LEIB GLANTZ PROJECT Online at FAU
The Leib Glantz Project Team announces that the website of the LEIB GLANTZ PROJECT is now up and running on the Florida Atlantic University website.
This following last year’s publication of the 500-page book THE LEIB GLANTZ PROJECT that included three audio compact disks.
You can gain access to this website by logging on to:
https://rsa.fau.edu
The website is defined as “Sound ‘n Scores” – a project of the Recorded Sound Archives at Florida Atlantic University Libraries in Boca Raton. It is a unique online approach to music studies, which combines the experience of hearing recorded sound tracks while viewing corresponding sheet music.
The website contains 43 Leib Glantz compositions, organized into seven content areas in the order they are performed in Jewish prayer services.
Displayed pages of over 100 scores of new arrangements composed by several world famous musicians, many by Raymond Goldstein in collaboration with Cantor Naftali Herstik.…
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Ilana Cravitz has released a new book exploring traditional klezmer music. It’s a teaching guide, accompanied by a CD, and helps the student delve into the style of klezmer playing. Seckund and bass parts pull out for handy playing with friends. Cravitz explains bowing techniques, includes a brief history of klezmer, and the modes of each piece. Each of the sixteen tunes has a listening track to help learn performance technique. She also gives suggestions for effective variations and interpretations from the written score. In the appendix is a helpful chart explaining the dance style that goes with the various tunes, a Yiddish glossary and pronunciation guide, a bibliography and a discography. She also gives helpful suggestions about arranging melodies in sets, or groups of tunes that will work well together without a break.…
Ellen S. Whitaker, a guitar teacher in North Carolina, has created an excellent book of guitar arrangements of Jewish favorite melodies. The book is intended for intermediate to advanced guitar players, with a few easier pieces. It includes a key to the guitar notation used in the work, the texts to the songs in transliteration, occasionally in Hebrew text, with English and an annotation about the meaning of the song along with performance notes about each piece. The guitar music, both solos and duets are presented in a separate section, which is an excellent arrangement of the book for learning and performance. The end of the collection includes an appendix explaining the Jewish modes, a second appendix linking each piece with the mode used, a glossary of each of the musical terms, a bibliography and discography.…