Melodia Spring Concert Awakening the Spirit in NYC
Melodia’s spring concert Awakening the Spirit will feature the U.S. Premiere of John Rutter’s new work “Visions,” a powerful work that examines the spiritual, religious, and historic importance of Jerusalem as a symbol of “a utopian ideal of heavenly peace and seraphic bliss for redeemed humanity” in four movements.
The violin soloist performing this piece is the wonderful Areta Zhulla, an award-winning young artist who works and trains with Itzhak Perlman. I’ll enclose the details of the upcoming performances of this piece below, but please don’t hesitate to get in touch if you’d like this information in a different format. Thanks so much for considering adding this event to your calendar.
PERFORMERS
Melodia Women’s Choir led by Cynthia Powell, Areta Zhulla (violin), Rita Costanzi (harp), and an all-female string quintet: Rachell Wong, Robyn Quinnett, violins; Stephanie Griffin, viola; Kate Dillingham, cello; and Kathyrn Stewart, bass.… 
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 Nomi Teplow launches her CD “Like a Rushing Spring” .  This is the premier show for Nomi’s new concert series featuring songs from the new CD “Like A Rushing Spring” as well as some of her popular hits.
Nomi Teplow launches her CD “Like a Rushing Spring” .  This is the premier show for Nomi’s new concert series featuring songs from the new CD “Like A Rushing Spring” as well as some of her popular hits. Several times in the last year (or so) there have been concerts for women based on the album by Talia Applebaum Flashes in the Darkness. It deserves another look for the humour, fun,  a bit of blues, a little jazz, a bit of funk, but mostly American folk.  Talia is writing about the stuff of her chosen life with the Breslov Hassidmi, and  the way religious devotion permeates her life, blended into ‘the everyday.’  The music gives a window into that world –that Talia obviously relishes– for the rest of us.  All music and lyrics are by Talia, including blending English and Hebrew with an all female accompaniment.  Occasionally the melody and words don’t quite make it, but most often they do, and music cleverly wraps into the lyric.The best piece, (or maybe better to say, the one more universally related to all Jews’ experience), is “Perservere” with arrangement and piano by Shana Friedman, which could fit into any Jewish denomination’s repertoire.…
Several times in the last year (or so) there have been concerts for women based on the album by Talia Applebaum Flashes in the Darkness. It deserves another look for the humour, fun,  a bit of blues, a little jazz, a bit of funk, but mostly American folk.  Talia is writing about the stuff of her chosen life with the Breslov Hassidmi, and  the way religious devotion permeates her life, blended into ‘the everyday.’  The music gives a window into that world –that Talia obviously relishes– for the rest of us.  All music and lyrics are by Talia, including blending English and Hebrew with an all female accompaniment.  Occasionally the melody and words don’t quite make it, but most often they do, and music cleverly wraps into the lyric.The best piece, (or maybe better to say, the one more universally related to all Jews’ experience), is “Perservere” with arrangement and piano by Shana Friedman, which could fit into any Jewish denomination’s repertoire.…  Chai Variations on Eliahu HaNavi, for solo piano, will be
  Chai Variations on Eliahu HaNavi, for solo piano, will be Shoshana Damari, with a completely distinctive voice, and a career as one of Israel’s favorite singers, died on Tuesday, February 14, 2006 at a hospital in Israel from pneumonia. She was 83. Damari was called by Haaretz newspaper as the “Queen of Israeli Song” , others the “diva of popular song”. Damari was born in Yemen, in the city of Damar, migrating with her family to Israel in 1924. She was  a child prodigy and sang at many functions in her community. As a young teenager, she went to seek her career in Tel Aviv, landing a job at the Li-La-Lo Theater and becoming a permanent cast member. One of her solo numbers was by Shlomo Wilenski, called “Kalaniot” (Anemones) and it became her signature song.…
Shoshana Damari, with a completely distinctive voice, and a career as one of Israel’s favorite singers, died on Tuesday, February 14, 2006 at a hospital in Israel from pneumonia. She was 83. Damari was called by Haaretz newspaper as the “Queen of Israeli Song” , others the “diva of popular song”. Damari was born in Yemen, in the city of Damar, migrating with her family to Israel in 1924. She was  a child prodigy and sang at many functions in her community. As a young teenager, she went to seek her career in Tel Aviv, landing a job at the Li-La-Lo Theater and becoming a permanent cast member. One of her solo numbers was by Shlomo Wilenski, called “Kalaniot” (Anemones) and it became her signature song.…  Three major works by American Jewish composer Meira Warshauer, Ahavah (Love),
Three major works by American Jewish composer Meira Warshauer, Ahavah (Love),