30th Jewish Music Festival East Bay
Some of the Events in San Francisco at the Jewish Music Festival:
Thursday, March 5, 8:00pm, The Klezmatics. Mystical, provocative, reflective and ecstatically danceable! Opening night of 30th Jewish Music Festival. Tickets: $30 general / $26 seniors, students, JCCEB members.
At The New Parish, OAKLAND
Saturday, March 7, 8:00pm, Hazonos, with Cantor Jack Mendelson, Frank London, Anthony Coleman, and Friends. Classical Jewish liturgical music sung by a master. Tickets: $26 general / $22 seniors, students, JCCEB members.
At Temple Sinai, OAKLAND
Sunday, March 8, 8:00pm, Kitka. Yiddish songs with internationally renowned women’s vocal ensemble. Tickets: $26 general / $22 seniors, students, JCCEB members.
At Freight and Salvage, BERKELEY.
More info on all Jewish Music Festival events: 510.848.0237 X126, jewishmusicfestival.org. Tickets: 800.838.3006 or via website.
A terrific picture by Jean Fruth of Cookie Segelstein, klezmer violinist, graces the front cover of Hadassah Magazine this month with a feature article on traditional klezmer music, written by George Robinson. There are lots of photos including Cookie, Josh Horowitz, Stu Brotman, Andy Statman, Alicia Svigals, Pete Rushefsky, Joel Rubin, Michael Winograd, Yale Strom, and others. George does a good job of explaining the branch of klezmer that focuses on traditional folk and how it differs from other groups. Cookie, Josh and Stu have a group called Veretzki Pass, which is an amazing group, especially to hear in person. It might be noted, as his article touches on the topic of sources, that we owe a debt of gratitude to klezmer musicians such as Josh Horowitz and Bob Cohen for years and years of dedicated research in Europe on recovering as much authentic music as possible.… 
FRANK LONDON’S ” A NIGHT IN THE OLD MARKETPLACE”
Song is the Pen of the Soul—An Interfaith Interchange
Oxford University Press has released the scholarly work of Dr. Tina Fruhauf, The Organ and Its Music in German-Jewish Culture. The press descriptions states that the book “examines the powerful but often overlooked presence of the organ in synagogue music and the musical life of German-speaking Jewish communities. Tina Frühauf expertly chronicles the history of the organ in Jewish culture from the earliest references in the Talmud through the 19th century, when it had established a firm and lasting presence in Jewish sacred and secular spaces in central Europe. Frühauf demonstrates how the introduction of the organ into German synagogues was part of the significant changes which took place in Judaism after the Enlightenment, and posits the organ as a symbol of the division of the Jewish community into Orthodox and Reform congregations.… 