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Artists Bands & Performers

The Jerusalem Lyric Trio

Amalia Ishak, soprano; Wendy Eisler-Kashy, flute; and Allan Sternfield, piano are the trio’s performers. The Jerusalem Lyric Trio is an Israeli ensemble that highlights the religious and cultural heritage of the Jewish people in its performances. Since 1995, they have performed our programs throughout Western and Eastern Europe, the United States, South America, Russia, and of course, Israel.
The Trio’s repertoire, in addition to familiar classical repertoire, includes works inspired by biblical texts, Jerusalem, the landscape of Israel, the Holocaust, and familiar songs (in Hebrew, Yiddish, and Ladino). They have represented Israel in international music festivals, including the Old Testament in the Arts (Prague), Judische Kulturtage (Munich), Musical Spring in St. Petersburg (Russia), The Eighth International New Music Festival (Riga, Latvia), Encuentros (Buenos Aires), Concentus Moravaie (Czech Republic) and the Budapest Spring Festival 2000.…
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Artists Bands & Performers, Biographies

Denburg, Moshe

Moshe Denburg (b. 1949) grew up in Montreal, Canada, in a religious Jewish family. His first musical influences were the singing and chanting of the Synagogue and his mother’s singing of Jewish and Israeli folksongs. His musical career has spanned over 3 decades and his accomplishments encompass a wide range of musical activities, including Composition, Performance, Jewish Music Education, and Piano Tuning. His compositions have been performed in many parts of the world and as a Performer/Composer he has recorded and toured with his ensemble Tzimmes all over North America.

Mr. Denburg has studied music extensively, both formally and informally. He has travelled worldwide, living and studying music in New York (1965-66), Israel (1966-73), Montreal (1973-78), Toronto (1978-82), India (1982-83; 1985-86), and Japan (1985). From 1986-90 he studied composition with John Celona at the University of Victoria, Canada.…
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Concerts, WHERE: USA_NY

ILLUMINATIONS: JEWISH MYSTICISM TO AMERICAN ROOTS

ANDY STATMAN
SATURDAY, NOVEMBER 6, 2004 8:30 PM
Jack H. Skirball Center for the Performing Arts @ NYU
566 LaGuardia Place at Washington Square South, NYC

$30; students $15
Box office (212) 992-8484
Online tickets: skirballcenter.nyu.edu
Info/charge (212) 545-7536 worldmusicinstitute.org
…”a master of two idioms linked by their demands for virtuosity and
their down-home origins” –THE NEW YORK TIMES

Artists Bands & Performers, Biographies, Women in Jewish Music

Yarkoni, Yaffa

Born in Israel in 1925, Yarkoni has had a successful singing career in the new State of Israel, starting off singing songs of the Palmach. She was a radio operator during Israel’s War of Independence. She started singing for large groups at that time, appearing in the army choral troupe and continued to bolster the nation’s morale through many of the tough wars for the next fifty years and became known as “the Singer of the Wars.” In 1967, Yarkoni was chosen to sing “Jerusalem of Gold” in front of the Western Wall after Israel recaptured the city. She traveled throughout the world singing Israel’s new Hebrew songs to sell-out audiences in world venues such as New York’s Carnegie Hall, the Paris Olympia and London’s Palladium.…
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Artists Bands & Performers, Biographies, Women in Jewish Music

Ellen Schiller, Benjie

Cantor Benjie Ellen Schiller is both the first woman to be a full time faculty member at the School of Sacred Music at Hebrew Union College-Jewish Institute of Religion in New York and a composer of sacred music. Born in New York on April 14, 1958 to Miriam and Nathan Schiller, Cantor Schiller studied voice and composition, and received a B. M. in Theory and Composition at Boston University in 1980. She continued graduate studies there in voice and choral conducting, and shortly thereafter, married Rabbi Lester Bronstein in June, 1981.

She attended the School of Sacred Music of Hebrew Union College in New York and was invested in 1987. Her Master Thesis composition was “Life Song Cycle.” Cantor Schiller also became a full time faculty member and taught courses in cantillation, basic nusach (prayer modes) and the in-depth study of repertoire for Shabbat.…
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Artists Bands & Performers, Biographies, Women in Jewish Music

Schecter, Basya

Pharoah’s Daughter, is a band featuring Basya Schechter, Tracey Love-Wright, Martha Colby, Jen Gilleran, Jarrod Cagwin, Tomer Tzur, and Benoir. Their music is exotic and innovative, utlizing elements of Sephardic, Middle Eastern and modern Western sounds. The website features press reviews of concerts and their cd’s. The links lead to places to purchase the cds. The new music blends Jewish traditions with world beat music. He new CD Haran, released in 2007, combines “hasidic psychedelic rock” with complex Middle Eastern instrumentation. Her other albums include Queen’s Dominion(2004), Exile(2000), Out of the Reeds (2000) and Daddy’s Pockets (1999).

http://www.pharaohsdaughter.com/

Classical or Jewish art music, Lectures, WHERE: USA_NY

New Jewish Music Forum

The Jewish Music Forum, a new initiative of the American Society for Jewish
Music, an affiliate of the American Jewish Historical Society at the Center
for Jewish History, is pleased to announce its inaugural academic seminar
series. This ongoing seminar will feature leading scholars presenting new
research findings and theoretical contributions to the academic study of
Jewish music. All events are free and open to the public.

Jewish Music Forum
Spring 2005 Academic Seminar
“The Study of Music in Jewish Life”

January 28
Professor Kay Kaufman Shelemay, G. Gordon Watts Professor of Music at
Harvard University, Inaugural Lecture, “Memory and History in Jewish Music”

February 11
Professor Edwin Seroussi, Emanuel Alexandre Professor of Musicology at the
Hebrew University in Jerusalem, “Studying Jewish Music in Israel:
Achievements, Failures and Challenges for the Future”
Guest chair and respondent: Professor Stephen Blum, City University of New
York

March 11
Professor Judah M.…
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Artists Bands & Performers, Biographies, Women in Jewish Music

Michelassi, Cindy

Jewish song leader. American. Works in Chicago’s western suburbs, providing the music for Shabbat services, Family services, Tot Shabbat, Holiday services and programs, camps and retreats. Cindy is a graduate of the 1995 Synagogue Leadership Institute and the 1995 Rabbinic Aid program, both sponsored by the Union of American Hebrew Congregations. She is a 10 year veteran of Hava Nashira, the annual Song Leading and Music Conference held at Olin-Sang-Ruby Union Institute in Oconomowoc, Wisconsin.
http://home.xnet.com/~rtm/

Artists Bands & Performers, Biographies, Women in Jewish Music

Frankel, Judy

American. Singer. Sang primarily Ladino folk songs, preserving the music of Jews descended from the expulsion from Spain in 1492. Ladino is a language that’s a mixture of Hebrew and Spanish, which the Sephardic community has preserved over 500 years. Born Judith Bradbury on Aug. 12, 1942, Judy Frankel grew up in Boston and graduated Boston University in 1969. She worked for a while as an elementary school teacher, but moved to San Francisco and refocused her life work on music. Ms. Frankel lived on the West Coast, and performed in elderly housing settings and other Jewish venues. She sang with the San Francisco Symphony Chorus for 10 years. She was a soloist in the San Francisco Consort, an early music group she helped to form around 1980.…
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Artists Bands & Performers, Biographies, Women in Jewish Music

Achishena, Tziona

Tziona Achishena Closeup

American-born Israeli. Tziona Achishena provided this autobiographical sketch: “Tziona’s Achishena’s rich and soulful voice weaves its way through her new disc, “Miriam’s Drum”, created in collaboration with percussionist Shani Ben Canar. The album features original melodies to ancient Hebrew prayers “received” through her intuitive musicianship, and enlivened by world class percussion, transcendent harmonies, and inspired vocal improvisation. The album’s release marks the culmination of years of musical and spiritual searching. Interestingly, this process began, not through music training, but through dance. From early childhood to her first years in college at Berkeley, Tziona spent much of her time in the dance studio, studying all the major western dance forms from Ballet to Modern dance. At home, however, she was singing; and experiencing through her voice the beginnings of a sense of the revelation of soul.…
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FILM, WHERE: Great Britain

The Sound and Light Cinematic Duo

The Sound and Light Cinematic Duo (Merlin Shepherd/ clarinet, bass clarinet and Polina
Shepherd / piano) are performing new and traditional Jewish music to accompany the Yuri
Morozov Jewish Film Archive (Kiev).
and as part of the UK Jewish Film Festival

17th October, London, the Screen on the Hill
14th November, Birmingham, Mac
18th November, Manchester, The Cornerhouse
28th November, Nottingham, Broadway Cinema
also as part of the Brighton Festival of Jewish Music

5th December, Brighton, Sallis Benny Theatre
for more information http://www.ukjewishfilmfestival.org.uk/

Online Bibliographies, Articles and Texts

Hassafon-Mussik

A Jewish community site from Trondheim, Norway dedicated to the “private, non-profit, non-denominational resource site for Jewish religion and culture with the primary focus on Western Sephardic traditions, mainly the Spanish and Portuguese traditions of NW Europe and the Americas, and a secondary focus on Litvak, Hamburg and Scandinavian Ashkenazi traditions.” In the music section, which is in Norwegian, there is a history of Sephardic music, along with online scores of various pieces and samples of music from Emanuel Aguilar and the Rev. D.A. de Sola’s Talelé zimrá(Sephardi melodies : being the traditional liturgical chants of the Spanish & Portuguese Jews Congregation, London. These are interesting samples of music that may not be as familiar to Americans.
http://utne.nvg.org/j/shir/index.html…
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Book and Score Reviews

What to Listen For in Jewish Music

By Charles Heller

Heller covers the basics. He does so in a rather quirky way with very short, self-contained chapters. On the one hand, the book presumes one can read notes and there are many musical illustrations. On the other hand, he has some basic music hints –such as an illustration on how to relate notes on the score to a picture of a piano, or what a major and minor chord sound like –examples which makes the book seem as if it’s intended for those who have a very hard time reading music and no music theory background at all. It does seem difficult to me to explain Jewish modal theory if one doesn’t have the basics of a western scale firmly mastered. Somehow I’m having a hard time understanding this book’s audience as the author envisioned it.…
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Books, Concerts, Klezmer, Lectures, WHERE: USA_NY

Klezmer: Music, History and Memory Lecture & Music at NYPL

Klezmer: Music, History and Memory: Aesthetic and Cultural Dimensions
published by Oxford University Press, Fall 2016

Lecture and Musical program
Thursday, December 22 at 6:30 PM – 8:30 PM

Mid-Manhattan Library, New York Public Library (NYPL)

455 5th Ave, New York, New York 10016


A lecture and musical program with Dr. Walter Zev Feldman (author, cimbal) and Deborah Strauss (violin)

This event is free and open to the public on a first-come, first-served basis, and is generously sponsored by the Dorot Jewish Division in cooperation with Yiddish New York and the Center for Traditional Music and Dance.

https://www.nypl.org/events/programs/2016/12/22/klezmer-music-history-and-memory
From the NYPL announcement:

Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times – the Ashkenazim of Eastern Europe.…
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Starting Research in Jewish Music

Introduction

This is a guide to library research in the field of Jewish music. It contains a selective list of resources that may be helpful for getting started. For additional assistance with research, consult your local librarian or write to me on email.

Analyzing your research question

For help narrowing your subject for research or with help in formulating your questions to make
them appropriate for online research, read this brief guide.

Research the vocabulary:

In looking for resources in Jewish music, the student should start not only with traditional Library of Congress Subject Headings such as “Jews–music” or “Synagogue music”, but keyword searching. Keyword searching is an important component of any search today and especially on Internet sources. Here are some samples of additional ways to access unknown materials and focus searching in catalogs, databases and online sources:

Using variations: Jews, Jewish, Judaic, Judaism, Jewry

Synonyms and/or related terms: Israeli, Yiddish, Ladino, Hebrew, Yemenite, Sephardic, Ashkenazic, Palestinian, Middle Eastern

Narrower or specific terms: nusach, masoretic chants, chazan, synagogue, avodat hakodesh, klezmer, kol nidrei, Koenigsberg tradition

Word variations or language transliterations: cantor, chazan, hazan, hazon, kanter

Corporate authors or institutions in note fields: Hebrew Union College, Ktav, Transcontinental, Bloch Publishing, Rubin Academy, Hebrew University

Societies or organizations: American Society of Jewish Music, Renanot Institute, Yeshiva University, YIVO, National Yiddish Book Center

Publication medium: sound recordings, videocassette, score, manuscript

Performance groups: Western Wind, Zamir Chorale, Poogy, Arbel

Names: Andy Statman, Debbie Friedman, Hankus Netsky, Srul Glick, Simon Sargon, Ben Steinberg, Nathan Lam, Shlomo Carlbach, Max Janowsky

Broader/and or Related Subject Headings: liturgical music, synagogues; Yiddish theater; Jewish culture; cantillation; manuscripts, Hebrew art song; chants (Jewish); folk song (Jewish); klezmer; Jewish musicians; zemirot; passover songs; Songs, Hebrew; Songs, Yiddish; Music in the Bible; Music in Synagogues; Psalms;

Foreign terms: schir; shirim; megillah; Hebraische Musik; Yehudiym; yidishe; Jiddische lieder; z’mirot; zemirot; nigun; lider; lieder

Encyclopedias and Dictionaries

TITLES
LOCATIONS
Nulman, Macy.
…
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About Cantorial Music

Navigating the Bible II

Thanks to ORT, there is the Online Bar/Bat Mitzvah Tutor. The entire Torah, and Haftorah sections, verse by verse, are available online with sound files, Hebrew with trop, and Hebrew text as it appears in a tikkun to practice. The English translation and transliteration appear next to each text. The site is also divided by traditional reading sections of the Jewish Torah service and cycle. A section on “singing” allows the reader to learn the trop with sound files, Western notation and highlighted Hebrew text. This is a complete site for learning to chant Torah portions.
http://bible.ort.org/intro1.asp?lang=1

Book and Score Reviews

Sephardisches Liederbuch (The Sephardic Songbook): 51 Judenspanische Lieder (51 Judeo-Spanish Songs)

Collected and edited by Aron Saltiel With Transcriptions and an introduction by Joshua Horowitz

The Sephardic Songbook is an academic work, based on original fieldwork taken between 1976 and 1996 in Bat-Yam, Sarajevo, Thessaloniki, and Istanbul among other places. The transcriptions are based on vocal traditions taken from informants, usually performed without any accompaniment. The book attempts to “be true to” the performance style of the informants. Standard notation is used. Harmonies are not provided in order to preserve the “modal character of most of the songs”.

An extensive and detailed introduction discusses the difficult issues surround vocal style, modal performance practicies, tempi, meter and rhythm, vocal ornamentation, microtonality and other factors affecting the true nature of the works.

The Songbook is completely bilingual in German and English, providing translations into both German and English for each song, as well as the text of the Introduction and the ‘Annotations’ description section at the back of the book.…
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About Cantorial Music, Cantillation / Nusach

Multi-media Seder Hazanoet

A Dutch website with excerpts of cantorial singing in the Dutch tradition, the Western Sefardic Music Tradition. According to Barry Mehler, the musical director of Santo Serviço (Portuguese Synagogue Choir), the melody of Mizmor leDavid was composed on commission for the Portuguese Synagogue in Amsterdam just after the turn of the (20th) century by Victor Schlesinger.
http://home.zonnet.nl/sondervanfrank/index.htm

Choral Music Groups and Organizations

 

View as List >…
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Places to study Jewish Music: Schools

Department of Musicology, Hebrew University

The website states: “The Musicology Department, part of the Faculty of Humanities at the Hebrew University of Jerusalem, was founded in 1965 by the late Professor Alexander Ringer from the University of Illinois at Urbana-Champagne. It was the first such department to be founded in Israel, and already in its first decade of existence it boasted such distinguished faculty members as Israel Alder, the late Bathja Bayer, Jehoash Hirshberg, Don Harrán, Josef Tal, Dalia Cohen, Ruth Katz, and Amnon Shiloah. Then as in nowadays, the Department seeks to advance knowledge and research of music as a multifaceted phenomenon having varied manifestations, in conjunction with both local and global contexts, and with an emphasis on interdisciplinary approaches. The Department offers courses in three major areas: historical musicology, ethnomusicology, and theory.…
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Places to study Jewish Music: Schools

The Academy for Jewish Religion, California (AJR, CA)

Located at the Yitzhak Rabin Hillel Center for Jewish Life at UCLA, The Academy for Jewish Religion, of California is a pluralistic Rabbinical and Cantorial Seminary and Chaplaincy Program. AJR, CA’s Cantorial Seminary is the only Cantorial school in the Western United States and its’ Dean, Hazzan Nathan Lam, is the hazzan of Stephen S. Wise Temple, the largest congregation in the world. The Cantorial Seminary trains men and women to become cantors who will be a living resource of the varied aspects of the Jewish musical tradition – with mastery of the melodies and chants for Jewish prayer, and of the music for home, school and community. This mastery, coupled with the ability to impart and inspire, includes the contemporary modes and sounds, which resonate with today’s generation.…
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Choral

Mak’hela developing Jewish SATB Community Chorus

In Western Massachusetts a new Jewish chorus that meets weekly in Northampton formed this past year. They’re about to begin a second full year, and have about 60+ dedicated singers with professional leadership (Kayla Werlin is our Music Director) and piano accompaniment. The repertoire has grown to include classics (Lewandowski, Sulzer, Janowski, Rossi, Bloch), Yiddish and Hebrew folk material, and some newer music (Horvitt, Stern, Rubin, Broad). The group has also done choruses from Handel and Verdi, and “The Last Words of David” by Randall Thomson. more info… adavis0129@yahoo.com

Musica Judaica Issues: 1986-87, Volume IX

This Table of Contents Service is provided by The Jewish Music WebCenter on behalf of The American Society for Jewish Music.

Volume IX. Number 1. 5748/1986-87

Editor:
Israel J. Katz

Associate/Review Editor, Neil W. Levin

CONTENTS  
Chant and Cantillation Johanna Spector p.1
Folk Music in the Urban German-Jewish Community 1890-1919Philip V. Bohlman p.22
Fumio Koizumi of Japan: An Asian's Use of the Concepts of Melody Found in the Works of Abraham Z. Idelsohn, Robert Lachmann, and Curt SachsJames Siddons p.35
Ami Maayani and the Yiddish Art Song (Part II)Laya Harbater Silber p.47
Hebrew as an Elucidator of Concepts in Western MusicVered Cohen p.65
In Memoriam: Reuven Kosakoff (1898-1987)Sharon Kosakoff p.68
Book Reviews: Letter to the EditorBernard Beer p.76
Book Reviews: A Reply to Cantor BeerNeil Levin p.77
p.77
Book Reviews: Adaqi, Yehiel, and Uri Sharvit.
…
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Artists Bands & Performers, Biographies

Yedid, Yitzhak

Pianist and composer. “Yitzhak Yedid’s music reflects a multitude of ethnic and cultural aspects of modern-day Israel. The composer/pianist is working on a synthesis of traditional musical patterns from his native country and contemporary Western music. In this real ‘meeting of cultures’, Oriental melos (Arabian and Jewish scales or the micro-tonality which is so typical of the Middle East and the Mediterranean) encounters New Music and jazz improvisation.”
http://www.monica-fallon.com/artists/yitzhak_yedid.htm

CD Releases

String Quartets by Milhaud, Zorn, Secunda, Schonthal and Binder Released on CD by Milken Archive

String Quartets
The Milken Archive of American Jewish Music Releases Its 40th CD–
Jewish String Quartets by Darius Milhaud, Sholom Secunda, John Zorn, Ruth Schonthal and Abraham Wolf Binder on Naxos American Classics.
Jewish String Quartets [8.559451]
is a unique collection of Judaically inspired, 20th-century string quartets. Written by five highly individual and stylistically diverse composers, this latest CD features the imaginative intersection of Jewish melodies, motifs or historical sensibilities with one of the cornerstone genres of the Western musical canon, the string quartet. This intimate medium has historically been a prism for a composer’s most personal musical statements, and that tradition is upheld in the pieces heard on this new disc.
Featuring:
Compositions by Darius Milhaud, Sholom Secunda, John Zorn, Ruth Schonthal and Abraham Wolf Binder with
performances by the Juilliard String Quartet, the Bochmann String Quartet, the Bingham String Quartet, and a quartet formed specially for the Zorn composition.…
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