Ellen S. Whitaker, a guitar teacher in North Carolina, has created an excellent book of guitar arrangements of Jewish favorite melodies. The book is intended for intermediate to advanced guitar players, with a few easier pieces. It includes a key to the guitar notation used in the work, the texts to the songs in transliteration, occasionally in Hebrew text, with English and an annotation about the meaning of the song along with performance notes about each piece. The guitar music, both solos and duets are presented in a separate section, which is an excellent arrangement of the book for learning and performance. The end of the collection includes an appendix explaining the Jewish modes, a second appendix linking each piece with the mode used, a glossary of each of the musical terms, a bibliography and discography.… 
Ha-Tikva, L’Internationale,
and Yerushalayim shel Zahav:
“Israel in Three Anthems”
A talk by Dr. Michael A. Figueroa,
University of North Carolina at Chapel Hill
Discussant: Dr. Brigid Cohen, Assistant Professor of Music, New York University
Monday, November 28, 2016 at 7pm.
Center for Jewish History
15 West 16th Street
New York, NY 10003
Admission is free. Please RSVP to info@jewishmusicforum.org
This presentation addresses three anthems that have helped shape Israeli society: “Ha-Tikva,” “L’Internationale,” and “Yerushalayim shel Zahav.” In light of three ideological facets represented by these songs—liberation, solidarity, and territoriality—Dr. Figueroa will discuss what constitutes an anthem in Jewish and Israeli history, theorizing a mode of performance he calls the “declamatory style,” in which vocal gestures that blur the distinction between speech and song portend the political value of musical performance.
Chai Variations on Eliahu HaNavi, for solo piano, will be
A terrific picture by Jean Fruth of Cookie Segelstein, klezmer violinist, graces the front cover of Hadassah Magazine this month with a feature article on traditional klezmer music, written by George Robinson. There are lots of photos including Cookie, Josh Horowitz, Stu Brotman, Andy Statman, Alicia Svigals, Pete Rushefsky, Joel Rubin, Michael Winograd, Yale Strom, and others. George does a good job of explaining the branch of klezmer that focuses on traditional folk and how it differs from other groups. Cookie, Josh and Stu have a group called Veretzki Pass, which is an amazing group, especially to hear in person. It might be noted, as his article touches on the topic of sources, that we owe a debt of gratitude to klezmer musicians such as Josh Horowitz and Bob Cohen for years and years of dedicated research in Europe on recovering as much authentic music as possible.… 
“Beyond Boundaries: Music and Israel @ 60” looks at the Present-Day Complexities of Israeli Music
