi Joe Black to create a great Chanukah show for Temple Sholom in Chicago. Now you can join in the fun. It’s more than a children’s album, although there are some great pieces for the kids, especially the new ones composed by Joe Black. He has a great ear for combining lyrics with the American folk and country sound which work well and sound great for kids. There are also some fantastic jazz arrangements with Maxwell Street. Joe Black also has some moving pieces that are for the parents too, such as “Faith is Not A Flag”. Lori Lippitz has such a wonderful voice as everyone knows from over twenty years in previous albums,– and she’s featured in “Chanukah Lights.” Kimber Leigh Nussbaum, a lead singer with the group, is also terrific in “Abi Gezunt”, a song that has been done so many times, it takes a lot of energy to make it fresh.… 
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Debbie Friedman has released a new CD “As You Go On Your Way: Schacharit –The Morning Prayers”. This just released CD has a combination of Debbie’s compositions and melodies to the liturgical texts of the Shacharit, the morning service. Some of the songs on the album are new, but many were composed as long ago as 1972. In a way this retrospective is a perspective piece. The “traditional” repetitions, for example are where the text is more traditional (for example, in the Amidah, the Imahot are included in the non- traditional setting.) The album helps the listener integrate the familiar tunes of Friedman with some chanting of segments of the service. Friedman states in her album “By praying we can understand how each Bracha, each blessing, helps us build a balanced and grateful life.
Ethnomusicology Online
A peer reviewed webjournal with full text and multi-media presentation given in conference format with no bibliographies. Scholarly and general submissions in ethnomusicology and related disciplines are accepted. Homesite is located at the University of Maryland–Baltimore County with mirror sites at the University of California School of Arts and Architecture and University of Bologna Department of Music and Theater. Articles such as: “Music, Myth and History in the Mediterranean: Diaspora and the Return to Modernity” by Michael Bohlman and “On Jewish and Muslim musicians of the Mediterranean” by Amnon Shiloah appear fulltext.
http://research.umbc.edu/eol/