Yearly Archives: 2017

‘When We Remembered Zion’: The New Budapest Orpheum Society Commemorates Yom HaShoah

‘When We Remembered Zion’: The New Budapest Orpheum Society Commemorates Yom HaShoah
Monday, April 24, 2017
Pre-concert talk at 6:30 pm by Dr. Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, University of Chicago
Concert at 7 PM

Drawing from repertories of Jewish song from the Holocaust gathered from the cabarets, camps, ghettos, theaters, and films New Budapest Orpheum Society bears witness to those murdered, those who resisted, and those who must not be forgotten. In this concert commemorating Yom HaShoah, the New Budapest Orpheum Society honors composers Hermann Leopoldi, Friedrich Hollander, Imré Kálmán,

Hans Eisler/Bertolt Brecht, and Erich Korngold, whose musical contributions trace
a path to the European Jewish past resounded once again.

Center for Jewish History | 15 West 16th Street | New York, NY 10011
This program is co-sponsored by the Leo Baeck Institute, the YIVO Institute for Jewish Research, and the American Jewish Historical Society.


CONTINUE READING >

Melodia Spring Concert Awakening the Spirit in NYC

Melodia’s spring concert Awakening the Spirit will feature the U.S. Premiere of John Rutter’s new work “Visions,” a powerful work that examines the spiritual, religious, and historic importance of Jerusalem as a symbol of “a utopian ideal of heavenly peace and seraphic bliss for redeemed humanity” in four movements.

The violin soloist performing this piece is the wonderful Areta Zhulla, an award-winning young artist who works and trains with Itzhak Perlman. I’ll enclose the details of the upcoming performances of this piece below, but please don’t hesitate to get in touch if you’d like this information in a different format. Thanks so much for considering adding this event to your calendar.

PERFORMERS
Melodia Women’s Choir led by Cynthia Powell, Areta Zhulla (violin), Rita Costanzi (harp), and an all-female string quintet: Rachell Wong, Robyn Quinnett, violins; Stephanie Griffin, viola; Kate Dillingham, cello; and Kathyrn Stewart, bass.…
CONTINUE READING >

Steal a Pencil for Me and More in NY

Wednesday, April 26, 2017, 7:30 p.m.

JTS will host a performance of excerpts and discussion of two important new operas: As One (music by Laura Kaminsky, libretto by Mark Campbell and Kimberly Reed), following a transgender woman’s journey to self-acceptance. The other is Steal a Pencil for Me (music by H. L. Miller Cantorial School Assistant Professor Gerald Cohen, libretto by Deborah Brevoort), the story of a real-life couple who fell in love while imprisoned in Nazi concentration camps. Following the performance, the two composers, Laura Kaminsky and Gerald Cohen, will discuss their operas’ creation. Cantor Nancy Abramson, director of H. L. Miller Cantorial School, will moderate the discussion.

Tickets: $10

For Tickets: https://www.wizevents.com/register/register_add.php?sessid=8244&id=5114

JTS is located at 3080 Broadway, New York, NY 10027

All students with ID—as well as JTS alumni, faculty, students, and staff—may request up to two free tickets each.…
CONTINUE READING >

HaZamir Event at the Met in NYC

 

HaZamir, the International Jewish High School Choir will have a concert on Sunday, Marcy 26, 2017 at the Metropolian Opera House in New York City, located at Broadway and 64th Street in Manhattan. The event takes place at 4pm and is a Gala Fundraiser for the group.

HaZamir is a network of 35 teen choral chapters across North America and Israel, involving over 400 teen singers in a highly structured music and education program. Through the medium of Jewish choral music, HaZamir, directed by Vivian Lazar, treats teens to a fun and nurturing community, inclusive of all levels of Jewish observance, geography, cultural and socio-economic backgrounds. HaZamir builds an inclusive and positively identified community of young Jews and instills a lifelong commitment to Jewish culture, the Jewish people and the State of Israel. …
CONTINUE READING >

Triangle Fire an opera by Leonard Lehman in NYC

You may be interested in attending a performance of a new one-act opera, Triangle Fire, with music by Leonard Lehrman and a libretto by Ellen Frankel.  It’s being performed Saturday, March 25, 2017, at 8:00 pm – $10 suggested donation; no one turned away

at 8 PM
at New York University, Room 220, 32 Waverly Place (at the corner of University Place).

The opera, a Puffin Foundation commission, commemorates the fire that broke out at the Triangle Shirtwaist Factory on March 25, 1911, killing 146 garment workers, most of them young Jewish and Italian women, recently arrived from Europe.  It was one of the worst industrial accidents in American history.

For further information: www.tinyurl.com/TriangleFire-Opera

About the Creators
Composer: Leonard Lehrman‘s previous works include  A Requiem for Hiroshima (with Lee Baxandall), E.G.: A Musical Portrait of Emma Goldman (with Karen Ruoff Kramer), and Sacco and Vanzetti (with Marc Blitzstein).
CONTINUE READING >

Ensemble Lucidarium Summer Jewish Renaissance Music

Here’s some information about a tuition-free course Ensemble Lucidarium
will be giving in Venice this Summer. It’s an opportunity to make music and learn about the Italian cantorial tradition and Jewish Renaissance music while living in the city itself, and
will feature lectures various aspects of Venetian culture, an in-depth
guided visit to the Ghetto and Jewish Cemetery and a traditional Italian
Shabbat service.  There will be a workshop on old Jewish song, and you can
even try your hand at traditional Italian percussion…

The Music of the Merchant:  Summer course in Venetian Renaissance and Italian Jewish Music”

July 24 – 30, 2017,

Fondazione Giorgio Cini, Isola San Giorgio Maggiore,
Venice, Italy.
Ensemble Lucidarium
Enrico Fink: Italian cantorial tradition, Jewish song, voice
Avery Gosfield: instrumental ensemble, Jewish song, recorder, pipe and tabor
Gloria Moretti: vocal ensemble, voice
Francis Biggi: instrumental ensemble, mixed ensemble, plucked strings
Massimiliano Dragoni: traditional and early percussion, hammer dulcimer

Workshops on: repertoire linked to carnival and the Commedia dell’Arte;
the reconstruction of Jewish song in the 16th century; the Italian Jewish
tradition.…
CONTINUE READING >

Nefesh Mountain

Jewish Bluegrass.  Last week a nice article appeared in the Forward about Nefesh Mountain and other “Americana” styles of music mixing with Jewish music.  http://forward.com/schmooze/359812/the-unexpected-smash-success-of-jewish-bluegrass-music/

There’s lots more music out there. Here’s a great YouTube of Nefesh Mountain singing their own version “Hinei Ma Tov.”  Enjoy!

https://www.youtube.com/watch?v=mXmb-rAJ1vc

Rabbi Jeffrey Summit’s “Singing God’s Words” at Jewish Music Forum

On Monday, February 13, 2017 at 7pm, Rabbi Jeffrey A. Summit, Ph.D. will speak about his new book, Singing God’s Words: The Performance of Biblical Chant in Contemporary Judaism (Oxford University Press, 2016).

This book is the first in-depth study of the meaning and experience of chanting Torah among contemporary American Jews, describing how this ritual is shaped by such forces as digital technology, feminism and contemporary views of spirituality.

Rabbi Summit will be joined by discussants Dr. Mark Slobin, Winslow-Kaplan Professor of Music Emeritus at Weleyan University and Cantor Richard Cohn, Director, Debbie Friedman School of Sacred Music, Hebrew Union College-Jewish Institute of Religion.

Center for Jewish History | 15 West 16th Street | New York, NY 10011

This program is co-sponsored by the American Jewish Historical Society.


CONTINUE READING >

Graduate Seminar on Topics in Jewish Music at YIVO

Graduate Seminar on Topics in Jewish Music
Taught by Dr. Neil Levin, Visiting Professor-in-Residence

This eight session graduate seminar, YIVO’s first such seminar in music, will embrace an array of topics within the wider spectrum of Jewish Studies related to the music of Jewish experience or connection—secular-cultural as well as sacred-liturgical aspects—according to the interests and pursuits of the participants.

This seminar is open to graduate students within any department at all colleges, universities or conservatories. It is not restricted to those within music departments per se, but also open to those pursuing Jewish Studies in general—especially history, literature, theatre, liturgy, or other sub-fields of Jewish Studies—who may have special interest in related music in terms of context and interdisciplinary consideration.

With prior approval, undergraduate (college, university, or conservatory) students may also be permitted to participate—both those with an interest in a particular area of Jewishly-related music and those who may be pursuing related term papers or projects.…
CONTINUE READING >